Paul McGann v. Cinemark USA Inc

873 F.3d 218, 2017 WL 4451053, 2017 U.S. App. LEXIS 19553
CourtCourt of Appeals for the Third Circuit
DecidedOctober 6, 2017
Docket16-2160
StatusPublished
Cited by23 cases

This text of 873 F.3d 218 (Paul McGann v. Cinemark USA Inc) is published on Counsel Stack Legal Research, covering Court of Appeals for the Third Circuit primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Paul McGann v. Cinemark USA Inc, 873 F.3d 218, 2017 WL 4451053, 2017 U.S. App. LEXIS 19553 (3d Cir. 2017).

Opinion

OPINION OF THE COURT

RESTREPO, Circuit Judge.

The Americans with Disabilities Act (“ADA”), 42 U.S.C. § 12101, et seq., requires public 1 accommodations, including movie «theaters, to furnish auxiliary aids and services, which include qualified interpreters, to patrons with vision, hearing, and speech disabilities. Plaintiff-Appellant. Paul McGann, who is blind and deaf, requested from Defendant-Appellee Cine-mark USA, Inc. (“Cinemark”) an American Sign Language (“ASL”) tactile interpreter so that he could experience a movie in his local Cinemark theater during one of its regular showings. Cinemark denied his request, and McGann then filed this suit under the ADA.

After a bench trial in which the parties stipulated to all relevant facts, the District Court entered Judgment in favor of Cine-mark. It reasoned that McGann's requested tactile interpreter was not an auxiliary-aid or service under the ADA and that the ADA did not require movie theaters to change the content of then- services or offer “special” services for disabled patrons. For the following reasons, we will vacate the Judgment and remand for consideration of Cinemark’s available defense.

I.

A.

McGann has Usher’s Syndrome Type 1, a sensory disorder. He was born deaf and began losing his sight at age five. He has been completely blind for approximately fifteen years, and he is now considered deaf-blind. There is no single universally accepted method of communication for people who are deaf-blind. McGann generally uses ASL to communicate with others. ASL is a unique language that has its own idioms, grammar, and syntax.

McGann can expressively communicate by signing in ASL himself. He receptively communicates with the assistance of ASL tactile interpreters. There are numerous methods of ASL tactile interpretation. McGann most commonly uses the handover-hand method. The hand-over-hand method involves the recipient placing his hands lightly upon the hands of an interpreter, who is signing in ASL, and reading those ASL signs through touch and movement.

ASL tactile interpretation of a movie includes every possible element of that movie’s content, including visual, aural, and oral components. In addition, because tactile interpretation in almost any venue includes a descriptive component, interpretation of a movie screening will include environmental elements, such as other viewers’ contemporaneous reactions. Given practical limitations, tactile interpreters cannot communicate all elements of a movie verbatim; they must, at times, make judgment calls about what content to skip. But tactile interpretation of a movie does not require any changes to the video or audio content of the movie, the auditorium screens or sound systems, or the physical environment—including the lighting—in or around the theater.

McGann has experienced movies in theaters for many years. He enjoys attending movies in person for a number of reasons; among others, it affords him the opportunity to participate in discussions about the movies with his friends and family. Before his wife passed away in 2001, she would provide him with tactile interpretation during movies in the theater. Since then, McGann has attended movies at a local Carmike Cinema. Carmike provided him with tactile interpretation services for movie presentations at his request.

In November 2014, McGann became interested in experiencing the movie Gone Girl (Twentieth Century Fox Film Corp. 2014), after hearing about it from his family and reading about it online using Braille. After he contacted his customary Carmike Cinema to inquire about attending a presentation of the movie, he learned it was no longer playing there. So he sought another theater in which to experience it.

Cinemark owned another theater in McGann’s local area, Cinemark Robinson Township and XD Theater (“Cinemark Robinson”). As of December 2014, Cine-mark was the most geographically diverse, worldwide exhibitor of movies, with 335 theaters and 4,499 movie screens in the United States, spread across forty-one states, including Pennsylvania. Cinemark makes assistive listening devices, closed captioning devices, and descriptive narration devices available in its U.S. theaters to patrons who are disabled. But given McGann’s disability, none of those devices would help him experience a movie.

Having learned that Cinemark Robinson still offered Gone Girl, McGann e-mailed the theater directly to request tactile interpretation services that would allow him to experience the movie during one of its regular presentations. After receiving no response to his initial inquiry, McGann contacted Cinemark Robinson again and was directed to senior paralegal Leslie Pe-tengill, who worked in Cinemark’s national headquarters in Texas. He reached out to Petengill that same day.

Cinemark had never received a request for tactile interpretation services for a patron who was deaf-blind before McGann’s request. Petengill and Cinemark investigated McGann’s request by contacting the Center for Hearing and Deaf Services (“HDS”), which provided Cinemark with quotes for tactile interpretation services. Rates ranged between $50 and $65 per hour, for a minimum of two hours. Because HDS considered tactile interpretation of Gone Girl a complex assignment, with a duration of over two hours, it would have required two interpreters.

Petengill denied McGann’s request for tactile interpretation services on December 15,2014, via e-mail, on her own authority. The e-mail explained that Cinemark did not believe that the ADA required Cinemark to provide McGann with tactile interpretation services for the purpose of “describ[ing] the movie [McGann] [would] [be] attending.” As of January 2016, Cine-mark had not received any other requests to provide tactile interpretation services to any patron who is deaf-blind.

McGann filed suit against Cinemark in March 2015, alleging that the theater violated Title III of the ADA when it denied his request for tactile interpreting services. In his suit, he sought declaratory relief, attorneys’ fees, and costs. After discovery, the parties did not file dispositive motions. They agreed to a non-jury trial before the District Court presented through pretrial briefs, amended joint stipulations of fact, joint exhibits, and oral argument. Oral argument was held in January 2016. The District Court entered Judgment for Cinemark in April 2016. This timely appeal followed. 1

B.

With an understanding of the factual and procedural background of McGann’s claim, we turn to the statutory and regulatory framework' under which his claim arises. Congress enacted the ADA in 1990 as a “clear and comprehensive national mandate” designed to eliminate discrimination against individuals with physical and mental disabilities across the United States. 42 U.S.C. § 12101(a)(1), 12101(b)(1); PGA Tour, Inc. v. Martin, 532 U.S. 661, 674-75, 121 S.Ct. 1879, 149 L.Ed.2d 904 (2001).

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Cite This Page — Counsel Stack

Bluebook (online)
873 F.3d 218, 2017 WL 4451053, 2017 U.S. App. LEXIS 19553, Counsel Stack Legal Research, https://law.counselstack.com/opinion/paul-mcgann-v-cinemark-usa-inc-ca3-2017.