Filia Kourtis Con Kourtis v. James Cameron International Creative Management Mario P. Kassar Jeffrey Berg Joseph Rosenberg

419 F.3d 989, 75 U.S.P.Q. 2d (BNA) 1925, 2005 U.S. App. LEXIS 17146, 2005 WL 1939964
CourtCourt of Appeals for the Ninth Circuit
DecidedAugust 15, 2005
Docket03-56703
StatusPublished
Cited by80 cases

This text of 419 F.3d 989 (Filia Kourtis Con Kourtis v. James Cameron International Creative Management Mario P. Kassar Jeffrey Berg Joseph Rosenberg) is published on Counsel Stack Legal Research, covering Court of Appeals for the Ninth Circuit primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

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Filia Kourtis Con Kourtis v. James Cameron International Creative Management Mario P. Kassar Jeffrey Berg Joseph Rosenberg, 419 F.3d 989, 75 U.S.P.Q. 2d (BNA) 1925, 2005 U.S. App. LEXIS 17146, 2005 WL 1939964 (9th Cir. 2005).

Opinion

O’SCANNLAIN, Circuit Judge.

We must decide whether the creators of the yet-unproduced film The Minotaur are collaterally estopped from pursuing a copyright infringement claim against the producers of Terminator II.

I

In 1987, Filia and Constantinos Kourtis developed the concept for a film entitled The Minotaur, which details the exploits of a half-man, half-bull that can transform itself into various human and inanimate forms. The Kourtises set forth their ideas in a thirty-page “treatment” that provides a synopsis of the prospective film. They registered this material with the Worldwide Register of Copyrights and then hired William Green to write a screenplay based upon their treatment. The agreement between Green and the Kourtises provided that the Kourtises would own the screenplay’s rights.

In 1989, the Kourtises began to shop the screenplay around to various Hollywood production companies. Jeffrey Berg, an employee of International Creative Management (“ICM”), received a copy, and he informed the Kourtises that he would share the materials with film maker James Cameron, who was an ICM client. Cameron contacted the Kourtises and initially expressed an interest in The Minotaur, but ultimately neither Cameron nor anyone else agreed to produce the project.

In 1991, Cameron released the film Terminator II: Judgment Day, which — like The Minotaur — -features a character that can transform its appearance into both human and nonhuman forms. Green responded by filing a copyright infringement action in the United States District Court for the Central District of California against Cameron and other persons associated with Terminator II. Green v. Schwarzenegger, No. CV 93-5893(WMB) (C.D. Cal. filed Sept. 29, 1993). Green alleged that he — not the Kourtises — owned the copyright to the Minotaur screenplay and that Cameron had misappropriated The Minotaur’s concept of a shape-changing character.

Although Filia Kourtis was deposed by Cameron, the Kourtises did not intervene in Green’s suit. The court ultimately found that Terminator II and The Minotaur are not substantially similar and granted summary judgment to Cameron and the other defendants on Green’s copyright infringement claim. Green v. Schwarzenegger, No. CV 93-5893(WMB) (C.D.Cal. July 1, 1994), at 8.

*994 The Kourtises, who reside in Australia, then brought suit against Green in an Australian court to determine ownership of the Minotaur materials. After the Kourtises prevailed in that action, see Kourtis v. Green, No. 8497 (Viet. Mar. 19, 1998), they filed their own suit against Cameron 1 in the Central District of California, alleging copyright infringement, breach of implied contract, breach of oral contract, and breach of confidence. Like Green, the Kourtises alleged that Cameron had utilized The Minotaur’s shape-changing concept in Terminator II without providing payment or attribution.

The district court granted Cameron’s motion to dismiss the Kourtises’ complaint. The court concluded that the Kourtises are collaterally estopped by the Green decision from relitigating the copyright infringement issue. The court further held that the Kourtises’ state law claims are barred by the statute of limitations. The Kourtises timely appealed.

II.

The Kourtises argue that the Green litigation does not preclude their copyright infringement claim because Green’s allegations differ from their own and because they were not a party to the earlier proceedings. 2

A

The doctrine of collateral estoppel (or issue preclusion) “prevents relitigation of issues actually litigated and necessarily decided, after a full and fair opportunity for litigation, in a prior proceeding.” Shaw, 56 F.3d at 1131. A federal court decision has preclusive effect where

(1) the issue necessarily decided at the previous proceeding is identical to the one which is sought to be relitigated; (2) the first proceeding ended with a final judgment on the merits; and (3) the party against whom collateral estoppel is asserted was a party or in privity with a party at the first proceeding.

Hydranautics v. FilmTec Corp., 204 F.3d 880, 885 (9th Cir.2000).

We address these elements in turn.

There are several factors that guide our determination of whether an is *995 sue litigated in a prior case is identical to one raised in later proceedings. Relevant considerations include whether there is a substantial overlap between the evidence in the two eases and whether both suits involve application of the same rule of law. See Resolution Trust Corp. v. Keating, 186 F.3d 1110, 1116 (9th Cir.1999).

Green’s suit alleged that Cameron infringed upon The Minotaur’s copyright by incorporating a shape-changing character into Terminator 77. 3 According to the district court’s written decision in that case, Green “allege[d] that in August 1989, he submitted his screenplay ‘The Minotaur’ to Jeffrey Berg of ICM. (‘Draft 1’). On January 31, 1990, Joe Rosenberg at ICM expressed interest and requested a second draft (‘Draft 2’), which plaintiff provided. About two years later, ICM and other defendants released ‘Terminator 2.’ Thereafter, plaintiff brought this suit.” Green, No. CV 93-5893(WMB), at 1-2. Green argued that the “defendants have copied several unique aspects of his screenplays,” including the Minotaur’s ability to change shape. Id. at 6. After reviewing the screenplays, the Green court granted summary judgment to the defendants because no rational trier of fact could have found substantial similarity between The Minotaur and Terminator II. Id. at 8.

The sole basis for the Kourtises’ copyright infringement claim is the allegation that Cameron misappropriated The Minotaur’s shape-changing concept for use in Terminator II. See Compl. ¶ 53 (“The Minotaur Project and Term. II are more similar than Terminator I (‘Term.I’) and Term. II are. There was no ‘morphing’ i.e., metamorphosis of bodies or parts of bodies into other objects in Term. I as there is in the Minotaur Project and Term. II.”); id. ex. 1 (comparing shape-changing scenes from Terminator II and the Minotaur script).

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419 F.3d 989, 75 U.S.P.Q. 2d (BNA) 1925, 2005 U.S. App. LEXIS 17146, 2005 WL 1939964, Counsel Stack Legal Research, https://law.counselstack.com/opinion/filia-kourtis-con-kourtis-v-james-cameron-international-creative-ca9-2005.