Takeall v. Pepsico, Inc.

809 F. Supp. 19, 37 Fed. R. Serv. 950, 1992 U.S. Dist. LEXIS 19643, 1992 WL 381417
CourtDistrict Court, D. Maryland
DecidedDecember 23, 1992
DocketCiv. S 92-766
StatusPublished
Cited by10 cases

This text of 809 F. Supp. 19 (Takeall v. Pepsico, Inc.) is published on Counsel Stack Legal Research, covering District Court, D. Maryland primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Takeall v. Pepsico, Inc., 809 F. Supp. 19, 37 Fed. R. Serv. 950, 1992 U.S. Dist. LEXIS 19643, 1992 WL 381417 (D. Md. 1992).

Opinion

MEMORANDUM OPINION

SMALKIN, District Judge:

This is a case arising from a high-profile advertising campaign for Diet Pepsi, sprung on the American populace during the 1991 Superbowl after its curiosity had been worked up into an anticipatory frenzy by pre-Superbowl “teaser” advertisements. During the Superbowl, and at what must have been phenomenal per-spot fees, Pepsi-Co had the legendary Ray Charles premiere its new Diet Pepsi jingle, by playing and singing, among other lines, “You got the right one, Baby, uh-huh!” Authorship of this pedestrian, but catchy, slogan is claimed by the plaintiff, Arthur Takeall, a relatively obscure (compared to both Pepsi and Ray Charles) Maryland ventriloquist. PepsiCo claims that, even if Mr. Takeall came up with the language in question before it did, PepsiCo did not violate Mr. Takeall’s rights by using it in advertising Diet Pepsi. The case is before the Court on the defendant’s summary judgment motion, which the plaintiff has opposed.

Of course, the standards for summary judgment are well-settled. Under Rule 56(c), the opponent of the motion must produce evidence on which a reasonable fact-finder, under the appropriate proof burden, could base a verdict for the opponent. If the opponent cannot produce such evidence, the motion must be granted. Celotex Corp. v. Catrett, 477 U.S. 317, 106 S.Ct. 2548, 91 L.Ed.2d 265 (1986); Anderson v. Liberty Lobby, Inc., 477 U.S. 242, 106 S.Ct. 2505, 91 L.Ed.2d 202 (1986).

The defendant makes a number of arguments in support of its motion, which was supported by a voluminous memorandum and a mountain of exhibits. The plaintiff has submitted an equally impressive opposition to the defendant’s motion. In light of these massive written submissions, no oral hearing is necessary. Local Rule 105.6, D.Md.

First, the Court will address an inconsequential argument raised by the defendant. The defendant contends that plaintiff’s reconstruction of his claimed early works incorporating the contested lan *21 guage is inadmissible under the best evidence rule, Fed.R.Evid. 1001 et seq., citing Seiler v. Lucasfilm, Ltd., 808 F.2d 1316 (9th Cir.1986), cert. denied, 484 U.S. 826, 108 S.Ct. 92, 98 L.Ed.2d 53 (1987). The problem with applying that case here is that the trial court in Lucasfilm found that the plaintiff had destroyed the originals in bad faith. 808 F.2d at 1318. Here, there simply is no such claim, nor is there any factual support for one. Although the defendant is skeptical about plaintiffs claim that the originals were lost in an airline baggage snafu, there is no evidence that they were destroyed in bad faith. Thus, there is no insuperable bar to admission of secondary evidence of the works.

The next issue to be discussed is whether the phrase at issue is copyrightable at all. There is sound authority for the proposition that simple and/or commonplace expressions lack sufficient originality to be copyrightable, see, e.g., Narell v. Freeman, 872 F.2d 907 (9th Cir.1989), but this determination is one of degree. In the instant case, the Court is not prepared to hold, on summary judgment, that the phrase at issue so lacks originality as to be unworthy of copyright protection. The expression is not commonly heard, to this Court’s knowledge, among either cultured or uncultured speakers of the American Dialect of the English language, and the creators of Pepsi’s jingle, as reflected in PepsiCo’s motion papers filed in this case, claim to have derived it as an act of artistic creativity, if not inspiration. Thus, for the purposes of the present discussion, the Court will assume that the Takeall phrase is copyrightable.

Protectability under the copyright laws having been assumed, the next question is whether there is a triable dispute of fact on the issue of access by the defendant to the Takeall work. Under Celotex and Anderson, both supra, given the exhibits supporting defendant’s claims of non-access, Mr. Takeall bears the burden of coming forth with enough evidence of access to warrant a reasonable fact-finder in deciding the issue in his favor, by a preponderance of the evidence, keeping in mind that inferences are to be taken in his favor.

It is well-settled that the plaintiff in a case such as this must show, by a preponderance, that the alleged copier had access to his works. Atari, Inc. v. Amusement World, Inc., 547 F.Supp. 222, 227 (D.Md.1981). What must be shown is more than a bare possibility of access (which would amount to no more than conjecture), but a “reasonable possibility of access.” Moore v. Columbia Pictures Indus., Inc., 972 F.2d 939, 944 (8th Cir.1992); Gaste v. Kaiserman, 863 F.2d 1061, 1066 (2d Cir.1988). In this case, especially given the huge scope of Pepsi’s operations, the question is whether the composers of the Pepsi jingle had the reasonable possibility of access. The composers of the Pepsi jingle have both testified on deposition that they never heard of Takeall, his dummy, his act, or his jingle (nor did they see his proposal to Pepsi, Pizza Hut, and/or KFC) before creating the Pepsi jingle. Of course, the fact that the composers have denied access does not alone entitle PepsiCo to summary judgment, if Takeall can come up with evidence that amounts to more than a conjecture or speculation to the contrary. See, e.g., Ferguson v. National Broadcasting Co., 584 F.2d 111, 113 (5th Cir.1978).

The evidence that Takeall puts forward is of two sorts. First, he has submitted documentation that his act, including the jingle in question, was performed at various places since 1964. These performances, however, were mostly in connection with his crusade against drugs, and took place primarily in a limited market and before limited audiences, such as schools and Job Corps centers, to which there is absolutely no evidence that the alleged Pepsi creators had any access at all. The Court concludes, as a matter of law, that the plaintiff’s works were not so widely disseminated as to support a reasonable fact-finder’s conclusion, by a preponderance of the evidence, that defendant’s creative people had access thereby. See, e.g., Selle v. Gibb, 741 F.2d 896, 901 (7th Cir.1984).

Another question is whether striking similarity of the works as performed *22 can support a finding of access, as plaintiff contends.

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Bluebook (online)
809 F. Supp. 19, 37 Fed. R. Serv. 950, 1992 U.S. Dist. LEXIS 19643, 1992 WL 381417, Counsel Stack Legal Research, https://law.counselstack.com/opinion/takeall-v-pepsico-inc-mdd-1992.