Pope v. Broadcast Music CA2/5

CourtCalifornia Court of Appeal
DecidedJuly 26, 2016
DocketB263923
StatusUnpublished

This text of Pope v. Broadcast Music CA2/5 (Pope v. Broadcast Music CA2/5) is published on Counsel Stack Legal Research, covering California Court of Appeal primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Pope v. Broadcast Music CA2/5, (Cal. Ct. App. 2016).

Opinion

Filed 7/25/16 Pope v. Broadcast Music CA2/5 NOT TO BE PUBLISHED IN THE OFFICIAL REPORTS California Rules of Court, rule 8.1115(a), prohibits courts and parties from citing or relying on opinions not certified for publication or ordered published, except as specified by rule 8.1115(b). This opinion has not been certified for publication or ordered published for purposes of rule 8.1115.

IN THE COURT OF APPEAL OF THE STATE OF CALIFORNIA

SECOND APPELLATE DISTRICT

DIVISION FIVE

VIRGINIA POPE, B263923

Plaintiff and Appellant, (Los Angeles County Super. Ct. Nos. BC430809, v. BC553094)

BROADCAST MUSIC, INC.,

Defendant and Respondent.

APPEAL from judgments of the Superior Court of Los Angeles County, Mark V. Mooney, Judge. Affirmed in part, reversed in part, and remanded. Spillane Trial Group, Jay M. Spillane, for Plaintiff and Appellant Virginia Pope. Milbank, Tweed, Hadley & McCloy, Linda Dakin-Grimm and Delilah Vinzon, for Defendant and Respondent Broadcast Music, Inc. Singer-songwriter Sylvester Stewart, aka Sly Stone, and his ex-manager Ken Roberts began this lawsuit as allies but their relationship turned adversarial. They initially filed suit to recover royalties earned by Stewart, and the gist of the breach of contract cause of action against defendant and respondent Broadcast Music, Inc. (BMI) was that BMI delivered the royalty checks to the wrong parties. According to their complaint, BMI should have made the payments to Roberts under the terms of agreements, the validity of which Stewart did not initially contest, purporting to show he had irrevocably assigned Roberts his royalties. Later, however, when Roberts claimed he was entitled to keep any recovered royalties for himself, Stewart made statements suggesting the assignment of his rights to Roberts was invalid. Roberts died while litigation was ongoing, and his successor-in-interest, plaintiff and appellant Virginia Pope (plaintiff), took his breach of contract claim against BMI to trial. The jury found no valid contract existed between Roberts and BMI, and the primary issue we decide is whether reversal is warranted because the jury was not required to treat as conclusively proved certain matters BMI admitted in response to requests for admission.

I. BACKGROUND1 Stewart became well known in the 1960s as the lead performer for the band Sly and the Family Stone. The band played at Woodstock in 1969 and was inducted into the Rock and Roll Hall of Fame in 1993. Stewart was also a prolific songwriter, composing over 300 songs, some of which are still being performed today. (FAC ¶¶ 49-50.)

1 As we explain in greater detail later in this opinion, the only trial involved in this appeal is the trial of plaintiff’s causes of action against BMI for recovery of royalties paid to the Goldstein defendants in the four years preceding the filing of this action. In undertaking our analysis of plaintiff’s claims of error, we rely on evidence admitted in that trial. To provide context for our analysis, however, we occasionally summarize allegations of the Fourth Amended Complaint, with citations to the applicable paragraph(s). 2 In 1964, Stewart entered into an affiliation agreement with BMI, a non-profit performing rights organization for publishers and songwriters. For a fee, BMI collected royalty payments from others who used Stewart’s songs and distributed those royalties to Stewart. BMI’s standard affiliation agreement was for a term of two years and renewed automatically unless terminated by one of the parties.

