TVT Records v. Island Def Jam Music Group

244 F. Supp. 2d 263, 2003 U.S. Dist. LEXIS 2273, 2003 WL 342852
CourtDistrict Court, S.D. New York
DecidedFebruary 13, 2003
Docket02 CIV.6644
StatusPublished
Cited by22 cases

This text of 244 F. Supp. 2d 263 (TVT Records v. Island Def Jam Music Group) is published on Counsel Stack Legal Research, covering District Court, S.D. New York primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
TVT Records v. Island Def Jam Music Group, 244 F. Supp. 2d 263, 2003 U.S. Dist. LEXIS 2273, 2003 WL 342852 (S.D.N.Y. 2003).

Opinion

DECISION AND AMENDED ORDER

MARRERO, District Judge.

On August 20, 2002, plaintiffs TVT Records and TVT Music, Inc. (collectively “TVT”) commenced this action against defendants The Island Def Jam Music Group and its principal Lyor Cohen (“Cohen,” and collectively “IDJ”), alleging copyright infringement and related state law claims. In an earlier proceeding in this litigation, the Court, after an evidentiary hearing on September 23, 24, and 30, 2002, granted in part and denied in part TVT’s motion for a preliminary injunction directing IDJ not to interfere with the delivery of certain recordings at issue here. IDJ now moves for summary judgment pursuant to Rule 56 of the Federal Rules of Civil Procedure and, in the alternative, for partial summary judgment under Rule 56 and for judgment on the pleadings pursuant to Rule 12(c) of the Federal Rules of Civil Procedure. In an Order dated February 4, 2003 this Court granted in part and denied in part IDJ’s motion and indicated that its findings, conclusions, and reasoning would be detailed in a subsequent decision. Accordingly, the Order of February 4, 2003 is amended to incorporate the discussion set forth below.

I. BACKGROUND

This case arises from a licensing dispute between TVT and its principal Steve Gott-lieb (“Gottlieb”) and IDJ concerning the distribution and exploitation of musical works created by Jeffrey Atkins, who is professionally known as Ja Rule (“Ja Rule”), and Irving Lorenzo, who is professionally known as Irv Gotti (“Gotti,” and together with Ja Rule, the “Artists”). 1 Under an agreement dated March 2, 1998 (the “Ja Rule Agreement”) between IDJ’s predecessor-in-interest, Rush Associated Recordings, and Ja Rule, IDJ is entitled to Ja Rule’s exclusive services as a recording artist. Pursuant to an agreement dated February 11, 1999, which was extended by *267 agreement dated December 17, 2001 between IDJ’s predecessor-in-interest, Island/Mercury Records, and Gotti, IDJ is entitled to Gotti’s services as a record producer and talent-finder.

In an agreement entitled “Heads of Agreement Between Murderers Inc./Irv Gotti And Jeffrey Atkins (p/k/a ‘Ja Rule’) And Tee Vee Toons, Inc. (‘TVT’)” dated July 2, 2001 (the “Heads of Agreement”), TVT contracted with Ja Rule and Gotti to record, produce, and exploit an album (the “CMC Album”) featuring the performances of Ja Rule, Christopher Bristole (“Bristole”), and Otha Miller (“Miller,” and collectively the “CMC Artists”). 2 Under the Heads of Agreement, four previously recorded CMC tracks would be reworked and supplemented with at least eight newly recorded tracks featuring the CMC Artists, including Ja Rule, to comprise the CMC Album. The Heads of Agreement, through various guarantees and indemnities, charges the Artists with securing any approvals, consents, and permissions necessary for them to satisfy their obligations under this contract.

The delivery date for the new recordings as contemplated by the written Heads of Agreement was November 1, 2001. This delivery date was later changed to reflect the schedules of the Artists and the timing of other contemplated album releases. TVT and the Artists ultimately agreed that the new tracks would be supplied to TVT in time for release in November 2002. In the interim, the Artists continued to work on the new recordings for the CMC Album, and by May 2002, approximately eleven new tracks had been recorded. In May 2002, Ja Rule and Gotti announced a forthcoming release of the CMC Album. In the summer of 2002, IDJ included a promotional card in a compilation disc produced by Gotti which announced the forthcoming release of the CMC Album. Also in the summer of that year, Universal Music Publishing Group, an affiliate of IDJ, announced on its internet site the CMC Album’s forthcoming release.

TVT recognized that IDJ’s assent to the project envisioned by the Heads of Agreement (the “CMC Project”) was necessary, and it accordingly endeavored to negotiate for IDJ’s consent in mid-to-late 2001. In the process, Cohen and Gottlieb outlined a profit sharing arrangement. In a letter dated October 22, 2001, William Leibowitz (“Leibowitz”), outside counsel for TVT, sent IDJ execution copies of what TVT understood to be the written embodiment of an agreement in which IDJ assented to the CMC Project, termed the Side Letter Agreement (the “Side Letter”), and asked that they be signed and returned. TVT maintains that IDJ agents repeatedly assured Leibowitz that IDJ assented to the CMC Project and that executed copies of the Side Letter would be supplied. In a letter dated November 15, 2001, Leibowitz again asked IDJ to supply executed copies of the Side Letter, indicating that TVT had relied on representations of consent and assurances that executed copies would be forthcoming. In the spring of 2002, Lei-bowitz spoke with Brian Robinson of IDJ (“Robinson”) about the Side Letter and IDJ’s assurances, and Robinson indicated that he would inquire into the matter and then contact Leibowitz with an update. Executed copies of the Side Letter were *268 never returned to TVT. Instead, in a letter from Robinson to Leibowitz dated August 14, 2002, IDJ informed TVT that IDJ was rejecting the agreement embodied in the Side Letter.

In or around June 2002, TVT granted IDJ’s request for a license to use a musical composition and a TVT sound recording entitled “Get Tha Fortune” in a digital video disc entitled “Irv Gotti Presents: The Inc.” TVT asserts that it relied on representations that IDJ had assented to the CMC Project, believing the publicity from IDJ’s video disc would benefit the market performance of the CMC Album contemplated for release later that year. TVT granted IDJ permission to utilize this material prior to IDJ’s written renunciation of the Side Letter.

II. DISCUSSION

A. STANDARD OF REVIEW

A motion for summary judgment should be granted where “the pleadings, depositions, answers to interrogatories, and admissions on file, together with the affidavits, if any, show that there is no genuine issue as to any material fact and that the moving party is entitled to a judgment as a matter of law.” Fed.R.Civ.P. 56(c). See Rodriguez v. Hahn, 209 F.Supp.2d 344, 346 (S.D.N.Y.2002) (citing Celotex Corp. v. Catrett, 477 U.S. 317, 322-23, 106 S.Ct. 2548, 91 L.Ed.2d 265 (1986)). The role of the Court is not to resolve issues of fact but, rather, “to determine as a threshold matter whether there are genuine unresolved issues of material fact to be tried.” Gibson v. Am. Broad. Cos., 892 F.2d 1128, 1132 (2nd Cir.1989).

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Bluebook (online)
244 F. Supp. 2d 263, 2003 U.S. Dist. LEXIS 2273, 2003 WL 342852, Counsel Stack Legal Research, https://law.counselstack.com/opinion/tvt-records-v-island-def-jam-music-group-nysd-2003.