In re Live Concert Antitrust Litigation

247 F.R.D. 98, 2007 WL 4291967
CourtDistrict Court, C.D. California
DecidedOctober 22, 2007
DocketNo. 06-ML-1745-SVW (RCx)
StatusPublished
Cited by22 cases

This text of 247 F.R.D. 98 (In re Live Concert Antitrust Litigation) is published on Counsel Stack Legal Research, covering District Court, C.D. California primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
In re Live Concert Antitrust Litigation, 247 F.R.D. 98, 2007 WL 4291967 (C.D. Cal. 2007).

Opinion

ORDER GRANTING PLAINTIFFS’ MOTION FOR CLASS CERTIFICATION [79] AND DENYING DEFENDANTS’ MOTION FOR JUDGMENT ON THE PLEADINGS [74]

STEPHEN V. WILSON, District Judge.

I. INTRODUCTION

This Multi-District Litigation (“MDL”) consists of twenty-two class actions from across the country against Defendant Clear Channel Communications, Inc. and its subsidiaries.1 The Plaintiffs, individuals who [100]*100purchased tickets to live rock concerts, allege that Clear Channel and its subsidiaries engaged in unlawful and anticompetitive activities to acquire, maintain, and extend its monopoly power in various regional ticket markets for live rock concerts. In each of the twenty-two class actions, the Plaintiffs filed substantively identical complaints which allege three causes of action: (1) monopolization in violation of 15 U.S.C. § 2; (2) attempted monopolization in violation of 15 U.S.C. § 2; and (3) unjust enrichment. Plaintiffs seek damages and injunctive relief.

For purposes of efficiency, the Court ordered that discovery be initially limited to the five regional markets of Boston, Chicago, Denver, Los Angeles, and New Jersey/New York. See (Order Narrowing the Scope of Class Discovery, Nov. 1, 2006.) The Court ordered the Plaintiffs to file motions for class certification in these five markets pursuant to an attached discovery schedule. (Id.)

Plaintiffs filed motions for class certification in the five test cities on March 7, 2007. Defendant filed a motion for judgment on the pleadings on Plaintiffs’ second cause of action on March 6, 2007. The Court held a hearing on June 4, 2007 at which time both parties presented expert testimony. The Court ordered the parties to submit supplemental briefing concerning class certification following the hearing. Both Plaintiffs and Defendants also supplemented the class certification record with additional evidence following the hearing.

II. FACTUAL ALLEGATIONS

The Plaintiffs allege that Defendant Clear Channel engaged in unlawful and anticom-petitive activities to acquire, maintain, and extend its monopoly power in various regional markets for live rock concerts.

A. The Parties

Plaintiff Malinda Riley is a resident of Chicago, Illinois. (Riley Compl. ¶ 9.) Plaintiff Margaret Thompson is a resident of Los Angeles, California. (Thompson Compl. ¶ 9.) Plaintiff Lauren Hammer is a resident of Boulder, Colorado. (Hammer Compl. ¶ 9.) Plaintiff Kevin MacLaughlan is a resident of Medford, Massachusetts. (MacLaughlan Compl. ¶ 9.) Plaintiff Hayes Young is a resident of New Jersey. (Young Compl. ¶ 9.) All of the Plaintiffs purchased one or more tickets to rock concerts promoted by Defendants in their respective regions during the defined class period. (Riley Compl. ¶ 9; Thompson Compl. ¶ 9; Hammer Compl. ¶ 9; Young Compl. ¶ 9; MacLaughlan Compl. ¶ 9.)

Defendant Clear Channel Communications, Inc. (“Clear Channel Communications”) was incorporated in Texas with its principal place of business in Texas. (Riley Compl. ¶ 10.)2 Defendant Clear Channel Radio, Inc. (“Clear Channel Radio”) is a wholly-owned subsidiary of Clear Channel Communications. (Riley Compl. ¶ 12.) Clear Channel Radio was incorporated in Nevada with its principal place of business in Kentucky. (Riley Compl. ¶ 12.) Defendant Clear Channel Broadcasting, Inc. (“Clear Channel Broadcasting”) was incorporated in Nevada with its principal place of business in Texas. (Riley Compl. ¶ 13.)

SFX Entertainment, Inc. (“SFX”) was one of the world’s largest promoters and venue operators for live entertainment events in the late 1990s. (Riley Compl. ¶ 14.) Clear Channel Communications acquired SFX in 2000 and changed SFX’s name to Clear [101]*101Channel Entertainment, Inc. (“Clear Channel Entertainment”) in July 2001. (Riley Compl. ¶¶ 11, 14.) Clear Channel Entertainment is a wholly-owned subsidiary of Clear Channel Communications and was incorporated in Delaware with its principal place of business in New York., (Riley Compl. ¶¶ 11,-14.) In December 2005, Clear Channel Communications spun-off Clear Channel Entertainment as a publicly traded company named Live Nation, Inc. (“Live Nation”). Live Nation was incorporated in Delaware with its headquarters in California. (Riley Compl. ¶ 14.) When all of the Defendants are referenced collectively, the Court will refer to them as “Clear Channel.”

B. The Concert Promotion Industry

Musical artists contract with booking agents to serve as the artists’ authorized representatives concerning the booking of live concerts. (Riley Compl. ¶ 19.) Booking agents “sell” concerts to concert promoters. (Id.) The concert promoter subsequently “resells” the concert to the public in the form of a concert ticket. (Id.)

The concert promoter is financially responsible for the concert. For example, the concert promoter is responsible for advertising and marketing the concert (e.g. promoting the concert on the radio). (Id. ¶20.) Also, the concert promoter is responsible for concert expenses such as transportation, hotel costs, sound and lighting equipment, security, ushers, ticket takers, and stage managers. (Id.) Additionally, the concert promoter is responsible for securing the venue for the concert. (Id.) Whether the promoter earns a profit depends on the revenue generated from ticket sales and other sources of income such as sponsorship deals, food and beverage sales, and merchandise sales. (Id. ¶ 21.)

C. Overview of Clear Channel Communications

Clear Channel Communications is a publicly-traded, multimedia corporation. Clear Channel is the largest owner of radio stations in the United States. (Riley Compl. ¶ 24.) The 1200 radio stations owned or programmed by Defendant dwarfs its next largest radio competitor, Infinity Broadcasting Corp., which operates only 183 stations. (Id.) Clear Channel’s radio stations reach more than 110 million listeners nationwide each week. (Riley Compl. ¶ 25.)

As noted above, Clear Channel entered the live entertainment business in August 2000 when it acquired SFX Entertainment, Inc.3 (Riley Compl. ¶ 23.) SFX was one of the largest national concert promoters following SFX’s acquisition of several independent concert promoters in 1997. (Id. ¶ 23.) With the acquisition of SFX, Clear Channel generates approximately 70% of concert ticket revenue in the United States. (Id. ¶28.) Clear Channel produces more than 26,000 live entertainment events per year, and owns or controls more than 135 live entertainment venues. (Id. ¶ 24.) Clear Channel produced major music tours including U2, Madonna, Janet Jackson, N’SYNC, Britney Spears, Backstreet Boys, Dave Matthews Band, The Rolling Stones, and Tina Turner. (Id. ¶ 28.)

Clear Channel also operates more than 700,000 outdoor advertising displays, such as billboards, and owns or operates more than 19 television stations. (Riley Compl. ¶24.)

D. Alleged Anticompetitive Conduct

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Bluebook (online)
247 F.R.D. 98, 2007 WL 4291967, Counsel Stack Legal Research, https://law.counselstack.com/opinion/in-re-live-concert-antitrust-litigation-cacd-2007.