A. Stewart’s Relationship with Roberts Stewart had a substance abuse problem during his performing years, which developed into lifelong drug addiction. (FAC ¶ 52.) By the early 1970s, Stewart was not working professionally, and he faced financial difficulties. Around this time, Roberts became Stewart’s personal and professional manager. Roberts advanced money to Stewart and paid some of Stewart’s debts. (FAC ¶ 56.) On January 30, 1976, BMI received a document apparently bearing signatures from Stewart and Roberts (the 1976 Assignment). The document stated Stewart “unconditionally, irrevocably and absolutely assigns to Ken Roberts and/or Ken Roberts Enterprises, Inc. as the Assignee and/or Judgment Creditor of Sylvester Stewart . . . any and all payments . . . to be made by [BMI] to the undersigned Sylvester Stewart pursuant to the terms of the undersigned’s existing agreement with BMI . . . .” A BMI representative signed the 1976 Assignment to indicate BMI agreed to comply with it, and BMI began sending Stewart’s royalties to Roberts. (FAC ¶ 56.) In March 1979, Stewart entered into a new affiliation agreement with BMI. In April 1979, BMI received a document dated April 10, 1979 (the 1979 Modification), directing that Stewart’s royalties “payable under the March 26, 1979 [affiliation] agreement [with BMI] shall be payable to Majoken, Inc. as successor to Ken Roberts Enterprises, Inc. in accordance with the January 30, 1976 irrevocable assignment thereto.” Majoken Inc. was a corporation formed by Roberts in New York in 1975; the name was a combination of the first names of Roberts and his parents. The parties to this

3 action often refer to this corporation as Roberts-Majoken, a usage we adopt in this opinion. BMI paid Stewart’s royalties to Roberts-Majoken for 1979. Then in early 1980, the Internal Revenue Service (IRS) placed a tax levy and lien on Stewart’s royalties. BMI accordingly began paying the royalties to the IRS pursuant to the lien.

B. Stewart’s Relationship with the Goldstein Defendants In 1989, Stewart entered into an agreement with Gerald Goldstein, Glen Stone, and Stephen Topley by signing an agreement with Even Street, a business entity they controlled (collectively, the Goldstein defendants). Stewart believed the purpose of the agreement was to have the Goldstein defendants manage all of his personal and professional affairs. The terms of the agreement, however, made Stewart an employee of Even Street. The agreement also incorporated a provision that assigned all of Stewart’s rights, which on its face would include his rights to royalties from BMI and other sources. In July 1996, an attorney for Even Street negotiated with the IRS and succeeded in getting the tax lien on Stewart’s BMI royalties lifted. At around the same time, the Goldstein defendants created a new entity also called “Majoken, Inc.” like Robert’s corporation (the parties refer to this entity as Goldstein-Majoken, and we will do the same). (FAC ¶ 93.) In August 1996, the Goldstein defendants sent a letter to BMI instructing it to send Stewart’s royalties to “Majoken, Inc.” at Even Street’s Los Angeles address. BMI complied. (FAC ¶ 95.) In 2008, the Goldstein defendants stopped paying Stewart any money from his royalties, leaving him destitute. With the help of friends, Stewart investigated his agreements with the Goldstein defendants. In 2009, Stewart notified BMI that there was a dispute about the rights to his royalties. BMI realized there were two Majokens, and stopped distributing Stewart’s royalties. This lawsuit ensued. (FAC ¶ 148.)

4 C. Lawsuit in Case Number BC430809 On January 28, 2010, Stewart and Roberts filed the initial complaint in this action. The complaint asserted claims against 23 defendants, including BMI and the Goldstein defendants. (Opinion in case number B236286 (Opn.) at p. 13.) As relevant here, Stewart and Roberts sought recovery of the royalties BMI paid to Goldstein-Majoken. BMI filed a cross-complaint against the Goldstein defendants.

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Pope v. Broadcast Music CA2/5, Counsel Stack Legal Research, https://law.counselstack.com/opinion/pope-v-broadcast-music-ca25-calctapp-2016.