Williams v. Licari

CourtDistrict Court, E.D. Texas
DecidedJuly 3, 2024
Docket4:22-cv-00005
StatusUnknown

This text of Williams v. Licari (Williams v. Licari) is published on Counsel Stack Legal Research, covering District Court, E.D. Texas primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Williams v. Licari, (E.D. Tex. 2024).

Opinion

FOR THE EASTERN DISTRICT OF TEXAS SHERMAN DIVISION

J. BRIAN WILLIAMS, § § Plaintiff, § § v. § Civil Action No. 4:22-cv-5-ALM-KPJ § PAUL KEITH LICARI, § § Defendant. §

REPORT AND RECOMMENDATION OF UNITED STATES MAGISTRATE JUDGE Pending before the Court are Plaintiff J. Brian Williams’s (“Plaintiff”) Motion to Support Court Jurisdiction (the “First Motion”) (Dkt. 20) and Motion to Support Court Jurisdiction (the “Second Motion”) (Dkt. 21) (collectively, the “Motions”) (Dkts. 20–21). For the reasons that follow, the Court recommends that the Motions (Dkts. 20–21) be DENIED. The Court further recommends that this case be TRANSFERRED to the Northern District of California. I. BACKGROUND On January 4, 2022, Plaintiff, proceeding pro se, initiated this lawsuit by filing a complaint (the “Complaint”) (Dkt. 1) against Defendant Paul Keith Licari (“Defendant”). See Dkt. 1 at 1. In the Complaint (Dkt. 1), Plaintiff alleges that, on October 9, 2019, he published a song “with original lyrics” entitled “The Twelve Patches of Christmas Tarkov Style.” Id. at 6.1 Plaintiff further alleges that he registered this work with the United States Copyright Office before initiating this litigation. Id. According to Plaintiff, on December 19, 2021, Defendant uploaded an “identical . . . or similar” song entitled “The Twelve Days of Tarkmas” on YouTube. See id. The following day,

1 Tarkov appears to be a reference to the videogame entitled “Escape from Tarkov.” Defendant of the purported infringement. See id. On December 26, 2021, Defendant posted “a public tweet openly discussing the pending DMCA situation and directly naming . . . Plaintiff to his two hundred and thirty thousand followers.” Id. As a result, Plaintiff alleges that he was flooded with “hundreds of angry people” on his “social media platforms,” who issued “false down votes” and “death threats” against Plaintiff and his family. Id. That same night, Plaintiff alleges that he contacted Defendant to try to reach an “amicable agreement,” but Defendant “refused any agreement prior to the DMCA strike being removed.” Id. at 7. Based on these factual allegations, Plaintiff asserts that Defendant committed a “knowing and intentional copyright infringement” causing him “substantial and

irreparable harm.” Id. On this basis, Plaintiff seeks “injunctive relief, damages, Defendant’s profits, increased damages, and reasonable attorney’s fees and costs.” Id.2 On April 18, 2022, the Clerk of Court issued summons to Defendant at the following address: P.O. Box 1099 Golden Grove South Australia 5125 Australia

See Dkt. 6. On May 12, 2022, the Clerk of Court reissued summons to Defendant at the same location. See Dkt. 9. On August 1, 2022, Plaintiff filed the Application for Entry of Default (Dkt. 10), which the Clerk of Court did not enter due to Plaintiff proceeding pro se. See Dkt. 11. On October 20, 2022, the Court issued an Order (Dkt. 14) noting that “Defendant appears to reside in Australia” and, thus, “Plaintiff is required to effect service through means authorized under the Hague Convention.” Dkt. 14 at 2. Because it was unclear whether Plaintiff properly effectuated

