Dallas Symphony Association, Inc. A/K/A Dallas Symphony Orchestra v. Jose Reyes

571 S.W.3d 753
CourtTexas Supreme Court
DecidedMarch 8, 2019
Docket17-0835
StatusPublished
Cited by35 cases

This text of 571 S.W.3d 753 (Dallas Symphony Association, Inc. A/K/A Dallas Symphony Orchestra v. Jose Reyes) is published on Counsel Stack Legal Research, covering Texas Supreme Court primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Dallas Symphony Association, Inc. A/K/A Dallas Symphony Orchestra v. Jose Reyes, 571 S.W.3d 753 (Tex. 2019).

Opinion

Chief Justice Hecht delivered the opinion of the Court.

Generally, Texas law permits an appeal from "an interlocutory order ... that ... denies a motion for summary judgment ... based in whole or in part upon a claim against or defense by a member of the ... media, acting in such capacity, or a person [quoted] by the ... media," involving federal or state constitutional guarantees of freedom of speech or of the press. 1 A divided court of appeals held that "order" refers only to the ruling on the constitutional grounds stated in the motion. 2 We hold that "order" means the ruling on the entire motion, including nonconstitutional grounds, and that the defendants were entitled to summary judgment on all claims against them. We affirm the court of appeals' judgment in part, reverse in part, and remand the case to the trial court.

I

The Dallas Symphony Orchestra 3 relies for support on a large number of donors, sponsors, fundraisers, benefactors, committees, organizations, and volunteers. Jose Reyes, a low-level customer-call-center employee of the Bank of America, participated in Orchestra events as a volunteer and small donor for some ten years. But he acquired a reputation for crashing events uninvited, photobombing, and speaking to the media purportedly on the Orchestra's behalf but without authorization. Other supporters complained, and the Orchestra repeatedly requested him to stop. Finally, with approval of the Orchestra's president and chief executive officer, Jonathan Martin, Reyes was told that he was no longer welcome as a volunteer. At Martin's direction, the Orchestra's contact at the Bank was informed of the decision.

Early the next day, at 3:21 a.m., Reyes sent Martin a lengthy email from his Bank computer, protesting that he was "shocked and highly offended" at the way he had been treated. "As you know," he wrote, "we are one of your major donors that supports the [Orchestra]". "You don't bite the hand that feeds you," Reyes continued, "and this information is being duly noted by the Bank, which is not impressed. This is not going over very well with us right now." "I won't go quietly," he warned.

*756 Martin had the email forwarded to the Orchestra's Bank contact. The contact responded that Reyes did not speak for the Bank and that further communications from Reyes should be forwarded to her. The contact notified Reyes' superior of all that had transpired, he referred the matter to the Bank's human resources department, and Reyes was placed on administrative leave. Several days later, the Bank terminated Reyes' employment, citing prior performance and violations of the Bank's social media policy, code of ethics, and conflict of interest policy.

The Orchestra issued this media advisory:

The Dallas Symphony Orchestra would like to inform its sponsors and media partners that as of [the previous day], Jose Reyes is no longer affiliated as a volunteer with the Dallas Symphony Orchestra or with any of its volunteer organizations and/or organizing committees. Thank you.

After receiving the advisory, D Magazine 4 investigated the matter, interviewed Reyes, and published an article entitled " The Talented Mr. Reyes: How a Man of Meager Means and a Mysterious Past Duped Dallas Society ". "It seemed strange that so many people on the party circuit knew him," the article observed, " but none could say where he'd come from or what, precisely, he did for a living." Reyes "told people he worked 'in marketing,' " the article stated, when he actually "worked in a call center" and bought inexpensive event tickets but "portrayed [himself] as having a grander role in these events than he actually had." The article called Reyes a "social butterfly", noting that "[p]eople griped that he crashed parties, blustered his way into photos, and misrepresented his role with charities." After the Orchestra "fired Reyes as a volunteer", the article concluded, the Bank fired him as an employee.

Reyes sued D Magazine and the Orchestra alleging various tort claims. D Magazine and the Orchestra each moved for summary judgment on all of Reyes' claims. D Magazine argued that many of the statements in its article are constitutionally protected. The trial court issued an order granting D Magazine's motion on some claims 5 but denying it on Reyes' claims for defamation, conspiracy to defame, negligence, and gross negligence. In a separate order, the trial court also granted the Orchestra's motion in part 6 but denied it on Reyes' claims for conspiracy to defame and tortious interference with employment. D Magazine and the Orchestra each appealed the interlocutory order partially denying its motion for summary judgment.

Their appeals were based on Section 51.014(a)(6), which allows an interlocutory appeal by "a member of the electronic or print media, acting in such capacity, or a person whose communication appears in or is published by the electronic or print media". 7 Unquestionably, D Magazine is in *757 the first category, and the Orchestra is in the second. The appeal must involve a claim or defense "arising under the free speech or free press clause of the First Amendment to the United States Constitution, or Article I, Section 8, of the Texas Constitution, or [Texas Civil Practice and Remedies Code] Chapter 73". 8 Some of the claims and defenses in the case arise under libel law, covered by Chapter 73, and some of D Magazine's and the Orchestra's defenses arise under constitutional guarantees of free speech and a free press. Thus, it is undisputed that Section 51.014(a)(6) covers D Magazine, the Orchestra, and their defenses to some of Reyes' claims. But Reyes' claim of tortious interference against the Orchestra, and the Orchestra's defenses, do not arise under such constitutional guarantees or libel law.

The statute requires that the appeal be from "an interlocutory order of a district court ... that denies a motion for summary judgment that is based in whole or in part" on such a defense. 9 The Orchestra argues that the statute covers its defenses to Reyes' tortious interference claims because they were a part of the basis for its motion for summary judgment that the district court denied with its order. Without analyzing the statutory text, the court of appeals disagreed. "We conclude," it wrote, that "the purpose of this section is to allow immediate appeal of claims involving free speech or press issues that are directed at the press or those the press rely upon as sources of information.... Our review ... is limited to the denial of summary judgment on claims or defenses implicating rights of free speech or free press." 10

The court reversed the denial of D Magazine's motion for summary judgment, and part of the denial of the Orchestra's motion.

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Bluebook (online)
571 S.W.3d 753, Counsel Stack Legal Research, https://law.counselstack.com/opinion/dallas-symphony-association-inc-aka-dallas-symphony-orchestra-v-jose-tex-2019.