De Sole v. Knoedler Gallery, LLC

139 F. Supp. 3d 618, 2015 WL 5918458
District Court, S.D. New York·Decided October 9, 2015·No. Nos. 12 Civ. 2313(PGG), 12 Civ. 5263(PGG)·Published·Cited by 21 cases

Opinion

MEMORANDUM OPINION & ORDER

PAUL- G. GARDEPHE, District Judge.

These ‘ actions arise from the sale of forged paintings that Plaintiffs purchased from Defendant Knoedler Gallery, LLC (“Knoedler”). In addition to. Knoedler, the named defendants include 8-31 Holdings, Inc., Knoedler’s sole member; Michael Hammer, Knoedler’s managing member and the owner of 8-31 Holdings, Inc.; Ann Freedman, Knoedler’s former president; and Jaime Andrade, a former Knoedler employee (“Defendants”).1 The operative complaints assert claims under the Racketeer Influenced and Corrupt Organizations Act (“RICO”), and state law causes of action for fraud, fraudulent concealment, aiding and abetting fraud, conspiracy to commit fraud, breach of warranty, and unilateral and mutual mistake. (Second Amended Complaint (“SAC”) (De Sole Dkt. No. 118) ¶¶ 181-292; Am. Cmplt. (Howard Dkt. No. 179) ¶¶ 259-391)).

Between 1994 and 2008 Knoedler sold thirty-two paintings it acquired from Glafi-ra Rosales, a Long Island art dealer, all of which were represented to be works created by well-known Abstract Expressionist artists, such as Mark Rothko, Willem de Kooning, and Jackson Pollock (the “Rosales Paintings”). (Plaintiffs Rule 56.1 Statement of Additional Material Facts (“Pltf. R. 56.1 Add. Stmt.”). (De Sole Dkt. No. 236) ¶ 1983; List of Rosales Paintings (De Sole Dkt. No. 236), Ex. 53)2 It is undisputed that all of the .paintings Rosales brought to Knoedler — including the two paintings purchased by Plaintiffs — are forgeries. (Pltf. R. 56.1 Add. Stmt. (De Sole Dkt. No. 236) ¶ 1025; Defendants’ Responses to Requests for Admission (De Sole Dkt. No. 236), Exs. 43, 44, 45) Plaintiffs allege that — as. early as October 2003 — Defendants had reason to doubt the authenticity of the Rosales Paintings. Defendants nonetheless continued to sell the Rosales Paintings at Knoedler until 2008.

Defendants have moved for summary judgment on all of Plaintiffs’ claims. In an Order dated September 30, 2015, this Court granted in part and denied in part Defendants’ motions. (De Sole Dkt. No. 261; Howard Dkt. No. 320) The purpose [625]*625of this opinion is to explain the Court’s reasoning.

BACKGROUND3

I. FACTS

A. The Knoedler Gallery, Ann Freedman, and Glafira Rosales

The Knoedler Gallery was founded by Michael Knoedler in 1846 ’ and operated-continuously for the next 165 years. ' (Pltf. R. 56.1 Add. Stmt. (De Sole Dkt. No. 236) ¶¶ 1026, 1979; Hammer' Deck in Opp. to TRO (De Soie'Dkt. No. 236), Ex. 46 ¶2) Until it closed in 2011, the Knoedler Gallery was one of New York City’s most venerable and respected art galleries. (Pltf. R. 56.1 Add. Stmt. (De Sole Dkt. No. 236) ¶ 1028) ‘

In 1971, the gallery was purchased by Armand Hammer, the grandfather of Defendant Michael Hammer, and since that time the Hammer family has 'been directly responsible for the operations of the Knoe-dler Gallery. (Hammer Deck .in Opp. to TRO (De Sole Dkt. No. 236), Ex. 46-1Í2) Knoedler Gallery LLC, the current legal entity, is a Delaware limited liability company that was formed in 2001. (Def. R. 56.1 Stmt. (De Sole■ Dkt. Nos. 219, 220) 11746; Def. Reply to Pltf. 56.1 Add. Stmt. (De Sole Dkt. No. .248) ¶ 1026; Def. Ex. 411 (Certificate ,of Formation)). Defendant 8-31 Holding^, Inc., a Delaware corporation also forihed in 2001, is the sole member of Knoedler. (Def.. R. 56,1 Stmt. (De Sole Dkt. Nos. 219, 220) ¶¶ 743, 745; SAC (De Sole Dkt. No. 118) 1117; Am. Cmplt. (Howard Dkt. No. 179).¶ 32) .

