Elliott v. Cartagena

84 F.4th 481
CourtCourt of Appeals for the Second Circuit
DecidedOctober 17, 2023
Docket22-255
StatusPublished
Cited by26 cases

This text of 84 F.4th 481 (Elliott v. Cartagena) is published on Counsel Stack Legal Research, covering Court of Appeals for the Second Circuit primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Elliott v. Cartagena, 84 F.4th 481 (2d Cir. 2023).

Opinion

22-255 Elliott v. Cartagena, et al.

United States Court of Appeals For the Second Circuit August Term 2022

Argued: March 31, 2023 Decided: October 17, 2023

No. 22-255

ERIC A. ELLIOTT, AKA FLY HAVANA,

Plaintiff-Appellant,

v.

JOSEPH ANTHONY CARTAGENA, AKA FAT JOE, KARIM KHARBOUCH, AKA FRENCH MONTANA, SHANDEL GREEN, AKA INFARED, REMINISCE SMITH MACKIE, AKA REMY MA, EDWARD F. DAVADI, JR., AKA EDSCLUSIVE, JOEY AND RYAN MUSIC, EXCUSE MY FRENCH MUSIC, EXCUSE MY FRENCH MUSIC II, MR. GREEN MUSIC, REMYNISCE MUSIC, UNIVERSAL MUSIC-Z TUNES LLC, DBA UNIVERSAL MUSIC Z SONGS, WARNER-TAMERLANE PUBLISHING CORP., WARNER/CHAPPELL MUSIC, INC., SONGS OF UNIVERSAL INC., ROC NATION LLC, ROC NATION MANAGEMENT LLC, SNEAKER ADDICT TOURING LLC, TERROR SQUAD PRODUCTIONS, INC., TERROR SQUAD ENTERTAINMENT, RNG (RAP'S NEW GENERATION), EMPIRE DISTRIBUTION, INC., BMG RIGHTS MANAGEMENT (US) LLC, DBA BMG PLATINUM SONGS US,

Defendants-Appellees,

KOBALT SONGS MUSIC PUBLISHING, KOBALT MUSIC PUBLISHING AMERICA, INC., REACH GLOBAL INC., SONY/ATV ALLEGRO, FIRST N PLATINUM PUBLISHING, SONY/ATV TUNES LLC, CUTS OF REACH MUSIC, SONGS OF REACH GLOBAL, FIRST N GOLD PUBLISHING, INC., REACH MUSIC PUBLISHING INC., SONY/ATV MUSIC PUBLISHING, INC., MARCELLO VALENZANO, AKA COOL, ANDRE LYON, AKA DRE, DADE CO. PROJECT MUSIC, INC., PO FOLKS MUSIC,

Defendants.

Appeal from the United States District Court for the Southern District of New York No. 1:19CV01998, Naomi Reice Buchwald, Judge.

Before: NARDINI AND MERRIAM, Circuit Judges. *

Plaintiff-appellant Eric A. Elliott alleges that he co-created the song “All the Way Up,” but that he has not been properly credited or compensated for his contribution. He filed this action in the United States District Court for the Southern District of New York (Buchwald, J.), asserting claims under the Copyright Act, 17 U.S.C. §101, et seq., as well as various tort claims. Defendants- appellees maintain that Elliott assigned away any rights he may have had in the song, but the agreement has never been produced, and the parties disagree about its content and effect. The District Court admitted a draft version of the missing agreement as a duplicate, and then granted defendants’ motion for summary judgment without allowing Elliott to conduct discovery. We hold that the District Court abused its discretion in finding the draft admissible as a duplicate original under Federal Rule of Evidence 1003, but properly admitted the draft as “other evidence of the content” of the original under Rule 1004. We further hold that the District Court abused its discretion in denying Elliott’s request to conduct discovery prior to the entry of summary judgment and erred in concluding that no genuine dispute of material fact existed based on the current record. We therefore VACATE the judgment and REMAND for further proceedings.

