Elliott v. Cartagena

84 F.4th 481
Court of Appeals for the Second Circuit·Decided October 17, 2023·No. 22-255·Published·Cited by 26 cases

Opinion

22-255 Elliott v. Cartagena, et al.

United States Court of Appeals For the Second Circuit

August Term 2022

Argued: March 31, 2023

Decided: October 17, 2023

No. 22-255

ERIC A. ELLIOTT, AKA FLY HAVANA, Plaintiff-Appellant,

v.

JOSEPH ANTHONY CARTAGENA, AKA FAT JOE, KARIM KHARBOUCH, AKA FRENCH MONTANA, SHANDEL GREEN, AKA INFARED, REMINISCE SMITH MACKIE, AKA REMY MA, EDWARD F. DAVADI, JR., AKA EDSCLUSIVE, JOEY AND RYAN MUSIC, EXCUSE MY FRENCH MUSIC, EXCUSE MY FRENCH MUSIC II, MR. GREEN MUSIC, REMYNISCE MUSIC, UNIVERSAL MUSIC-Z TUNES LLC, DBA UNIVERSAL MUSIC Z SONGS, WARNER-TAMERLANE PUBLISHING CORP., WARNER/CHAPPELL MUSIC, INC., SONGS OF UNIVERSAL INC., ROC NATION LLC, ROC NATION MANAGEMENT LLC, SNEAKER ADDICT TOURING LLC, TERROR SQUAD PRODUCTIONS, INC., TERROR SQUAD ENTERTAINMENT, RNG (RAP'S NEW GENERATION), EMPIRE DISTRIBUTION, INC., BMG RIGHTS MANAGEMENT (US) LLC, DBA BMG PLATINUM SONGS US,

Defendants-Appellees,

KOBALT SONGS MUSIC PUBLISHING, KOBALT MUSIC PUBLISHING AMERICA, INC., REACH GLOBAL INC., SONY/ATV ALLEGRO, FIRST N PLATINUM PUBLISHING, SONY/ATV TUNES LLC, CUTS OF REACH MUSIC, SONGS OF REACH GLOBAL, FIRST N GOLD PUBLISHING, INC., REACH MUSIC PUBLISHING INC., SONY/ATV MUSIC PUBLISHING, INC., MARCELLO VALENZANO, AKA COOL, ANDRE LYON, AKA DRE,

DADE CO. PROJECT MUSIC, INC., PO FOLKS MUSIC, Defendants.

Appeal from the United States District Court for the Southern District of New York No. 1:19CV01998, Naomi Reice Buchwald, Judge.

Before: NARDINI AND MERRIAM, Circuit Judges. *

Plaintiff-appellant Eric A. Elliott alleges that he co-created the song “All the Way Up,” but that he has not been properly credited or compensated for his contribution. He filed this action in the United States District Court for the Southern District of New York (Buchwald, J.), asserting claims under the Copyright Act, 17 U.S.C. §101, et seq., as well as various tort claims. Defendants- appellees maintain that Elliott assigned away any rights he may have had in the song, but the agreement has never been produced, and the parties disagree about its content and effect. The District Court admitted a draft version of the missing agreement as a duplicate, and then granted defendants’ motion for summary judgment without allowing Elliott to conduct discovery. We hold that the District Court abused its discretion in finding the draft admissible as a duplicate original under Federal Rule of Evidence 1003, but properly admitted the draft as “other evidence of the content” of the original under Rule 1004. We further hold that the District Court abused its discretion in denying Elliott’s request to conduct discovery prior to the entry of summary judgment and erred in concluding that no genuine dispute of material fact existed based on the current record. We therefore VACATE the judgment and REMAND for further proceedings.

*Senior Circuit Judge Rosemary S. Pooler, originally a member of this panel, passed away on August 10, 2023. The two remaining members of the panel, who are in agreement, have determined the matter. See 28 U.S.C. §46(d); 2d Cir. IOP E(b); United States v. Desimone, 140 F.3d 457, 458-59 (2d Cir. 1998).

ALFRED J. (AJ) FLUEHR, Francis Alexander, LLC, Media, PA, for Plaintiff-Appellant.

ELEANOR M. LACKMAN, Mitchell Silberberg & Knupp LLP, New York, NY, for Defendants-

Appellees.

