Redwood Theatres, Inc. v. Festival Enterprises, Inc.

200 Cal. App. 3d 687, 248 Cal. Rptr. 189, 1988 Cal. App. LEXIS 370
CourtCalifornia Court of Appeal
DecidedApril 22, 1988
DocketA037916
StatusPublished
Cited by22 cases

This text of 200 Cal. App. 3d 687 (Redwood Theatres, Inc. v. Festival Enterprises, Inc.) is published on Counsel Stack Legal Research, covering California Court of Appeal primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Redwood Theatres, Inc. v. Festival Enterprises, Inc., 200 Cal. App. 3d 687, 248 Cal. Rptr. 189, 1988 Cal. App. LEXIS 370 (Cal. Ct. App. 1988).

Opinion

Opinion

NEWSOM, J.

Redwood Theatres, Inc. (hereafter appellant) filed this action on February 28, 1985, against a competing motion picture exhibitor, Festival Enterprises, and four major film distributors, Paramount Pictures Corporation, Warner Bros. Distributing Corporation, Orion Pictures Corporation, and Twentieth Century Fox Film Corporation (hereafter respondents). The complaint seeks treble damages for antitrust violations under the Cartwright Act and, alternatively, damages for fraud. The action against Twentieth Century Fox Film Corporation was later voluntarily dismissed. Much of the record on appeal consists of extensive arguments on a discovery request: appellant’s motion to compel production of the distributor defendants’ “cutoff cards”—records providing a history of film rentals in each market—for six cities in Northern California where Festival Enterprises does business. After the initial trial date was continued, respondents successfully moved for summary judgment, which was entered on January 15, 1987.

The case presents simple facts and complex questions of law. Appellant operates the Briggsmore Seven Theatre in Modesto, California. In 1981 and 1982, it invested $1.7 million for renovation and conversion of the theatre into a seven-screen complex. Two other exhibitors, including the respondent Festival Enterprises, also operate theatres in Modesto. Festival Enterprises operates additional theatres in five other Northern California markets—Hayward, Stockton, Fresno, Walnut Creek, and Marin County—and in Alaska and Southern California.

From our perusal of the record, we learn that the major film distributors in the United States release films simultaneously in hundreds of markets under license agreements. Almost all of a film’s revenues in a market comes from its “first run”; box office receipts tend to diminish with each week that a picture is played. Distributors will license a first-run film to only one theatre in a medium-sized market such as Modesto. Commonly, the films are licensed by competitive bidding; the distributors send out written bid *693 invitations and evaluate the bids submitted for each market. In other cases, the distributors may contact competing exhibitors by telephone to negotiate licensing terms.

Appellant’s complaint alleges that the distributor defendants “have entered into unwritten agreements with Festival [Enterprises] pursuant to which all or substantially all of the Paramount, Warner Bros, and Orion first run product is licensed to the Festival-owned theatre or theatres in Modesto, Hayward, Stockton, Fresno, and to a lesser extent, Walnut Creek-Pleasant Hill, and in Marin County, ...” Although the distributors have continued to solicit bids for Modesto showings, appellant alleges that the bids have been a sham; the distributors are committed to Festival Enterprises even before bid invitations go out. As a result, the distributors have repeatedly licensed potentially remunerative films to Festival Enterprises even though appellant has submitted demonstrably superior bids.

The alleged unwritten agreements vary somewhat among the distributor defendants. For example, Warner Bros, is said to have committed only about 80 percent of its films to Festival Enterprises during the period December 1978 to August 1982; thereafter, it licensed films more evenly among Modesto exhibitors but reserved the most financially attractive films for Festival Enterprises. There is no allegation that the distributor defendants conspired among themselves or that they were a party to a plan to drive the appellant out of business. Rather, the agreements are alleged to be part of a business policy in which the distributor defendants dealt preferentially with theatre circuits such as Festival Enterprises.

