Hits Before Fame, LLC v. Hernandez

CourtDistrict Court, District of Columbia
DecidedMarch 26, 2025
DocketCivil Action No. 2020-1845
StatusPublished

This text of Hits Before Fame, LLC v. Hernandez (Hits Before Fame, LLC v. Hernandez) is published on Counsel Stack Legal Research, covering District Court, District of Columbia primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Hits Before Fame, LLC v. Hernandez, (D.D.C. 2025).

Opinion

UNITED STATES DISTRICT COURT FOR THE DISTRICT OF COLUMBIA

HITS BEFORE FAME, LLC, et al.,

Plaintiffs,

v. Case No. 1:20-cv-01845-RCL

DANIEL HERNANDEZ, et al.,

Defendants.

MEMORANDUM OPINION

Plaintiffs Hits Before Fame, LLC and After Hours, LLC are promotional companies

engaged in the business of staging live musical performances. The companies contracted with

Daniel Hernandez, a rapper professionally known as Teka$hi 6ix9ine, to perform a live concert at

Echostage D.C. on October 28, 2018. Mr. Hernandez did not show up for the concert, causing

Plaintiffs significant financial and reputational harm. In July 2020, Plaintiffs filed this lawsuit

against Mr. Hernandez and members of his management team (collectively, Defendants). The

Clerk has entered default against all Defendants for failing to appear in or otherwise defend this

action.

Before the Court are two motions: Plaintiffs’ Motion [63] for Default Judgment as to

Defendant Daniel Hernandez, and Plaintiffs’ Motion [73] for Default Judgment as to Defendant

Kifano Jordan, Mr. Hernandez’s former manager, professionally known as Shotti.1 For the reasons

contained herein, the Court will GRANT IN PART and DENY IN PART, with prejudice, the

Motion for Default Judgment against Mr. Hernandez. The Court will DENY, with prejudice, the

1 The Court already granted Plaintiffs’ motion default judgment against the remaining defendants on September 29, 2021. Order, ECF No. 30.

1 Motion for Default Judgment against Mr. Jordan. The Court will award Plaintiffs $250,000 in

compensatory damages for Mr. Hernandez’s breach of contract.

I. BACKGROUND

A. Factual History

The facts of this case are drawn solely from the Complaint and are taken as true, as

Defendants have not offered their own account. See Thomson v. Wooster, 114 U.S. 104, 111

(1885) (plaintiff’s claims taken as true after entry of default). On October 25, 2017, Plaintiff Hits

Before Fame contacted Defendant Christian Ehigiator, an agent of Mr. Hernandez, to engage Mr.

Hernandez for a live performance on December 8, 2017 in Washington, D.C. at Bliss Nightclub.

Compl. ¶ 16. On October 28, 2017, Hits Before Fame deposited by wire transfer $3,500—a fifty-

percent deposit, per standard industry practice—into the account of Defendant Supers

Wherehouse, a corporation receiving funds for Mr. Hernandez, to secure the performance date. Id.

¶ 17.

Sometime thereafter, “due to rescheduling on the part of Bliss Nightclub and other factors

which both parties mutually understood,” Hits Before Fame agreed with Mr. Ehigiator to

reschedule the performance. Id. ¶ 18. Mr. Ehigiator then directed Hits Before Fame to Defendant

William Cornish, another agent of Mr. Hernandez and principal of Defendant company 1st Call

Entertainment, for further negotiations. Id. ¶¶ 10, 20. Mr. Cornish prepared an agreement setting

Mr. Hernandez’s new performance date for March 23, 2018 at a then-to-be-determined location,

and obligating Plaintiffs to pay Mr. Hernandez $20,000 as the performance fee. Id. ¶ 21. On

February 12, 2018, in partial payment of this fee, Hits Before Fame wired $10,000 to Supers

Wherehouse. Id. ¶ 24; Receipt, ECF No. 1, Ex. C. On February 13, 2018, Hits Before Fame

engaged After Hours, the other Plaintiff in this action, to assist with planning and coordinating the

2 performance. Compl. ¶ 25. The Agreement was fully executed on February 14, 2018. Id. ¶ 22;

ECF No. 1, Ex. A (“the Agreement”).