2 Given that Plaintiff is proceeding pro se, he cannot recover attorney fees. See, e.g., Danial v. Daniels, 162 F. App’x 288, 291 (5th Cir. 2006) (“Attorney’s fees are not available to a non-attorney pro se litigant.” (citing McLean v. Int’l Harvester Co., 902 F.2d 372, 373 (5th Cir. 1990))). evidence supporting the entry of default.” Id. at 3. On October 31, 2022, Plaintiff filed the Motion to Support Legal Authority and Entry of Default (the “Motion for Entry of Default”) (Dkt. 15), wherein Plaintiff asserted that the Clerk of Court properly issued and mailed summons to Defendant in accordance with South Australia’s Uniform Civil Rules. See Dkt. 15 at 1. Plaintiff further asserted that summons was successfully served on May 20, 2022. Id. In support thereof, Plaintiff included a copy of Defendant’s “counter notification” to Plaintiff’s DMCA request. Dkt. 15-1 at 1. In the counter notification, Defendant asserted that the Twelve Days of Tarkmas song was his “original content,” which he created with another streamer during a Twitch livestream. Id.3 Furthermore, Defendant consented “to the

jurisdiction of the Federal District Court for the district in which [his] address is located, or if [his] address is outside of the United States, the judicial district in which YouTube is located, and will accept service of process from the claimant.” Id. at 2. On August 1, 2023, the Court recommended that the Motion for Entry of Default (Dkt. 15) be denied without prejudice. Dkt. 16 at 1, 14. Specifically, the Court found that Defendant was properly served in accordance with the Hague Convention because Australia permits service by mail, and Plaintiff satisfied all corresponding requirements imposed by South Australia’s Uniform Civil Rules. See id. at 4–6; see also Uniform Civil Rules 2020 (SA) 42.3(1) (Austl.). However, the Court also found that it could not enter a default judgment because Plaintiff failed to show that the Court has personal jurisdiction over Defendant. See id. at 8–14. Likewise, the Court found that

Defendant did not consent to jurisdiction in the Eastern District of Texas because he “consented to the jurisdiction of the ‘district in which YouTube is located,’” and “YouTube does not reside in the Eastern District of Texas.” Id. at 11. Thus, the Court recommended that the Motion for Entry

3 Twitch is a livestreaming service typically used to broadcast video gameplay to a live, online audience. opportunity to present evidence supporting the Court’s jurisdiction over Defendant. Id. at 14; see also Sys. Pipe & Supply, Inc. v. M/V VIKTOR KURNATOVSKIY, 242 F.3d 322, 325 (5th Cir. 2001) (“When the district court raises the issue of personal jurisdiction sua sponte, the court should allow the plaintiff a reasonable opportunity to present any available evidence supporting the court’s jurisdiction.”). On September 14, 2023, the District Judge adopted the Court’s recommendation, denied the Motion for Entry of Default (Dkt. 15) without prejudice, and ordered Plaintiff to “file a motion with evidence in support of the Court’s jurisdiction over Defendant.” Dkt. 19 at 2. On September 18, 2023, Plaintiff filed the First Motion (Dkt. 20), wherein he argues that the Court has specific jurisdiction over Defendant and, in any event, has jurisdiction over

Defendant pursuant to Rule 4(k)(2) of the Federal Rules of Civil Procedure. See Dkt. 20. On January 25, 2024, Plaintiff filed the Second Motion (Dkt. 21), wherein he argues that, by filing the counter notification, Defendant consented to personal jurisdiction in the Eastern District of Texas. See Dkt. 21. II. LEGAL ANALYSIS A. First Motion In the First Motion (Dkt. 20), Plaintiff argues that the Court has specific jurisdiction over Defendant due to his contacts with Texas or, if not, due to contacts with the United States as a whole pursuant to Rule 4(k)(2). See Dkt. 20. The Court considers each argument in turn below. 1. Specific Jurisdiction

Plaintiff argues that the Court has specific jurisdiction over Defendant because his income, derived from viewership and subscriptions on YouTube, Twitch, and other websites, is largely generated from consumers in the United States. Dkt. 20 at 3; see also Dkt. 20-3 (“Over 90% of watch time on content produced by [YouTube] channels in Australia comes from outside of commerce” and had a “reasonable expectation that Texas, being one of the largest consumer states, would consume . . . Defendant’s product.” Dkt.

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Bluebook (online)
Williams v. Licari, Counsel Stack Legal Research, https://law.counselstack.com/opinion/williams-v-licari-txed-2024.