Opera on Tour, Inc. v. Weber

34 N.E.2d 349, 285 N.Y. 348, 136 A.L.R. 267, 1941 N.Y. LEXIS 1504, 8 L.R.R.M. (BNA) 1099
CourtNew York Court of Appeals
DecidedApril 24, 1941
StatusPublished
Cited by117 cases

This text of 34 N.E.2d 349 (Opera on Tour, Inc. v. Weber) is published on Counsel Stack Legal Research, covering New York Court of Appeals primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Opera on Tour, Inc. v. Weber, 34 N.E.2d 349, 285 N.Y. 348, 136 A.L.R. 267, 1941 N.Y. LEXIS 1504, 8 L.R.R.M. (BNA) 1099 (N.Y. 1941).

Opinions

*352 Finch, J.

The question presented for decision is far reaching and of vital importance to the best interests of unions of employees, of employers and of the general public. The only issue is whether the leaders of the defendant unions were engaged in promoting a lawful labor objective when the Musicians’ Union induced the Stagehands’ Union to join in a combination to destroy an enterprise solely because of the use of machinery in the production of music in place of the employment of live musicians.

There is no issue involved in this case of a possible compromise. The defendant Musicians’ Union refused all offers of compromise made by the plaintiff. The position of the Musicians’ Union cannot be better stated than it is in a letter from that union to the Stagehands’ Union: “ Our Federation is not in a position to compromise this matter * * * nothing short of Ceasing to use canned music can be considered as safeguarding the interests of our organization.”

*353 This position was adopted and resolutely held even though such adherence destroyed plaintiff’s business. The result was the loss of employment of over fifty stagehands, actors and singers, even though this business, which was being destroyed, had created new opportunities of employment where none had existed before.

At the outset we note that there is in the decision of the case at bar no denial of the right to strike. On that issue our decisions are not in doubt. (May’s Furs & Ready-to-War, Inc., v. Bauer, 282 N. Y. 331; Goldfinger v. Feintuch, 276 N. Y. 281.) Individually and collectively, the members of any union may at any time refuse to work, because machinery is employed or for any other reason, and may strike in so doing. The members of these unions are free to refuse to work if they object to working in the presence of a machine. But what is here enjoined is the inducement by the Musicians’ Union of the Stagehands’ Union to enter into a combination to destroy the business of the plaintiff solely because machinery instead of five musicians is used. Here the members of the Stagehands’ Union were ordered and coerced to leave the employ of the plaintiff, causing the ruin of plaintiff’s business and the destruction of the opportunity of employment of a larger group of stagehands, actors and singers, and the denial to the public of an opportunity to enjoy the benefits of the classic operas. This, even though the members of the Stagehands’ Union were not dissatisfied with respect to wages, hours or terms and conditions of their employment, and no controversy existed or exists between them and plaintiff.

After a trial at Special Term, it was found upon sufficient evidence that plaintiff was engaged in the business of rendering performances of grand opera with an orchestral accompaniment of music mechanically reproduced from records instead of by an orchestra of five musicians. The purpose was to make grand opera available in those cities and towns of the United States which could not afford otherwise this form "of entertainment because of the prohibitive cost of transporting a grand opera orchestra. Each of the two defendants is a labor union.

*354 It was found that the members of the defendant unions had no other grievance of any kind, nor did there exist any controversy except this demand to discard machinery, between plaintiff and the defendant unions. The defendant Musicians’ Union threatened to and did put plaintiff out of business solely because of the use of recorded music. The defendant Musicians’ Union induced the defendant Stagehands’ Union to order its members to cease rendering any service to plaintiff, which order had to be obeyed by the members of the defendant Stagehands’ Union since over ninety-five per cent of the theatres and auditoria in the United States are closed shop, and without membership in the defendant Stagehands’ Union the latter find it practically impossible to obtain employment. In addition, the defendant Musicians’ Union ordered that no member of that union render services to plaintiff, and caused the American Guild of Musical Artists to order its members not to render services to plaintiff, and members of the Stagehands’ Union not to accept employment from plaintiff. If they had not been so ordered, the members of the defendant Stagehands’ Union would have continued to render services to plaintiff. As a result of this conspiracy between the two defendant unions, plaintiff was unable to fulfill its bookings and its contracts which had already been made and was prevented from entering into further engagements for the presentation of opera, and in consequence thereof this entire enterprise was forced to come to a complete stop. It was likewise found at Special Term that there was no labor dispute or controversy between the defendant unions and plaintiff, or between any member of those unions and plaintiff, and that the case did not involve or grow out of a labor dispute between plaintiff and these defendants, the- only contention being the demand and' refusal to cast out machinery.

An injunction was thereupon granted restraining defendants from interfering directly or indirectly with the business of plaintiff, and from ordering and coercing any person or persons to cease performing service for plaintiff, and from *355 ordering and coercing employees of plaintiff to leave the employ of plaintiff, on the ground that plaintiff uses records or transcribed or mechanically reproduced music in connection with its performances, and from entering into a conspiracy with any group or organization having as its object the destruction of the business of plaintiff for the aforesaid reason, namely, to prevent the rendition of any services to plaintiff, on the ground that plaintiff uses music reproduced by machinery in connection with its performances.

Does this demand of these defendant unions, that plaintiff discard machinery in the interest of the immediate employment of a few individuals, constitute a lawful labor objective? If the acts of these unions have any reasonable connection with wages, hours of employment, health, safety, the right of collective bargaining, or any other condition of employment or for the protection from labor abuses, then the acts are justified. (National Protection Association v. Cumming, 170 N. Y. 315; Bossert v. Dhuy, 221 N. Y. 342; J. H. & S. Theatres, Inc., v. Fay, 260 N. Y. 315; Goldfinger v. Feintuch, 276 N. Y. 281; May’s Furs & Beady-to-Wear, Inc., v. Bauer, 282 N. Y. 331; Baillis v. Fuchs, 283 N. Y. 133.) If on the other hand the labor objective here sought is illegal and not a lawful labor objective, since it has no reasonable connection with wages, hours, health, safety, the right of collective bargaining, or any other condition of employment or for the protection of labor from abuses, then there is no immunity for injury inflicted by a labor union. For such activities labor is not free from legal responsibility. “ * * * prima facie,

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Bluebook (online)
34 N.E.2d 349, 285 N.Y. 348, 136 A.L.R. 267, 1941 N.Y. LEXIS 1504, 8 L.R.R.M. (BNA) 1099, Counsel Stack Legal Research, https://law.counselstack.com/opinion/opera-on-tour-inc-v-weber-ny-1941.