Krofft Entertainment, Inc. v. CBS SONGS

653 F. Supp. 1530, 1987 U.S. Dist. LEXIS 1231
CourtDistrict Court, S.D. New York
DecidedFebruary 23, 1987
Docket85 Civ. 4836 (WCC)
StatusPublished
Cited by16 cases

This text of 653 F. Supp. 1530 (Krofft Entertainment, Inc. v. CBS SONGS) is published on Counsel Stack Legal Research, covering District Court, S.D. New York primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Krofft Entertainment, Inc. v. CBS SONGS, 653 F. Supp. 1530, 1987 U.S. Dist. LEXIS 1231 (S.D.N.Y. 1987).

Opinion

WILLIAM C. CONNER, District Judge:

Background

Plaintiff, Krofft Entertainment, Inc., (“Krofft”), brings this action alleging that defendant, CBS, Inc., (“CBS”), breached an agreement pursuant to which certain songs, composed and written by Nació Herb Brown and Arthur Freed, were licensed to Krofft for use in the production of a Broadway musical play, entitled “A Broadway Baby.” The contract gave Krofft, the licensee, exclusive rights to the songs incorporated in the musical score of “A Broadway Baby,” except that CBS, the licensor, reserved the right to sell and license, on a non-exclusive basis, up to four of such songs in connection with another *1531 stage, theatrical motion picture, or television project. In April, 1985, CBS licensed another stage project, entitled “Singin’ in the Rain,” to use more than four songs from the musical score of “A Broadway Baby.”

Plaintiff contends that CBS, in extending this license, breached the agreement. CBS answers that the license agreement between itself and Krofft terminated on December 31, 1984, well before the time at which CBS entered into its license agreement with “Singin’ in the Rain.” Krofft replies that the term of its agreement with CBS was extended to December 31,1985 by a modification of the agreement, negotiated by both Krofft and CBS, drafted by CBS, and dated December 31, 1984 (“the Modification”). CBS, however, maintains that this Modification never went into effect because Krofft failed to return executed copies of the Modification to CBS as was allegedly required by the transmittal letter in order for the contract to become effective. In support of its position, defendant. contends that CBS’s transmittal letter to Krofft, which specifies that Krofft should return the executed copies to CBS, establishes delivery as a condition precedent to the effectiveness of the Modification.

In bringing this action, plaintiff Krofft seeks to recover the actual costs and expenses incurred in developing “A Broadway Baby” for presentation on Broadway. CBS answers that its alleged breach was not what prevented Krofft from producing “A Broadway Baby” on Broadway. It suggests that, had “Singin’ in the Rain” been produced with only four of the songs from the musical score of “A Broadway Baby,” Krofft would have still been unable to stage its show. An overlap of even four musical numbers, CBS contends, would have been fatal. It concludes that Krofft should not be permitted to recover its expenses as damages, since they would have been lost with or without CBS’s performance of the license agreement.

This action is before the Court on plaintiff Krofft’s motion for summary judgment pursuant to rule 56, Fed.R.Civ.P. Plaintiff seeks summary judgment on both the liability and damage issues. Krofft contends that (1) as a matter of law the Modification effectively extended the term of the agreement, and thus plaintiff is entitled to summary judgment in its favor on the issue of liability; and (2) it has produced uncontested evidence of expenses which it incurred in preparation for the presentation of “A Broadway Baby” on Broadway, and is thus entitled to summary judgment in its favor on the issue of damages.

CBS answers that (1) whether plaintiff’s failure to deliver executed copies of the Modification to CBS prevented it from ever becoming effective is a factual question of contract interpretation that precludes summary judgment as to the liability issue; and (2) whether “A Broadway Baby” would have been produced on Broadway, had CBS not licensed more than four songs to “Sin-gin’ in the Rain,” is a question of fact that precludes summary judgment as to damages.

Discussion

It is well settled that summary judgment may be granted only where “there is no genuine issue as to any material fact”. Fed.R.Civ.P. 56(c); Knight v. U.S. Fire Insurance Company, 804 F.2d 9, 11 (2d Cir. 1986). In its affidavits and exhibits submitted to the Court in opposition to this motion, defendant has demonstrated that there are material facts in dispute which preclude the granting of summary judgment at this time.

I. The Liability Issue

The parties’ dispute on the question of liability turns on whether Krofft’s failure to return to CBS executed copies of the Modification prevented it from becoming effective. Under New York law, whether delivery is a pre-condition to a contract’s validity is a question of fact which is to be determined by the parties’ intent. Thus, the question of liability in this case cannot be disposed of by merely resolving an issue of law. Defendant has demonstrated that there exists a question of fact as to wheth *1532 er CBS, by specifying in the cover letter accompanying the Modification that Krofft’s attorneys “arrange for execution on behalf of Krofft Entertainment and the return of the two fully executed copies to [CBS],” established delivery as a condition precedent for the effectiveness the Modification.

CBS has offered the Court evidence in support of its contention that, by specifying in the transmittal letter which accompanied the Modification that Krofft should return the executed copies, CBS intended to establish delivery as a condition precedent to the contract’s validity. Affidavit of Barbara Adams (“Adams Affidavit”) II8. It has, further, attempted to demonstrate that this language should have put Krofft on notice that such delivery was required. For example, CBS points out that, in the cover letter, it prefaced its request for delivery with the language “if acceptable to you.” This language, CBS asserts, suggests that by sending Krofft the Modification for signature, it was only making an offer. Defendant’s Memorandum of Law in Opposition to Plaintiff's Motion for Summary Judgment (“Defendant’s Memorandum of Law”) at 19. One may reasonably assume, CBS argues, that where such an offer is made, the offeror may require at least some sort of notice that the offeree has accepted the offer, before a binding contract is created. Defendant has also offered evidence of prior dealings in which the parties tended to rely on delivery as a mode of acceptance. Defendant’s Memorandum of Law at 3; Adams Affidavit 11119-10.

Krofft has offered counter evidence in support of its contention that the parties intended that the contract would go into effect immediately upon execution. Krofft has suggested, for instance, that in the transmittal letter CBS did not clearly state that if Krofft failed to return the executed copies, CBS would not consider itself bound under the Modification. Plaintiff’s Reply Memorandum in Support of Plaintiff’s Motion for Summary Judgment (“Plaintiff’s Reply Memorandum”) at 9. Moreover, on previous occasions, CBS drafted agreements with explicit “no delivery, no contract” conditions. Plaintiff’s Reply Memorandum at 13. Krofft therefore asserts that CBS’s language in the cover letter was intended merely as a “request, pure and simple.” Plaintiff’s Reply Memorandum at 8. In addition, Krofft points to certain actions of CBS which, it contends, indicated an intent to be bound by the Modification upon its execution. Plaintiff’s Reply Memorandum at 12.

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Bluebook (online)
653 F. Supp. 1530, 1987 U.S. Dist. LEXIS 1231, Counsel Stack Legal Research, https://law.counselstack.com/opinion/krofft-entertainment-inc-v-cbs-songs-nysd-1987.