Defendant Michael Hammer is the pres- ’ ident; chief executive officer, ' chairman, and sole owner of 8-31 Holdings, Inc. (“8-31”), and became the sole manager of Knoedler in 2011. (Pltf. R. 56.1 Add. Stmt. (De Sole Dkt. No. 236) ¶¶1033,1995, 2003; Hammer Dep. (De Sole Dkt. No. 236), Ex. 21 at 57) ■

Defendant Ann Freedman joined Knoe-dler’s corporaté predecessor in 1977 as the director of contemporary art. ' (Def. Reply to Pltf. R. 56.1 Add. Stmt. (De Sole Dkt. No. 248) ¶ 1032* Freedman Dep. (De Sole Dkt. No.' 236), Ex. 18 at 21; Freedman Lagrange Tr. (De Sole Dkt. No. 236), Ex. 51 at 138) In 1994, she became-president of M. Knoedler & Co, the gallery’s corporate entity at that time.4 (Def. Reply to Pltf. R. 56.1 Add. Stmt. (De Sole Dkt. No. 248) ¶ 1034; Freedman Dep. (De Sole Dkt. No. 236), Ex. 18 at 21) Between 2001 And October 2009, Freedman was Knoedler’s sole manager .and a director of 8-31.5 (Pltf. R. 56.1 Add. Stmt. (De Sole Dkt. No. 236) ¶¶ 2002, 2004) ,

In the mid-1990s, Jaime Andrade, a longtime Knoedler employee, introduced Glafira Resales to Freedman. (Def. R. 56.1 Stmt. (De Sole Dkt. Nos. 208, 228) ¶¶ 1,1006; (De Sole Dkt. No. 236), Ex. 169 at 2) Rosales was a Long Island art dealer who claimed to have access to a1 collection of previously undiscovered works by certain well-known Abstract Expressionist artists. (Weissman Dep. (De Sole Dkt. No. 236), Ex. 40 at 33; Freedman Tr. (De [626]*626Sole Dkt. No. 236), Ex. 18 at 338; Freedman Lagrange Tr. (De Sole Dkt. No. 236), Ex. 51 at 138) Andrade had met Rosales at an art gallery in the early 1990s.6 (Def. R. 56.1 Stmt. (De Sole Dkt. Nos. 208, 228) ¶¶ 2, 1003) Rosales told Andrade that she had a Mexican client who wanted to sell a collection of Abstract Expressionist artworks, but to do so anonymously. (Def. R. 56.1 Stmt. (De Sole Dkt. No. 228) ¶ 1004) Andrade reported to Freedman that Rosales had Abstract Expressionist artworks that she wanted to sell. (M1Í1005) An-drade then introduced Rosales to Freedman.7 (Id. ¶ 1006; Freedman Lagrange Tr. (De Sole Dkt. No. 236), Ex. 51 at 138, 193-94)

Over the next fifteen years, Rosales provided Knoedler with dozens of previously unknown “masterworks” by well-known Abstract Expressionist artists, and Knoe-dler sold these paintings to its customers. All of these paintings are forgeries. (Pltf. R. 56.1 Add. Stmt. (De Sole Dkt. No. 236) ¶ 1025)

In early 1994, Rosales consigned to Knoedler what she represented to be five paintings by Richard Diebenkorn. (Id. ¶¶ 1049-50, List of Rosales Paintings (De Sole Dkt. No. 236), Ex. 53 at KG-11152) Rosales represented that these works were from the collection of Cesáreo Fon-tenla and came from the Vijande Gallery in Madrid, Spain. (Pltf. R. 56.1 Add. Stmt. (De Sole Dkt. No. 236) ¶ 1051; (De Sole Dkt. No. 236), Exs. 52, 53 at KG-11152, 60) Knoedler sold these paintings to its customers at large mark-ups8 without submitting them to the Diebenkorn catalogue raisonné committee for authentication.9 [627]*627(Pltf. R. 56.1 Add. Stmt. (De Sole Dkt. No. 236) ¶¶ 1053, 1055, 1075-76) During a series of meetings in 1994 and 1995, members of the Diebenkorn family informed Freedman that at least two of the five purported Di'ebenkorns Rosales had provided did not appear to be authentic. (Id.

Free access — add to your briefcase to read the full text and ask questions with AI

De Sole v. Knoedler Gallery, LLC, 139 F. Supp. 3d 618, 2015 WL 5918458 (S.D.N.Y. 2015).

139 F. Supp. 3d 618 (De Sole v. Knoedler Gallery, LLC) — published by Counsel Stack Legal Research, free access to 12M+ legal documents.

Related

Edmondson v. Raniere
E.D. New York, 2024
Cao v. Landco H&L Inc.
E.D. New York, 2022
Molner v. Reed Smith LLP
S.D. New York, 2021
Aboutaam v. El Assaad
S.D. New York, 2020
Martin Hilti Family Trust v. Knoedler Gallery, LLC
386 F. Supp. 3d 319 (S.D. Illinois, 2019)
Silvercreek Mgmt., Inc. v. Citigroup, Inc.
346 F. Supp. 3d 473 (S.D. Illinois, 2018)
Waran v. Christie's Inc.
315 F. Supp. 3d 713 (S.D. Illinois, 2018)
A.V.E.L.A., Inc. v. Estate of Marilyn Monroe, LLC
241 F. Supp. 3d 461 (S.D. New York, 2017)
United States Securities & Exchange Commission v. DiMaria
207 F. Supp. 3d 343 (S.D. New York, 2016)
Overton v. Art Finance Partners LLC
166 F. Supp. 3d 388 (S.D. New York, 2016)