In affidavits opposing the motion for summary judgment, appellant offers to prove the alleged agreement largely through the history of bidding. Though possessing superior facilities, it has been unable to obtain the desired first-run films even though it has frequently outbid its competitor, Festival Enterprises. Appellant also points to certain admissions of distributor’s representatives which tend to some extent to corroborate this circumstantial evidence. But the history of bidding still may reflect only the distributors’ disinclination to do business with appellant. To complete its case, appellant needed to show that it did not lose out in the bidding because of some factor peculiar to itself but because the distributors dealt preferentially or exclusively with Festival Enterprises throughout its circuit. This evidence arguably might be provided by the distributor’s cut-off cards which list the films licensed to each theatre in each market and record the essential terms of the license agreement, box office receipts, and rental payments. The denial of its discovery motion left it without this critical evidence.

*694 Although the agreement allegedly deprived it of access to substantially all the defendant distributors’ films, appellant bases its claim for damages on bidding for twenty specific films—eight from Paramount, seven from Warner Bros., and five from Orion. In each case, it offers to prove that it submitted a bid superior to that of Festival but failed to secure the film and was forced to license a less popular motion picture. Festival earned a gross profit on the twenty films of $628,157; during the same time period, appellant made a gross profit of only $268,269 on less desirable films.

In brief, while the evidence produced in discovery is rather equivocal, appellant maintains that the requested cutoff cards would clearly establish the alleged agreements between Festival Enterprises and the three distributor defendants. The alleged agreements, which are independent of each other and seem lacking in any predatory intent, reflect the distributors’ preference for dealing with theatre circuits to the exclusion of independents such as appellant. The question on appeal is whether such exclusive-dealing agreements are violative of the state antitrust laws.

Although the complaint states a cause of action under the California Cartwright Act, (Bus. & Prof. Code, § 16720 et seq.) the briefs in this appeal have relied almost exclusively on federal precedents under the Sherman Act (15 U.S.C. § 1). “A long line of California cases has concluded that the Cartwright Act is patterned after the Sherman Act and both statutes have their roots in the common law. Consequently, federal cases interpreting the Sherman Act are applicable to problems arising under the Cartwright Act.” (Marin County Bd. of Realtors, Inc. v. Palsson (1976) 16 Cal.3d 920, 925 [130 Cal.Rptr. 1, 549 P.2d 833]; G.H.I.I. v. MTS, Inc. (1983) 147 Cal.App.3d 256, 265 [195 Cal.Rptr. 211, 41 A.L.R.4th 653].) Since the relevant case law under the Cartwright Act is comparatively sparse, we will also rely chiefly on federal decisions.

The federal precedent of most immediate relevance to this case, United States v. Paramount Pictures (1948) 334 U.S. 131 [92 L.Ed. 1260, 68 S.Ct. 915], was forged in over a decade of litigation.

Free access — add to your briefcase to read the full text and ask questions with AI

Related

Orchard Supply Hardware LLC v. Home Depot USA, Inc.
939 F. Supp. 2d 1002 (N.D. California, 2013)
Theme Promotions v. News America Marketing FSI
539 F.3d 1046 (Ninth Circuit, 2008)
TRB Investments, Inc. v. Fireman's Fund Insurance
145 P.3d 472 (California Supreme Court, 2006)
Fisherman's Wharf Bay Cruise Corp. v. Superior Court
7 Cal. Rptr. 3d 628 (California Court of Appeal, 2003)
Aguilar v. Atlantic Richfield Co.
92 Cal. Rptr. 2d 351 (California Court of Appeal, 2000)
Freeman v. SAN DIEGO ASSN. OF REALTORS
91 Cal. Rptr. 2d 534 (California Court of Appeal, 1999)
Exxon Corp. v. Superior Court
51 Cal. App. 4th 1672 (California Court of Appeal, 1997)
Roth v. Rhodes
25 Cal. App. 4th 530 (California Court of Appeal, 1994)
Biljac Associates v. First Interstate Bank of Oregon
218 Cal. App. 3d 1410 (California Court of Appeal, 1990)

Cite This Page — Counsel Stack

Bluebook (online)
200 Cal. App. 3d 687, 248 Cal. Rptr. 189, 1988 Cal. App. LEXIS 370, Counsel Stack Legal Research, https://law.counselstack.com/opinion/redwood-theatres-inc-v-festival-enterprises-inc-calctapp-1988.