Rowe Entertainment, Inc. v. William Morris Agency, Inc.

205 F.R.D. 421, 51 Fed. R. Serv. 3d 1106, 2002 U.S. Dist. LEXIS 488
CourtDistrict Court, S.D. New York
DecidedJanuary 16, 2002
DocketNo. 98 Civ. 8272 RPP JCF
StatusPublished
Cited by34 cases

This text of 205 F.R.D. 421 (Rowe Entertainment, Inc. v. William Morris Agency, Inc.) is published on Counsel Stack Legal Research, covering District Court, S.D. New York primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Rowe Entertainment, Inc. v. William Morris Agency, Inc., 205 F.R.D. 421, 51 Fed. R. Serv. 3d 1106, 2002 U.S. Dist. LEXIS 488 (S.D.N.Y. 2002).

Opinion

MEMORANDUM AND ORDER

FRANCIS, United States Magistrate Judge.

Too often, discovery is not just about uncovering the truth, but also about how much of the truth the parties can afford to disinter. As this case illustrates, discovery expenses frequently escalate when information is stored in electronic form.

The plaintiffs are black concert promoters who contend that they have been frozen out of the market for promoting events with white bands by the discriminatory and anti-competitive practices of the defendants. The defendants fall into two categories: some are booking agencies that represent white artists and allegedly steer their clients away from the plaintiffs; others are promoters like the plaintiffs, but they purportedly collude with the booking agency defendants to monopolize the concert industry.

During discovery in this action, each defendant has responded to the plaintiffs’ requests by permitting inspection of its concert files, which contain documents relating to the promotion of concerts. Four sets of defendants, however, have now moved pursuant to Rules 26(b)(2)(iii) and 26(e) of the Federal Rules of Civil Procedure for a protective order relieving them of the obligation of producing electronic mail, commonly known as e-mail, that may be responsive to the plaintiffs’ discovery requests.

[424]*424 Background

A. The Discovery Demands

The plaintiffs’ document demands are sweeping. For example, they demand production of all documents concerning any communication between any defendants relating to the selection of concert promoters and bids to promote concerts. (Plaintiffs’ First Request for Documents (“PI. Doc. Req.”), attached as Exh. A to Declaration of Richard G. Primoff dated Oct. 26, 2001 (“Primoff Dec!.”), Request No. 1). Similarly, the plaintiffs have requested “[a]ll documents concerning the selection of concert promoters, and the solicitation, and bidding processes relating to concert promotions.” (PL Doc. Req., Request No. 7). They have also demanded “[a]ll documents concerning market shares, market share values, market conditions, or geographic boundaries in which any ... concert promoter operates.” (Pl. Doc. Req., Request No. 12). These are but three examples of the thirty-five requests made in the plaintiffs’ first document demand.

B. The Defendants Motions

Each of the moving defendants contends that it should be relieved of the obligation of producing e-mail responsive to the plaintiffs’ requests because the burden and expense involved would far outweigh any possible benefit in terms of discovery of additional information. If production is nevertheless required, the defendants ask that the plaintiffs bear the cost. Because the burden to each defendant depends upon the specific structure of its e-mail retention and on the related means for retrieving and producing responsive e-mails, each defendant’s position will be outlined separately.

1. William Moms Agency

The William Morris Agency, Inc. (“WMA”), one of the booking agency defendants, argues that the chances are small that a search of its e-mails would turn up responsive documents. According to its Senior Vice President, WMA’s music agents have historically conducted business by telephone and fax and have been slow to utilize e-mail. (Affidavit of David Snyder dated Sept. 20, 2001 (“Snyder Aff.”), H 2). Moreover, to the extent an e-mail was deemed important, it would likely have been printed and saved in the appropriate concert file — files that have been produced for inspection by the plaintiffs. (Snyder Aff. H 2).

. WMA further contends that the production of its e-mails would be exorbitantly expensive and, to some extent, a technical impossibility. Prior to May 1998, WMA’s Music Division had utilized Quickmail for Macintosh for its e-mail communications. (Affidavit of John F. Porter dated Sept. 20, 2001 (“Porter Aff.”), 116). The e-mail files were backed up using a software program called Retrospect that is no longer commercially available. (Porter Aff. H13). Consequently, WMA has neither the computer hardware nor the software to read these tapes. (Porter Aff. 1( 14). And, although WMA has given them to an outside vendor for examination, that vendor has thus far been unable to recover enough data to determine what is stored on the tapes. (Porter Aff. 1115).

In May 1998, WMA’s Music Department converted to Lotus Notes for e-mail communications. (Porter Aff. 116). It backs up its e-mail files along with other electronic files such as word processing and spreadsheet documents five times each week, using a software program called Arcserve (Porter Aff. 11118, 9).

The plaintiffs agreed, at least as a first cut, to limit their discovery demands to e-mail generated or received by 56 WMA employees located in the defendant’s New York and Beverly Hills offices. (Porter Aff. 114). Likewise, they proposed an initial search limited to a sample of one back-up session for each quarter of 1998 and 1999, for a total of eight sessions. (Affidavit of Sandra C. McCallion dated Sept. 19, 2001, H10). According to WMA, in order to comply with this request, it must engage in a three-step process: cataloguing, restoring, and processing. (Porter Aff. 1118). Cataloguing involves identifying the tapes that contain the mailbox files of the designated employees and marking them for restoration. (Porter Aff. UK 18, 19). Restoration consists of saving all emails from the identified files to a master database and then removing all duplicates. [425]*425(Porter Aff. 1121). Finally, each file must be processed so that it is not only readable on a computer screen, but also may be printed and Bates-stamped. (Porter Aff. U 24). Where an e-mail contains an attached file such as a word processing document, WMA proposes converting the attachment into a Tagged Image File Format or “TIFF” file. (Porter Aff. H 27). According to WMA, this would be necessary in order to make any redactions. (Reply Declaration of Sandra C. McCallion dated Nov. 12, 2001, U12).

WMA obtained an estimate from Fios, Inc., a computer consultant, of the cost of such an undertaking. (Porter Aff., Exh. 1). Fios projects that the cost for eight selected back up sessions would include $7,864 for cataloguing, $8,960 for restoration, and $379,120 for processing, for a total of $395,944. (Porter Aff. H 28 & Exh. 1). If the e-mails on all of the back-up tapes were produced instead of a sample of eight sessions, the total cost would mushroom to almost $9,750,000. (Porter Aff. 1128).

2. Monterey Peninsula Artists

Like WMA, Monterey Peninsula Artists, Inc. (“Monterey”) is a booking agency. It currently employs nine agents, each of whom is supplied with a personal Macintosh computer. (Declaration of Dan Weiner dated Sept. 20, 2001 (“Weiner Deck”), 113). The agents’ personal computers use a variety of different e-mail programs, so that all files cannot be reviewed by a single search program. (Declaration of Tary McConnell dated Sept. 19, 2001 (“McConnell Deck”), If 4). In total, there are almost 200,000 e-mails stored on the hard drives of these computers. (McConnell Deck 115).

According to the President of Monterey, the company still does ninety percent of its business by means other than e-mail, including telephone and fax. (Weiner Deck 114).

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Cite This Page — Counsel Stack

Bluebook (online)
205 F.R.D. 421, 51 Fed. R. Serv. 3d 1106, 2002 U.S. Dist. LEXIS 488, Counsel Stack Legal Research, https://law.counselstack.com/opinion/rowe-entertainment-inc-v-william-morris-agency-inc-nysd-2002.