Maria v. Altmann, an Individual v. Republic of Austria, a Foreign State and the Austrian Gallery, an Agency of the Republic of Austria

317 F.3d 954, 2002 Cal. Daily Op. Serv. 11905, 2002 Daily Journal DAR 14025, 2002 U.S. App. LEXIS 25517, 2002 WL 31770999
CourtCourt of Appeals for the Ninth Circuit
DecidedDecember 12, 2002
Docket01-56003, 01-56398
StatusPublished
Cited by76 cases

This text of 317 F.3d 954 (Maria v. Altmann, an Individual v. Republic of Austria, a Foreign State and the Austrian Gallery, an Agency of the Republic of Austria) is published on Counsel Stack Legal Research, covering Court of Appeals for the Ninth Circuit primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Maria v. Altmann, an Individual v. Republic of Austria, a Foreign State and the Austrian Gallery, an Agency of the Republic of Austria, 317 F.3d 954, 2002 Cal. Daily Op. Serv. 11905, 2002 Daily Journal DAR 14025, 2002 U.S. App. LEXIS 25517, 2002 WL 31770999 (9th Cir. 2002).

Opinion

WARDLAW, Circuit Judge.

At issue is whether the Foreign Sovereign Immunities Act, 28 U.S.C. §§ 1602-1611, confers jurisdiction in the United States District Court for the Central District of California over the Republic of Austria and the state-owned Austrian Gallery in a suit alleging wrongful appropriation of six Gustav Klimt paintings from their rightful heirs. Maria Altmann, a United States citizen, seeks the recovery of the paintings from the Republic of Austria, which now houses them in the Austrian Gallery. She alleges that (i) the Nazis took the paintings from her Jewish uncle to “Aryanize” them in violation of international law; (ii) the pre-World War II and wartime Austrian government was eomplicit in their original takings; (Hi) the current government, when it learned of the heirs’ rights to the paintings, deceived the heirs as to the circumstances of its acquisition of the paintings; and (iv) the Republic and the Gallery now wrongfully assert ownership over the paintings. The Republic of Austria appeals from the district court’s denial of its motion to dismiss for want of jurisdiction. Rejecting the Austrian Republic’s assertions, the district court found, inter alia, that the FSIA applied retroactively and generally to the events of the late 1930s and 1940s, and that the seizure of the paintings fell within the expropriation exception to the FSIA’s grant of immunity.

For the reasons stated below, we determine that the exercise of jurisdiction in this case does not work an impermissible retroactive application of the FSIA. If true, the facts alleged by Altmann establish a taking in violation of international law that confers jurisdiction upon our federal courts, and thus Altmann has presented a substantial and nonfrivolous claim. See Siderman de Blake v. Republic of Argentina, 965 F.2d 699, 711 (9th Cir.1992) (“At the jurisdictional stage, we need not decide whether the taking actually violated international law; as long as a ‘claim is substantial and nonfrivolous, it provides a sufficient basis for the exercise of our jur *959 isdiction.”’ (quoting West v. Multibanco Comermex, S.A., 807 F.2d 820, 826 (9th Cir.1987))), cert. denied, 507 U.S. 1017, 113 S.Ct. 1812, 123 L.Ed.2d 444 (1993). Because Appellants profit from the Klimt paintings in the United States, by authoring, promoting, and distributing books and other publications exploiting these very paintings, these actions are sufficient to constitute “commercial activity” for the purpose of satisfying the FSIA, as well as the predicates for personal jurisdiction. Finally, because the Republic of Austria “does business” in the Central District of California, venue is appropriate there and the principles of forum non conveniens do not counsel otherwise. Thus we uphold the district court’s assertion of jurisdiction under the FSIA.

