In re Savoy Ballroom Corp.

286 A.D. 684, 146 N.Y.S.2d 69, 1955 N.Y. App. Div. LEXIS 4120
CourtAppellate Division of the Supreme Court of the State of New York
DecidedNovember 23, 1955
StatusPublished
Cited by12 cases

This text of 286 A.D. 684 (In re Savoy Ballroom Corp.) is published on Counsel Stack Legal Research, covering Appellate Division of the Supreme Court of the State of New York primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
In re Savoy Ballroom Corp., 286 A.D. 684, 146 N.Y.S.2d 69, 1955 N.Y. App. Div. LEXIS 4120 (N.Y. Ct. App. 1955).

Opinion

Halpern, J.

This case brings up for review the unfortunate conflict which has developed between the Federal and State authorities with respect to liability for unemployment insurance contributions upon the compensation paid to members of so-called“ name ’’bands.

The proprietor of a public dance hall or ballroom customarily enters into a contract with the leader of the orchestra under a standard form contract prescribed by the American Federation of Musicians known as form B. This contract was promulgated by the union after the Federal courts had held that, under the form of contract theretofore used, the leader of the band was the employer and was liable for social security taxes on the salaries paid to the members of the band (Spillson v. Smith, 147 F. 2d 727; Williams v. United States, 126 F. 2d 129; Biltgen v. Reynolds, 58 F. Supp. 909; Los Angeles Athletic Club v. United States, 54 F. Supp. 702; Aberdeen Aerie No. 24 F. O. E. v. United States, 50 F. Supp. 734; Matter of Ten Eyck Co., 41 F. Supp. 375). The form B contract was concededly designed to make it appear that the dance hall or ballroom operator was the employer, so that he would be the one held liable for social security taxes and unemployment insurance contributions. The contract applied the designation of11 employer ’ ’ to the operator and it contained the provision that “ The employer shall at all times have complete control of the services which the employees will render under the specifications of this contract ”.

The actual realities of the situation were, however, as shown by the record in this case and by the record in Bartels v. Birmingham (332 U. S. 126, infra), that the leader was the owner of [686]*686an independent enterprise and that he chose the members of the band and replaced them from time to time in accordance with his own wishes. The contracts usually called for the payment to the leader of a fixed sum either as a complete payment or as a guarantee against a share of the gross receipts. The leader paid the weekly salaries of the members of the band, in accordance with the union scale, and retained, as his profit, the difference between the contract price and the total compensation paid and incidental expenses. The leader usually entered into a number of short-term engagements with different dance hall or ballroom operators; the relations between the leader and the other members of the band were fairly permanent; those between the band and the operator were transient (Bartels v. Birmingham, 332 U. S. 126). In order to reconcile the contract designation of the operator as the employer with the actual realities, the contract provided that, in employing the musicians and in distributing their pay to them, the leader acted as the agent of the operator.

After the adoption of the form B contract, the Commissioner of Internal Revenue issued interpretive rulings in 1944 holding that, under the contract, the ballroom operator was to be regarded as the employer for Federal social security and unemployment insurance tax purposes (Internal Revenue Bulletin [Cum. Bulletin, 1944], pp. 547, 548). However, on June 23,1947, the United States Supreme Court held that these rulings were erroneous and that, notwithstanding the terms of the contract, the orchestra leader was not the employee of the operator but was an independent contractor and that he was the actual employer of the members of the band. The court held that the leader was liable for Federal social security and unemployment insurance taxes and that the parties could not by contract shift the tax liability from the leader to the ballroom operator (Bartels v. Birmingham, supra).

In the meantime, the question of liability for unemployment insurance contributions under the New York Unemployment Insurance Law (Labor Law, art. 18) had arisen in New York State. The New York Unemployment Insurance Appeal Board had held, even under the contracts used before the adoption of the form B contract, that, since the contracts had incorporated by reference the union by-laws which designated the operator as the employer and the leader as his agent, the operator was liable for unemployment insurance contributions under the New York law. The courts sustained these decisions of the board [687]*687(Matter of Camgros [Miller], 264 App. Div. 973, affd. in part 290 N. Y. 838; Matter of Roseland Amusement Co. [Corsi], 269 App. Div. 713, affd. 295 N. Y. 913; but compare Matter of Earle [Hunstay Operating Corp.-Miller], 262 App. Div. 789, affd. 286 N. Y. 610).

The first case to reach the courts under the form B contract was Matter of Hotels Statler Co. [Corsi] (279 App. Div. 814 [Jan. 1952]; motion for leave to appeal denied 304 N. Y. 987). That case arose after the decision by the United States Supreme Court in the Bartels case. The referee in the Statler case held that, notwithstanding the decision by the Supreme Court, the contract provision vesting the right to control in the operator, designated in the contract as the employer, was sufficient in and of itself to make the operator liable for unemployment insurance contributions. He declined to follow the Supreme Court’s decision upon the ground that the question was one of State law and that the Supreme Court’s decision had no binding force. The appeal board affirmed the referee’s decision but added a finding that the hotel had, in fact, exercised control over the performance by the musicians during the period of the contract. Upon appeal to this court, the court did not approve the broad position taken by the referee (and affirmed by the board) but it nevertheless affirmed the board’s decision upon the ground that it was “ within the realm of fact The decision of the appeal board was “ final on all questions of fact ” (Labor Law, § 623) and, if the decision was supported by substantial evidence, the court was powerless to disturb it. The court pointed out that “ There is some evidence of rather trifling acts of control on the part of the management of the hotels where the orchestras played ”. The court noted that the board had not made any attempt realistically to appraise the relationship in the light of common-law principles, as was done in the case of Bartels v. Birmingham (332 U. S. 126) ” but it nevertheless held that the board had the power to decide as a matter of fact that the operator was the employer and that the leader and the members of the band were its employees.

After the decision of the Bartels case in 1947, the union, representing the orchestra leaders, sought to find a way to protect them against the liability resulting from that decision. As appears from the proof in the present case, in 1949, the union prepared two riders designated riders A and B, respectively, one of which was to be affixed to the union’s form B contract in accordance with the choice made by the operator. [688]*688By rider A, the union attempted again to make the ballroom operator the employer, despite the Bartels decision. It designated him as the employer in the rider and required him to agree to pay “ all taxes and contributions payable by employers under any Federal or State law applicable to the services performed under the contract ”.

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Bluebook (online)
286 A.D. 684, 146 N.Y.S.2d 69, 1955 N.Y. App. Div. LEXIS 4120, Counsel Stack Legal Research, https://law.counselstack.com/opinion/in-re-savoy-ballroom-corp-nyappdiv-1955.