Walt Disney Productions v. American Broadcasting-Paramount Theatres, Inc.

180 F. Supp. 113, 1960 U.S. Dist. LEXIS 4380, 1960 Trade Cas. (CCH) 69,598
CourtDistrict Court, S.D. New York
DecidedJanuary 5, 1960
StatusPublished
Cited by3 cases

This text of 180 F. Supp. 113 (Walt Disney Productions v. American Broadcasting-Paramount Theatres, Inc.) is published on Counsel Stack Legal Research, covering District Court, S.D. New York primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Walt Disney Productions v. American Broadcasting-Paramount Theatres, Inc., 180 F. Supp. 113, 1960 U.S. Dist. LEXIS 4380, 1960 Trade Cas. (CCH) 69,598 (S.D.N.Y. 1960).

Opinion

WEINFELD, District Judge.

The plaintiff moves pursuant to Rule 56 of the Federal Rules of Civil Procedure, for summary judgment declaring null and void a certain agreement with the defendant on the ground that it contravenes section 1 of the Sherman Act 1 and offends the basic policy of the Copyright Law. 2 Alternatively, in the event the agreement is held not tainted, the plaintiff seeks a judgment declaring specific restrictive provisions thereof void. It also moves for a temporary injunction restraining the defendant from enforcing the agreement or its restrictive provisions for the balance of its term. The agreement referred to as the “Basic Agreement,” as amended, supplemented and modified from time to time, now has been in effect for five years and expires on August 31, 1961, but an option provision permits its extension to August 31, 1962.

The plaintiff and its predecessor corporation since 1923 have been engaged in producing motion pictures for exhibition *114 in theatres. Since 1954, plaintiff has also produced films for television exhibition. 3 It is the copyright owner of the various theatrical and television motion pictures produced by it.

The defendant is the owner of a television network composed of approximately 215 affiliated television stations with a coverage of 94 per cent of all television equipped homes in the United States. It sells various television programs to commercial sponsors for broadcast over its network. The defendant itself does not produce any programs for television except for a limited number of public service programs. The programs it presents are purchased or obtained from different producers. 4 The defendant also operates a nationwide radio network comprised of approximately 350 affiliated radio stations.

The central figure in the plaintiff corporation, as far as the creation and production of films is concerned, is Walter E. Disney who is under a personal service contract to it. He was one of the pioneers in the development of the medium of the animated cartoon as motion picture entertainment. He is the creator of many publicly recognized fanciful motion picture characters such as “Mickey Mouse,” “Donald Duck” and “Three Little Pigs.” He supervises the production of all motion pictures produced by the plaintiff, whether cartoon or live, theatrical or television. That his services are unique, extraordinary and invaluable is acknowledged by the parties to this litigation.

Up to 1954, the plaintiff’s primary business was, and still remains, the production of theatrical motion pictures for presentation in motion picture theatres. It has accumulated a library of 500 theatrical motion picture films. These include motion pictures using either the animated cartoon technique, live actors, or combinations of both, and nature pictures.

In 1954, the plaintiff was in need of substantial financial assistance in connection with its contemplated development and construction of an exhibition and amusement park in California, to be known as “Disneyland.” At the same time, the defendant was in need of pictures for television in order to improve its competitive position vis-a-vis other national television networks. This mutual need resulted in contemporaneous agreements, or, as phrased by one of the plaintiff’s principals, “a joint package venture.” The agreements were arrived at only after extensive arm’s length bargaining. Under one agreement the defendant participated in the financing of Disneyland to the extent of $2,500,000, subsequently increased to $4,900,000.

Under the other agreement the plaintiff for the first time embarked upon the production of television motion pictures. The parties refer to this agreement dated May 17, 1954, as their Basic Television Agreement. Under its terms, the plaintiff agrees to produce annually for seven years a series of filmed one-hour television programs to be based upon the major themes of Disneyland. 5 The program originally was called “Disneyland” but later changed to “Walt Disney Presents,” under which title it is still produced and presented. The program content is to consist of newly filmed material as well as material from plaintiff’s library of its prior filmed productions which were suitable for the television program. 6 Each *115 new show is telecast once and repeat programs are provided for in order to have a weekly show during the year. The defendant is granted an exclusive license during the term of the contract to telecast the programs over its television network. The agreement also provides for Walter Disney’s personal services as the producer and supervisor of the programs. This was central to the agreement and he personally was a party to the agreement. The contract is terminable at the option of the defendant in the event of his death or should he become totally disabled or leave the employ of the plaintiff. The defendant contends that it sought and obtained from plaintiff not only programs to be televised but also the name, extraordinary skill and the creative production talent of Walter E. Disney individually.

The defendant agreed to pay to the plaintiff the entire program compensation (but not broadcast time and facilities charges) received from sponsors, with a guaranteed minimum. The minimum payments were stipulated for the first three years of the contract. In subsequent years, the payment for the program was to be negotiated by the parties and, failing agreement, the matter was to be submitted to arbitration. The contract also obligated the defendant to advance a substantial sum to the plaintiff for revolving fund purposes to be used for production costs in connection with the first year’s production of films. Apart from these contractual commitments, the defendant, in order to attract commercial sponsors for the programs, expended substantial amounts for advertising and other purposes.

The agreement contained various restrictive provisions. These provided that during the term of the agreement the plaintiff will not (1) telecast or license the telecasting of any program in the United States, Canada and Mexico; 7 (2) exhibit or license the exhibition of any program in any motion picture theatre by means of theatre television or subscription television in the same areas; (3) enter into merchandising agreements relating to any character created or owned by plaintiff, whether or not such character is contained in the program licensed to the defendant if such character is used to exploit a product competitive to a product of any sponsor of any program produced by plaintiff and licensed to the defendant; (4) exhibit or license the exhibition of motion picture films owned by plaintiff for telecasting in the United States, Canada or Mexico, except with the defendant’s written approval.

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Bluebook (online)
180 F. Supp. 113, 1960 U.S. Dist. LEXIS 4380, 1960 Trade Cas. (CCH) 69,598, Counsel Stack Legal Research, https://law.counselstack.com/opinion/walt-disney-productions-v-american-broadcasting-paramount-theatres-inc-nysd-1960.