Point Productions A.G. v. Sony Music Entertainment, Inc.

215 F. Supp. 2d 336, 2002 U.S. Dist. LEXIS 13974, 2002 WL 1766557
CourtDistrict Court, S.D. New York
DecidedJuly 29, 2002
Docket93 Civ. 4001(NRB)
StatusPublished
Cited by18 cases

This text of 215 F. Supp. 2d 336 (Point Productions A.G. v. Sony Music Entertainment, Inc.) is published on Counsel Stack Legal Research, covering District Court, S.D. New York primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Point Productions A.G. v. Sony Music Entertainment, Inc., 215 F. Supp. 2d 336, 2002 U.S. Dist. LEXIS 13974, 2002 WL 1766557 (S.D.N.Y. 2002).

Opinion

MEMORANDUM AND ORDER

BUCHWALD, District Judge.

Plaintiff Point Productions A.G. (“Point” or “plaintiff’) has brought this action for breach of contract against defendant Sony Music Entertainment, Inc. (“Sony” or “defendant”), claiming that, on January 21, 1993, defendant wrongfully terminated a licensing agreement the parties entered into on August 28,1991 (the “Agreement”), because Sony failed to give Point notice of and an opportunity to cure alleged breaches. In an Opinion and Order dated July 20, 2000, we granted plaintiffs motion for summary judgment on liability, ruling that Sony had improperly terminated the Agreement in January 1993.- Point Prods. A.G. v. Sony Music Entertainment, 2000 WL 1006236 (S.D.N.Y.2000). Discovery having been concluded, Sony has now moved in limine to limit evidence of plaintiffs damages at trial to the period before plaintiff declared bankruptcy on August 30, 1995, and to exclude the testimony of one of plaintiffs proposed damages experts, Graham Churchill. For the reasons discussed below, defendant’s motion to limit evidence of the plaintiffs lost profits damages is granted, and therefore we need not reach defendant’s motion to preclude.

BACKGROUND 1

The facts surrounding the formation and termination of the Agreement are set out in our Opinion and Order of July 20, 2000. More relevant to the present motions is that, after signing the Agreement with Sony in August 1991, the affiliated companies of the Phonomatic Group A.G., including Point, suffered a series of financial setbacks and that Point itself ultimately declared bankruptcy in 1995.

Point was part of the Phonomatic Group, which consisted of a series of intricately connected companies, from several countries, at all levels of the production and distribution chains of the music industry. Plaintiff was a Swiss company that obtained licenses, such as the one at issue in this case, to reproduce and sell music. 2 Its sister companies, which carried out similar functions within the Phonomatic Group, included a Dutch company, Point Productions B.V., an American company, Point Productions, Inc., and Point Classics (“Point affiliates”).

The Point affiliates used other Phono-matic companies to both manufacture and distribute their products. The manufacturing affiliates included Sonortape Neder-land B.V. (“Sonortape”) and Merit Manufacturing (“Merit”). Merit manufactured much of plaintiffs product and apparently was the most profitable Phonomatic subsidiary, providing working capital for the other affiliaties. Affidavit of Wilhelm Mittrich (“Mittrich Aff.”) ¶ 3a. At the *339 time the Agreement was signed, Sonortape had entered into a mechanical license agreement • with Stichtung Stemra (“STEMRA”), the Dutch performing rights society, on behalf of entire Phonomatic Group. Deposition of Wilhelm Mittrich (“Mittrich Depo.”), at 166:8-15. The license enabled all Phonomatic affiliates to lawfully manufacture and distribute copyrighted recordings anywhere in the European Union. Sonortape subcontracted the actual manufacturing of its compact discs to CD Music Pressing, which was, in turn, partially owned by Phonomatic. Sonor-tape “did the printing, packaging, licensing, warehousing and was, to the outside, the manufacturer.” Id. at 173:28-174:7. It is not clear from the record whether Merit actually manufactured compact discs, or whether it, like Sonortape, outsourced this work.

Other Phonomatic companies handled the distribution and sales of the music licensed by the Point affiliates. Point Logistics was the “central warehousing and physical distribution company for the Pho-nomatic Group.” Id. at 74:3-5. The Pho-nomatic Group also had its own sales affiliates. For example, plaintiffs predecessor, MCR, made 75% of its sales to Phonomatic affiliates, known as Sound Solutions. The other 25% of its sales were in countries where Phonomatic did not have a distribution company. Id. at 88:25-89:16.

The Phonomatic companies also shared common .ownership. The multiple layers of ownership enabled the affiliated companies to set off profits and losses under Dutch law, reducing their tax liability. Id. at 84:6-16. For example, Point was 100% owned by Phonomatic Group A.G. Id. at 83:2-5. Point Productions B.V. was 100% owned by Laser Records B.V., which was 100% owned by Blazer Records, which, in turn, was 100% owned by Phonomatic. Id. at 83:6-15. Point Classics was 75% owned by Phonomatic. Id. at 81:10-14. Point Productions, Inc. was wholly owned by Phonomatic and its American subsidiary. Id. at 83:16-84:5. In sum, the Phonomatic Group consisted of closely-associated companies with overlapping ownership. The entire group was controlled by Wilhelm Mittrich, plaintiffs former general manager, who owned approximately 50-60% of the shares of Phonomatic in 1992. Mitt-rich Depo. at 82:20-22.

Point’s financial troubles began in November 1992, when STEMRA terminated Sonortape’s mechanical copyright license over disputed royalty payments. STEM-RA applied this termination to all Phono-matic companies, including Merit, thus preventing Point from making any legal music reproductions. Sony relied on STEMRA’s action to terminate the Agreement with Point, which obligated Point, under § 3.04, to maintain a valid mechanical copyright license. On October 14, 1994, Sonortape apparently won its appeal to the Dutch Supreme Court, which held that STEMRA wrongfully terminated the license, although the parties dispute the actual significance of that decision. See Point Prods., 2000 WL 1006236, at *2 n. 7. Regardless of the ultimate outcome, the initial termination required Point to obtain a new mechanical license in order to continue operations. Moreover, shortly after STEMRA’s termination of the Sonortape license, in January 1993, Point was expelled from MIDEM, an annual music industry trade show attended by 8,000 to 10,000 participants from all over the world, amid allegations of copyright violations. According to Mittrich, the MIDEM trade show is very important for proper product marketing. Consequently, the MIDEM expulsion adversely affected Point’s ability to market its products. Mittrich Depo. at 805:24-807:3.

Seeking to replace its reproduction license, in January 1993 Point signed a re *340 production agreement with Start Audio & Video, Ltd. (“Start”), which agreed it would obtain a license through MCPS, the British performing rights society. The agreement between Start and Point quickly dissolved, however, because MCPS refused to license any product for Point until STEMRA had resolved its dispute with Sonortape and the other Phonomatic affiliates. Point did eventually obtain a mechanical license through the Swiss performing rights society, SUISA, although it never released any music under that license.

Amidst Point’s troubles with obtaining a copyright license and its MIDEM expulsion, many of Point’s affiliates within the Phonomatic Group were in severe financial difficulties. Merit, the manufacturer for Point, entered bankruptcy in November 1993. As noted earlier, Merit was the most profitable company of the Phonomatic Group and generated working capital upon which its affiliates depended.

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Bluebook (online)
215 F. Supp. 2d 336, 2002 U.S. Dist. LEXIS 13974, 2002 WL 1766557, Counsel Stack Legal Research, https://law.counselstack.com/opinion/point-productions-ag-v-sony-music-entertainment-inc-nysd-2002.