Michelle Rosenfeld v. Gerard Basquiat, as Administrator of the Estate of Jean-Michel Basquiat

78 F.3d 84, 43 Fed. R. Serv. 983, 1996 U.S. App. LEXIS 4475
CourtCourt of Appeals for the Second Circuit
DecidedMarch 13, 1996
Docket312, Docket 95-7329
StatusPublished
Cited by48 cases

This text of 78 F.3d 84 (Michelle Rosenfeld v. Gerard Basquiat, as Administrator of the Estate of Jean-Michel Basquiat) is published on Counsel Stack Legal Research, covering Court of Appeals for the Second Circuit primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Michelle Rosenfeld v. Gerard Basquiat, as Administrator of the Estate of Jean-Michel Basquiat, 78 F.3d 84, 43 Fed. R. Serv. 983, 1996 U.S. App. LEXIS 4475 (2d Cir. 1996).

Opinion

CARDAMONE, Circuit Judge:

Artist Jean-Michel Basquiat’s short-lived career left a lasting impression on the art world. A so-called neo-expressionist, he was remarkable in his precocious talent, his prolificacy, and his eccentricity. His rapid rise to fame and premature death at age 27 left a number of mysteries. One of them, which is the subject of this appeal, is whether Basquiat contracted to sell three of his paintings to Michelle Rosenfeld, an art dealer and plaintiff in the instant action. These artworks that Rosenfeld alleges she contracted to buy were entitled “Separation of the ‘K’ ” (a diptych), “Atlas,” and “Untitled Head.” Their whereabouts — if indeed they still actually exist — are unknown. On November 20, 1989 Rosenfeld sued Gerard Basquiat, as administrator of the estate of his son Jean-Michel, for damages or specific performance of the contract.

BACKGROUND

This diversity action, brought in the United States District Court for the Southern District of New York and governed by New York law, was tried before a jury in October 1993. When the jury was unable to agree, a mistrial was declared. At the trial the artist’s estate sought initially to prevent the plaintiff purchaser from testifying with respect to two meetings she allegedly had with Basquiat, on the grounds that such evidence was barred by the New York Dead Man’s Statute, N.Y. CPLR 4519 (McKinney 1992). Later in the trial the estate acquiesced to the receipt of plaintiffs testimony rather than have the trial judge deliver what it believed was an extremely prejudicial jury charge on the New York statute.

As a result, Rosenfeld testified. She stated she went to Basquiat’s apartment on October 25, 1982, and while she was there he agreed to sell her three paintings for $4,000 each, and that she picked out the three works identified in her complaint. She testified further that Basquiat asked for a cash deposit of ten percent; she left his loft and later returned with $1,000 in cash, which she paid him. When she asked for a receipt, he insisted on drawing up a “contract,” and got down on the floor and wrote it out in crayon on a large piece of paper, remarking that “some day this contract will be worth money.” She identified a handwritten document listing the three paintings, bearing her signature and that of Basquiat, which stated: “$12,000 — $1000 DEPOSIT — OCT 25 82.” *87 Rosenfeld also testified that she later returned to Basquiat’s loft to discuss delivery, but Basquiat convinced her to wait for at least two years so that he could show the paintings at exhibitions.

Plaintiffs evidence presented at this first trial included the testimony of Rosenfeld’s driver, Ron Belfrom, who corroborated plaintiffs story by stating he had been present and participated in the October 25, 1982 meeting between Rosenfeld and Basquiat. A forensic document examiner, Paul Osborn, opined that the handwritten “contract” was in Basquiat’s hand. Although plaintiff maintained that at one time she had photographs of the paintings, she was unable to produce them at trial, and introduced reconstructions of the works instead. To rebut plaintiffs evidence, defendant relied primarily on cross-examination and attempted to show that the alleged contract was a fraud.

When the jury reported it was deadlocked, a mistrial was declared. The case was then reassigned to Judge Baer for a new trial. At a pretrial conference held on September 20, 1994 the trial court instructed the parties to brief the question of the applicability of the Dead Man’s Statute so that it could be resolved before trial began. When plaintiff contended that she could testify at the second trial concerning her personal transactions with Basquiat, Judge Baer ruled, in limine, that the Dead Man’s Statute applied despite the fact that the estate had waived its protection at the first trial. The trial court reasoned further that the estate’s raising of the Dead Man’s Statute, in addition to warranting a jury instruction, made Rosenfeld “unavailable as a witness” under the Federal Rules of Evidence. See Fed.R.Evid. 804(a)(1). Hence, it concluded Rosenfeld’s testimony from the first trial qualified for the hearsay exception set forth in Rule 804(b) and could be read to the jury, although the Dead Man’s Statute precluded live testimony regarding personal transactions with Basquiat.

The evidence offered at the second trial was substantially the same as that offered at the first trial, except that the estate called its own handwriting expert and an art gallery manager who had been responsible for keeping an inventory of Basquiat’s works for the estate. When Rosenfeld was called, however, her counsel carefully avoided asking about anything that occurred between her and the artist. She testified she went to Basquiat’s loft in October 1982 and “picked out” the three paintings. She also indicated she returned to the loft ten days later, but did not pick up the paintings. After Rosenfeld was excused, the trial court allowed portions of her former testimony to be read to the jury. The portions read into evidence dealt primarily with the personal transactions allegedly occurring between Rosenfeld and Basquiat on October 25, 1982 and those occurring ten days later when she returned to his loft. Counsel for the estate did not object when plaintiffs counsel asked to have the testimony read into evidence.

The jury in the second trial reached a verdict in favor of Rosenfeld, returning answers to special interrogatories as follows: Basquiat entered into a written agreement in October 1982 to sell the three paintings to Rosenfeld for $12,000; although there was no initial agreement establishing a delivery date, they made a separate oral agreement approximately ten days later setting the delivery date; a reasonable delivery date was October 1987; Rosenfeld first learned of the breach in August 1988, when Jean-Michel Basquiat died; and the market price of the three works at that time was $395,000.

Following defendant’s post-trial motion for judgment as a matter of law, the district court ruled that the contract did not violate the Statute of Frauds and that there was sufficient proof of damages to support the verdict. It subsequently entered a judgment in favor of Rosenfeld in the amount of $384,-000, representing the current market value of the artworks, discounted by the outstanding portion of the purchase price. In addition, interest in the amount of $217,301.92 was awarded to plaintiff in the judgment.

On appeal, the estate argues it was error for the trial court to admit Rosenfeld’s testimony into evidence and that the alleged contract between plaintiff and Basquiat violated the Statute of Frauds. We conclude that what has already been once repeated must *88 now be repeated again. Accordingly, we reverse and remand for a new trial.

DISCUSSION

I Rosenfeld’s Testimony and the Dead Man’s Statute

Although the Federal Rules of Evidence abolished many common-law rules governing witness competency, they expressly provide that state law determines what rules will apply in civil actions governed by state law. See

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Bluebook (online)
78 F.3d 84, 43 Fed. R. Serv. 983, 1996 U.S. App. LEXIS 4475, Counsel Stack Legal Research, https://law.counselstack.com/opinion/michelle-rosenfeld-v-gerard-basquiat-as-administrator-of-the-estate-of-ca2-1996.