Plaintiffs secured a D.C. concert hall, Echostage, for the performance, but “[d]ue to lack

of promotion by Defendant Hernandez, as well as fear for his safety and that of the attendees due

to numerous highly publicized street beefs leading up to the Event,” Echostage placed Mr.

Hernandez’s performance on hold. Compl. ¶¶ 26, 28.2 Then, “[a]fter several months and extensive

attempts to coordinate another date” with Mr. Hernandez, Mr. Ehigiator, and Mr. Cornish,

Plaintiffs “w[ere] able to secure the reschedule date of October 28, 2018.”3 Id. ¶ 29. The new date

of October 28, 2018, was selected in part to coincide with Howard University’s homecoming,

“which could reasonably be expected to bring an influx of potential concertgoers to the District of

Columbia and would give the time and the opportunity to generate greater ticket sales than any

other time of year.” Id. ¶ 30.

“As a condition precedent to final confirmation of the new date” for the performance, Mr.

Hernandez, “by and through his agents,” demanded that Plaintiffs pay Mr. Hernandez an increased

fee of $60,000, to which Plaintiffs consented. Id. ¶ 31. So, on September 2, 2018, Plaintiffs

delivered an additional $44,970 in cash to Mr. Kifano Jordan—a member of Mr. Hernandez’s

management team, and the other defendant against whom Plaintiffs have moved for default

judgment—with Plaintiffs confirming over text “that all but $1,530 of [Mr. Hernandez’s]

performance fee had been paid in full.” Id. ¶ 32; Ex. D, Text Message Confirmation, ECF No. 1-

2 The Complaint does not indicate when Echostage was initially secured for the March performance date, or when Echostage made this postponement decision, though the Court infers that it must have been sometime between the signing of the Agreement in February and the scheduled performance in March. 3 It is also not clear, based on the Complaint, when the rescheduling decision to October 28, 2018 was made. As noted infra, it appears that Hits Before Fame reserved Echostage as the venue for the rescheduled performance on September 14, 2018. Compl. ¶ 33. Presumably, the decision among all parties to pick the October 28 performance date was made sometime in September. The written Agreement does not reflect the rescheduled date of October 28, 2018.

3 5. On September 14, 2018, Plaintiffs contracted again with Echostage to reserve the venue for

October 28, 2018, for a sum of $25,000. Compl. ¶ 33. Plaintiffs expended $11,497 on online

promotion of the performance. Id. ¶ 34; Ex. E, Social Media Receipts, ECF No, 1-5. Plaintiffs

also engaged several other artists as opening acts for $19,500, contributing to their expense in

putting on this event. Id. ¶¶ 42–43.

On October 11, 2018, Mr. Hernandez’s agent MTA,4 “without cause, right or justification,

threatened to cancel the Event.” Compl. ¶ 36. Plaintiffs responded via email, assuring that Mr.

Hernandez had been paid and that Plaintiffs had been in contact with Defendant Jordan regarding

the event. Ex. F, Email, ECF No. 1-5 (“We have been in communication with [Mr. Jordan] for

months . . . and the date is paid in full. We will call [Mr. Jordan] today.”). Two days later, on

October 13, 2018—roughly two weeks before the concert was to take place—Mr. Hernandez

recorded a promotional video in which he acknowledged the rescheduled concert as a “make-up

date for the Howard homecoming.” Compl. ¶ 37. However, that promotional video was never

posted publicly by Mr. Hernandez. Id. ¶ 45.

On the day of the concert, October 28, 2018, Plaintiffs represent that 3,108 tickets,

representing 69% of the venue’s capacity, had been pre-sold for a total of $165,336. Compl. ¶ 40;

Ex. I, ECF 1-6. Additionally, $30,300 was generated in presold VIP tables. Id. ¶ 41. Concertgoers

arrived at Echostage as early as noon, and the line grew to nearly one thousand people “willing to

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