I. Background

In the early 1900s Ferdinand Bloch, a wealthy Czech sugar magnate, commissioned a portrait of his young wife, Adele Bloch-Bauer, by the Austrian painter Gustav Klimt. Adele and Ferdinand, members of the wealthy Viennese intellectual elite, commissioned Klimt’s painting at a time when the artist commanded a fee in excess of a quarter of the price of a furnished country villa. Klimt made hundreds of sketches of Adele, culminating in 1907 with the shimmery golden portrait, Adele Bloch-Bauer I. Before Adele’s untimely passing in 1925, she owned six Klimt paintings, including another portrait of herself, a portrait of a close friend, and three landscapes: Adele Bloch-Bauer I & II, Amalie Zuckerkandl, Apple Tree I, Beechwood, and Houses in Unterach am Atter-see. Obviously oblivious to the terror to come, which would dramatically affect Austria generally and her husband Ferdinand intimately, Adele left a will “kindly” requesting that Ferdinand donate the paintings to the Austrian Gallery upon his death.

The Nazi invasion of Austria on March 12, 1938, worked a dramatic upheaval on the lives of Ferdinand and all Austrians. Many of the Austrians embraced the Nazis, moving Adolf Hitler to declare the An-schluss — the annexation of Austria to Nazi Germany — the next day. To imbue these actions with a quasi-legal basis, a mock Council of Ministers was convened, which adopted the resolution for the Anschluss. The legitimate Austrian cabinet leaders were arrested and deported to concentration camps. The country was split into single districts under the direct control of Berlin. Even the name “Austria” was abolished. Ferdinand, who was Jewish and had supported anti-Nazi efforts before the annexation of Austria, fled the country to avoid persecution, leaving behind all his holdings, including his paintings, a valuable porcelain collection, and his beautiful home, castle, and sugar factory. He settled in Zurich, Switzerland.

In the meantime, Nazi officials, accompanied by representatives of what later became the Austrian Gallery, convened a meeting to divide up Ferdinand’s property. His sugar company was “Aryanized” and his Vienna home was reduced to a German railway headquarters. Reinhardt Heyd-rich, the author of the infamous Final Solution, moved into Ferdinand’s castle. Ferdinand’s vast porcelain collection was sold at a public auction, with the best pieces going to Vienna’s museums. Hitler and Hermann G# 37# ring confiscated some of Ferdinand’s Austrian Masters paintings for their private collections. Others were bought for Hitler’s planned museum at Linz. Dr. Erich Fuerher, the Nazi lawyer liquidating the estate, chose a few paintings for his personal collection. Dr. Fuerher purported to give two of the paintings at issue, Adele Bloch-Bauer I and Apple Tree I, to the Austrian Gallery in 1941, in exchange for a painting donated by Ferdinand in 1936. He accompanied

*960 the transaction with a note claiming to deliver the paintings in fulfillment of the last will and testament of Adele and signed it “Heil Hitler.” In March 1943, Dr. Fuer-her sold Adele Bloch-Bauer II to the Gallery and Beechwood to the Museum of the City of Vienna. He kept Houses in Unter-ach am Attersee for his personal collection. It is not clear what immediately happened to Amalie Zuckerkandl, although it ended up in the hands of the art dealer Vita K# 3C# nstler.

Ferdinand died in Switzerland in November 1945. He left a will, revoking all prior wills, and leaving his entire estate to one nephew and two nieces, including Maria Altmann. Like Ferdinand, Altmann and her husband had been forced to flee Austria. When the Nazis invaded Austria, they imprisoned her husband Fritz in the labor camp at Dachau and moved Altmann to a guarded apartment. Her brother-in-law managed to get Fritz released from Dachau, after which they escaped to Holland. Ultimately, they ended up in Hollywood, California, where Altmann became a United States citizen in 1945.

Also in 1945, the Second Republic of Austria was born and the next year, it declared that all transactions motivated by the Nazis were void.

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317 F.3d 954, 2002 Cal. Daily Op. Serv. 11905, 2002 Daily Journal DAR 14025, 2002 U.S. App. LEXIS 25517, 2002 WL 31770999, Counsel Stack Legal Research, https://law.counselstack.com/opinion/maria-v-altmann-an-individual-v-republic-of-austria-a-foreign-state-and-ca9-2002.