*Senior Circuit Judge Rosemary S. Pooler, originally a member of this panel, passed away on August 10, 2023. The two remaining members of the panel, who are in agreement, have determined the matter. See 28 U.S.C. §46(d); 2d Cir. IOP E(b); United States v. Desimone, 140 F.3d 457, 458-59 (2d Cir. 1998). 2 ALFRED J. (AJ) FLUEHR, Francis Alexander, LLC, Media, PA, for Plaintiff-Appellant.

ELEANOR M. LACKMAN, Mitchell Silberberg & Knupp LLP, New York, NY, for Defendants- Appellees.

SARAH A. L. MERRIAM, Circuit Judge:

Plaintiff-appellant Eric A. Elliott alleges that he co-created the song “All

the Way Up” (the “Song”) with defendant-appellee Shandel Green, but that he

has not been properly credited or compensated for his contribution. He filed this

action in the United States District Court for the Southern District of New York

(Buchwald, J.), asserting claims under the Copyright Act, 17 U.S.C. §101, et seq.,

as well as various tort claims. Defendants-appellees maintain that Elliott signed

an agreement assigning away any rights he may have had in the Song. Elliott

agrees that he signed a document, but the signed agreement has never been

produced, and the parties disagree about its content and effect. The District

Court accepted defendants’ contention that the signed agreement was identical

to a draft version (the “Draft”) produced by defendants and found the Draft

admissible as a duplicate. It then granted defendants’ motion for summary

judgment without allowing Elliott to conduct discovery, holding that this was

among the “rarest of cases” in which summary judgment before discovery was

3 appropriate. Hellstrom v. U.S. Dep’t of Veterans Affs., 201 F.3d 94, 97 (2d Cir.

2000). We disagree. We hold that the District Court abused its discretion in

finding the Draft admissible as a duplicate original under Federal Rule of

Evidence 1003, but properly admitted the Draft as “other evidence of the

content” of the original under Rule 1004. We further hold that the District Court

abused its discretion in denying Elliott’s request to conduct discovery prior to

the entry of summary judgment and erred in concluding that no genuine dispute

of material fact existed based on the current record. We therefore VACATE the

judgment and REMAND for further proceedings.

I. BACKGROUND

The parties agree on certain facts, but many are disputed. The background

discussed below is based on the parties’ submissions at summary judgment, as

well as on the verified complaint. See Gayle v. Gonyea, 313 F.3d 677, 682 (2d Cir.

2002) (“A verified complaint is to be treated as an affidavit for summary

judgment purposes, and therefore will be considered in determining whether

material issues of fact exist, provided that it meets the other requirements for an

affidavit” described in Rule 56(c)(4). (citation and quotation marks omitted)).

Elliott alleges that he “co-created the song” that became “the hit single ‘All

4 the Way Up’” with defendant-appellee Shandel Green in 2015. App’x at 167.

Green then collaborated with others, including defendant-appellee Joseph

Cartagena, 1 to prepare the final version of the Song that was released on March 2,

2016, as performed principally by Cartagena. 2 Id.

Elliott asserts, and Cartagena does not deny, that he and Cartagena “spoke

several times between March 4, 2016, and March 6, 2016,” about the Song. Id. at

540. 3 Elliott alleges that, during these telephonic discussions, Cartagena

acknowledged that “Elliott was a co-author of ‘All the Way Up’ and should get

credit.” Id. at 173. According to Elliott, Cartagena

told Elliott that (1) he would get him “some bread” up front (which Plaintiff understood to be a significant sum [of money] for a song that was becoming a hit single) for his contributions to the song[,] (2) more bread later as the song produced income, (3) that they would begin working together because Mr. Elliot was hot and “in the zone,” and (4) that Elliot needed to realize that he would have an ‘incredible

1Cartagena is known as “Fat Joe” in the music industry. He is often referred to by that name in the parties’ submissions.

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