SARAH A. L. MERRIAM, Circuit Judge:

Plaintiff-appellant Eric A. Elliott alleges that he co-created the song “All the Way Up” (the “Song”) with defendant-appellee Shandel Green, but that he has not been properly credited or compensated for his contribution. He filed this action in the United States District Court for the Southern District of New York (Buchwald, J.), asserting claims under the Copyright Act, 17 U.S.C. §101, et seq., as well as various tort claims. Defendants-appellees maintain that Elliott signed an agreement assigning away any rights he may have had in the Song. Elliott agrees that he signed a document, but the signed agreement has never been produced, and the parties disagree about its content and effect. The District Court accepted defendants’ contention that the signed agreement was identical to a draft version (the “Draft”) produced by defendants and found the Draft admissible as a duplicate. It then granted defendants’ motion for summary judgment without allowing Elliott to conduct discovery, holding that this was among the “rarest of cases” in which summary judgment before discovery was

appropriate. Hellstrom v. U.S. Dep’t of Veterans Affs., 201 F.3d 94, 97 (2d Cir. 2000). We disagree. We hold that the District Court abused its discretion in finding the Draft admissible as a duplicate original under Federal Rule of Evidence 1003, but properly admitted the Draft as “other evidence of the content” of the original under Rule 1004. We further hold that the District Court abused its discretion in denying Elliott’s request to conduct discovery prior to the entry of summary judgment and erred in concluding that no genuine dispute of material fact existed based on the current record. We therefore VACATE the judgment and REMAND for further proceedings.

I. BACKGROUND

The parties agree on certain facts, but many are disputed. The background discussed below is based on the parties’ submissions at summary judgment, as well as on the verified complaint. See Gayle v. Gonyea, 313 F.3d 677, 682 (2d Cir. 2002) (“A verified complaint is to be treated as an affidavit for summary judgment purposes, and therefore will be considered in determining whether material issues of fact exist, provided that it meets the other requirements for an affidavit” described in Rule 56(c)(4). (citation and quotation marks omitted)).

Elliott alleges that he “co-created the song” that became “the hit single ‘All

the Way Up’” with defendant-appellee Shandel Green in 2015. App’x at 167. Green then collaborated with others, including defendant-appellee Joseph Cartagena, 1 to prepare the final version of the Song that was released on March 2, 2016, as performed principally by Cartagena. 2 Id.

Elliott asserts, and Cartagena does not deny, that he and Cartagena “spoke several times between March 4, 2016, and March 6, 2016,” about the Song. Id. at 540. 3 Elliott alleges that, during these telephonic discussions, Cartagena acknowledged that “Elliott was a co-author of ‘All the Way Up’ and should get credit.” Id. at 173. According to Elliott, Cartagena

told Elliott that (1) he would get him “some bread” up front (which Plaintiff understood to be a significant sum [of money] for a song that was becoming a hit single) for his contributions to the song[,] (2) more bread later as the song produced income, (3) that they would begin working together because Mr. Elliot was hot and “in the zone,” and (4) that Elliot needed to realize that he would have an ‘incredible

1Cartagena is known as “Fat Joe” in the music industry. He is often referred to by that name in the parties’ submissions.

2Elliott brought claims against a number of defendants, all of whom he contends had some involvement with the creation, release, or marketing of the Song. Some defendants never appeared in the District Court action; some were never properly served; some appeared but did not file dispositive motions. The District Court nonetheless entered final judgment in favor of all defendants.

3 Cartagena did not contest the substance of this statement at summary judgment; rather, he responded to it in his Rule 56 statement solely by asserting it was “[i]mmaterial.” App’x at 540.

relationship’ with Fat Joe going forward if he respected Fat Joe.

Id. Elliott alleges that on March 14, 2016, Cartagena “called [him] and told him to come to an address, but did not say why. Mr. Elliott had assumed it was an office for an attorney, and only when [he] was almost there did he realize that Fat Joe had actually picked an IHOP in Miami Beach” as a meeting place. Id. at 174.

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Elliott v. Cartagena, 84 F.4th 481 (2d Cir. 2023).

84 F.4th 481 (Elliott v. Cartagena) — published by Counsel Stack Legal Research, free access to 12M+ legal documents.

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