Monarch Entertainment Bureau, Inc. v. New Jersey Highway Authority

715 F. Supp. 1290, 1989 U.S. Dist. LEXIS 7254, 1989 WL 70491
CourtDistrict Court, D. New Jersey
DecidedJune 27, 1989
DocketCiv. A. 88-3161
StatusPublished
Cited by17 cases

This text of 715 F. Supp. 1290 (Monarch Entertainment Bureau, Inc. v. New Jersey Highway Authority) is published on Counsel Stack Legal Research, covering District Court, D. New Jersey primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Monarch Entertainment Bureau, Inc. v. New Jersey Highway Authority, 715 F. Supp. 1290, 1989 U.S. Dist. LEXIS 7254, 1989 WL 70491 (D.N.J. 1989).

Opinion

DEBEVOISE, District Judge.

This is an antitrust action brought by an area entertainment promoter against the New Jersey Highway Authority and certain other presumably unknown defendants for violations of Section 1 of the Sherman Act, 15 U.S.C. sec. 1 and unspecified provisions of the Clayton Act, 15 U.S.C. sec. 12 et seq. The complaint alleges that the Authority managed its concert and cultural facility, the Garden States Art Center, in an anticompetitive fashion and conspired with competitors of the plaintiff to deny it access to this venue and to quash its plans to create an alternative open-air concert facility in the same relevant market. This matter comes before the court on a motion by the Authority to dismiss plaintiff’s complaint for failure to state a claim upon which relief can be granted, or, in the alternative, for summary judgment based on the Authority’s asserted immunity from federal antitrust provisions under the state-action doctrine.

Background

The New Jersey Highway Authority (the Authority or Highway Authority) was created in 1952 to “acquire, construct, maintain and operate” certain designated limited access express highways authorized by the legislature. N.J.S.A. sections 27:12B-5(e); 27:12B-8(d) (West Supp.1988). The Authority is established as a “body corporate and politic, with corporate succession.” N.J.S.A. sec. 27:12B-4 (West Supp.1988). Its enabling legislation also declares that it is “constituted [as] an instrumentality exercising public and essential governmental functions, and the exercise by the authority of the powers conferred by this act in the construction, operation and maintenance of projects shall be deemed and held to be an essential governmental function of the State.” Id. Among its powers, the Authority may sue and be sued in its own name, hold property, exercise the power of eminent domain, enter into contracts, float bonds, collect tolls and establish and enforce rules and regulations governing its highway projects. N.J.S.A. sec. 27:12B-5 (West Supp.1988).

The Authority is comprised of seven commissioners appointed by the governor with the advice and consent of the senate. N.J. S.A. sec. 27:12B-4 (West Supp.1988). The commissioners may be removed by the governor for cause. Id. The governor receives copies of the minutes of the Authority’s meetings and “[n]o action taken by the Authority shall have force or effect until ten days ... after such copy of the minutes shall have been delivered or the approval thereof by the Governor prior thereto.” Id. If the governor returns a copy of the minutes vetoing any action (except certain *1292 actions pertaining to collective bargaining agreements) within ten days, “such action shall be null and of no effect.” Id.

The Authority owns and operates the Garden State Parkway (the Parkway), one of the two major North-South arteries in the state. The Authority also owns and operates the Garden State Arts Center (the Arts Center or the Center) located on the grounds of Telegraph Hill Park alongside the Parkway in Holmdel. The Center is a roofed, open-air amphitheater which can accommodate an audience of over 10,000 in covered seating and on the adjoining lawn. The center offers concerts and other entertainment featuring a variety of popular and cultural artists for a paid admission fee in the late spring, summer, and early fall. The Authority’s 1987 annual report indicates that a total audience of 419,207 tick-etholders attended 65 “professional” evening performances with an average attendance of 6,314 per performance. The operations of the Center grossed over nine million dollars in 1987; of that sum ticket sales accounted for $8,314,184.

For the last five years, the Authority has retained the services of Ron Delsener and his company, Ardee Festivals, Inc. (Ardee), to book performances at the Center. In 1986, the Authority and Ardee entered into an agreement continuing this relationship through the 1990 season. This agreement provides that Ardee is to be compensated through the payment of a flat management fee, an incentive fee based on average paid attendance and, potentially, a percentage of any revenues gained from corporate sponsorship.

The Present Action

Plaintiff Monarch Entertainment Bureau, Inc. (Monarch) is a New Jersey corporation which describes itself as “involved in the scheduling and promotion of musical entertainment, comedic presentations, sporting events, and various other forms of entertainment,” presumably in competition with Ardee. Its rather rambling complaint sets forth a number of allegations against the Authority.

At the outset, I note that the complaint never clearly defines the relevant product or service market (it suggests the “entertainment industry,” but this is simply too broad) or the relevant geographic market involved. The complaint does allege that the Arts Center is a unique facility (“No facility with like characteristics and capacity is located within any reasonable radius of the [Arts Center],” para. 28). Because the Center is unique, Monarch alleges that it is “essential” that it have access to the facility if it is to compete in the New Jersey entertainment booking business; without the ability to book the Center, “entertainers who draw large crowds will be forced to terminate their relationship with a given promoter in favor of a promoter who has access to the facility in question in order that they can get ‘booked’ there.” Para. 31.

Scattered throughout the complaint are a number of factual allegations which, although they are presented as if they were related to one claim, appear as if they might actually constitute separate counts. Monarch argues (1) that the Authority’s exclusive agreements with a single promoter have prevented competition and constitute a per se antitrust violation (paras. 20-25), (2) that the Authority conspired with the John Doe defendants (presumably Ardee) to “restrain Plaintiff from producing shows [at the Center]” by entering the exclusive management agreements (para. 30) and (3) that the Authority conspired (with whom it is not specifically alleged) “to prohibit and influence governmental leaders and elected officials to stop Plaintiff” from gaining approval to build an alternative open-air amphitheater on the grounds of Liberty State Park in the City of Jersey City (paras. 42-46). Monarch also sets out an independent state-law claim that the Authority’s method of awarding the exclusive management agreement with Ardee violated the New Jersey Open Public Meetings Act, N.J.S.A. sections 10:4-6 through 10:4-21, also known as the state “Sunshine Law.”

The Authority seeks dismissal or summary judgment solely on the grounds of state action antitrust immunity and so, for purposes of the present motion only, I will put *1293 aside what appear to be pleading deficiencies in Monarch’s complaint and the very real question of whether Monarch has alleged a cognizable antitrust claim, even accepting its allegations as true.

The State-Action Doctrine

Almost fifty years ago, in the landmark case of Parker v. Brown, 317 U.S. 341, 63 S.Ct. 307, 87 L.Ed.

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Cite This Page — Counsel Stack

Bluebook (online)
715 F. Supp. 1290, 1989 U.S. Dist. LEXIS 7254, 1989 WL 70491, Counsel Stack Legal Research, https://law.counselstack.com/opinion/monarch-entertainment-bureau-inc-v-new-jersey-highway-authority-njd-1989.