Stringcandy v. Am. Federation of Musicians etc. CA2/7

California Court of Appeal·Decided August 31, 2026·No. B348324·Unpublished

Opinion

Filed 8/31/26 Stringcandy v. Am. Federation of Musicians etc. CA2/7 NOT TO BE PUBLISHED IN THE OFFICIAL REPORTS

California Rules of Court, rule 8.1115(a), prohibits courts and parties from citing or relying on opinions not certified for publication or ordered published, except as specified by rule 8.1115(b). This opinion has not been certified for publication or ordered published for purposes of rule 8.1115.

IN THE COURT OF APPEAL OF THE STATE OF CALIFORNIA

SECOND APPELLATE DISTRICT

DIVISION SEVEN

STRINGCANDY LLC et al., B348324

Plaintiffs and Appellants, (Los Angeles County Super. Ct. No.

v. 24STCV02708)

AMERICAN FEDERATION OF MUSICIANS OF THE UNITED STATES AND CANADA,

Defendant and Respondent.

APPEAL from an order of the Superior Court of Los Angeles County, Gail Killefer, Judge. Affirmed.

Ivie McNeill Wyatt Purcell & Diggs, Rodney Diggs and Samuel E. Chilakos for Plaintiffs and Appellants.

Bush Gottlieb, Dana S. Martinez, Jason Wojciechowski and Mathew J. Solett for Defendant and Respondent.

Stringcandy LLC and its managing member Stephanie Matthews appeal from an order of dismissal entered in favor of the American Federation of Musicians of the United States and Canada (Federation) after the trial court sustained without leave to amend the Federation’s demurrer to the third amended complaint. Matthews and Stringcandy, a company that staffs musicians for live productions, asserted causes of action for defamation and intentional interference with prospective economic advantage based on public statements made by a local union affiliate of the Federation that Stringcandy wrongfully terminated three musicians. Matthews, who is a musician and Federation member, also sought a declaration that the Federation could not discipline her on charges related to the musicians’ termination (in addition to injunctive relief).

On appeal, Stringcandy and Matthews contend the trial court erred in finding that section 301(a) of the Labor Management Relations Act of 1947 (29 U.S.C. § 185 et seq.; LMRA) (Section 301) preempted their defamation and intentional interference causes of action. The court based its ruling on the fact that adjudication of the causes of action would require the court to interpret the terms of collective bargaining agreements between Stringcandy and the local union.1 Stringcandy and Matthews also contend the court erred in ruling that Matthews must exhaust the Federation’s internal disciplinary appeal procedures before seeking declaratory relief. We affirm.

1 Stringcandy and Matthews also contend the trial court erred in finding the National Labor Relations Act of 1935 (29 U.S.C. § 151 et seq.) preempted their tort claims. We do not reach this contention because we conclude Section 301 preempted the tort claims.

FACTUAL AND PROCEDURAL BACKGROUND

A. The Allegations of the Third Amended Complaint Stringcandy and Matthews filed this action on February 1, 2024. After the trial court sustained demurrers to the first and second amended complaints, on February 3, 2025 they filed the operative third amended complaint (complaint). The complaint asserted four causes of action against the Federation: (1) defamation (libel); (2) defamation (slander); (3) intentional interference with prospective economic advantage; and (4) declaratory relief.

As alleged in the complaint, Stringcandy is a Los Angelesbased company that hires musicians to perform in high-profile musical productions. Matthews is Stringcandy’s managing member, a working musician, and a member of the Federation.

In November 2022 Stringcandy entered into a collective bargaining agreement (CBA) with the Musicians Union of Las Vegas, Local 369 (Local 369) “governing the provision of musical services by string musicians within the jurisdiction of [Local 369]” for an artist residency show titled “Weekends with Adele” in a Las Vegas, Nevada hotel-casino. Local 369 is an unincorporated affiliate of the Federation that, as alleged on information and belief, “is controlled by” the Federation and “contractually required to comply with all orders and directions” from Federation leadership. The 2022 CBA commenced on November 12, 2022 and terminated on December 31, 2022, and it was “fully performed by all parties thereto.”

In January 2023 Matthews, on behalf of Stringcandy, engaged in collective bargaining with Local 369, which was represented by its president, Yunior Lopez. The negotiations concerned the employment of string musicians for additional

dates of the Adele residency that had been recently announced and would play from January 20, 2023 through March 25, 2023. On January 17, while negotiations were ongoing, Matthews sent Lopez a list of the musicians that Stringcandy planned to hire in 2023; seven of the musicians who worked on the 2022 shows (including Lopez) were not on that list. The following day Lopez emailed Matthews to ask why he was not included on the list, but he did not request that Stringcandy hire him or the other omitted musicians, and he “did not object to their exclusion from the proposed roster” for the 2023 shows.

On January 21, 2023 Stringcandy and Local 369 entered a new CBA that, like the 2022 agreement, “govern[ed] the provision of musical services by string musicians” within Local 369’s jurisdiction for the Adele residency. Both the 2022 and 2023 CBA’s included mandatory dispute resolution procedures requiring “submission of written grievances to the employer.”

Concurrently with execution of the 2023 CBA, Stringcandy and Local 369 entered into a side agreement, the “LPH-LV contract,” which “specifically identified exactly 24 string musicians that would be hired by [Stringcandy] to provide musical services pursuant to the terms and provisions of the 2023 CBA.” Due to a “physical limitation” imposed by the stage design of the Adele residency, “it [was] not possible for more than 24 string musicians to perform simultaneously” at any of the shows. The 2022 and 2023 CBA’s and the LPH-LV contract were not attached to the complaint (that is, the third amended complaint), or filed with the demurrer.

The complaint alleged on information and belief that around January 18, 2023 Lopez notified the Federation that Stringcandy did not intend to hire three union musicians—Lopez, Rhea Hosanny, and Jason Bonham (collectively defined as the

“Grievants”)—to perform in the 2023 shows. The Federation managers directed Lopez to file grievances on behalf of Local 369 against Stringcandy, but only after the parties executed the 2023 CBA, and further, they instructed Lopez and Local 369 to conceal this plan from Stringcandy. At the Federation’s direction, Lopez “intentionally failed to disclose” the planned grievances before signing the CBA and the LPH-LV contract. Lopez, Local 369, and the Federation did not assert “any objections whatsoever” to the agreements before signing them, nor did they assert any reservation of rights.

On January 23, 2023, two days after signing the agreements, Local 369 submitted written grievances to Stringcandy on behalf of the Grievants, in which the Grievants claimed their terminations were unjust and demanded they be reinstated immediately and made whole. As alleged on information and belief, Lopez and Local 369 knew reinstatement would be impossible “without wrongfully terminating at least 3 of the specified musicians” in the LPH-LV contract because of the 24-musician capacity limitation.

A mediation took place on March 16, 2023. Thereafter, Local 369 failed “to take any of the post-mediation actions, including arbitration of the dispute, required by the dispute resolution provisions of the [2022 and 2023 CBA’s] within the time allowed by said [CBA’s],” with the result that the grievances “became invalid.” At no time did any of the parties to the grievances or this litigation dispute the terms of their agreements, and, as alleged, “none of the terms [of the agreements] are currently disputed.”

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