Miami Federation of Musicians Local Union No. 655 v. Wompearce, Inc.

76 So. 2d 298, 1954 Fla. LEXIS 1904, 35 L.R.R.M. (BNA) 2224
CourtSupreme Court of Florida
DecidedDecember 10, 1954
StatusPublished
Cited by4 cases

This text of 76 So. 2d 298 (Miami Federation of Musicians Local Union No. 655 v. Wompearce, Inc.) is published on Counsel Stack Legal Research, covering Supreme Court of Florida primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Miami Federation of Musicians Local Union No. 655 v. Wompearce, Inc., 76 So. 2d 298, 1954 Fla. LEXIS 1904, 35 L.R.R.M. (BNA) 2224 (Fla. 1954).

Opinion

SEBRING, Justice.

The Plaza Theatre property in Miami Beach, Florida, is owned by, Wompearce, Inc., and leased by Biscayne Beach Theatre, Inc. When this suit was instituted in October, 1953, the premises had been subleased by Biscayne Beach Theatre, Inc., to one Danny Brown who proposed to use it for entertainment purposes for the winter season of 1953-54. For several seasons prior to the lease of the premises to Brown, the theatre had been leased to other persons for the same purpose. These lessees had employed orchestras composed of union musicians furnished through Miami Federation of Musicians, Local Union No. 655, and in each instance had defaulted in their contracts and left the musicians stranded without definite employment. As the result of these unfortunate experiences the union musicians, acting through their local union, placed the Plaza Theatre premises upon what is known in union circles as a “defaulter’s list,” which, according to the record, is, in effect, a private credit rating list circulated only among union musicians advising them of various defaults of lessees at various premises and informing them that the local union, as their bargaining agent, will not enter into contracts for performance, either at the premises or with such defaulting persons, until claims under former union contracts have been paid.

Brown entered into his sublease with Biscayne Beach Theatre, Inc., on September 16, 1953. The following day he wrote [300]*300to the officials of the Miami Local Union requesting that themnion submit a contract binding an orchestra of six musicians to play for him at Plaza Theatre _ for the winter season of 1953-54. The union officials, in response to this letter, advised the lessee that the theatre had been placed on the defaulter’s list because prior sub-lessees had defaulted in the performance of contracts, and that no contract requiring union musicians to perform on the premises would be accepted until the claims had been paid and the establishment thus removed from the defaulter’s list.

Upon receipt of the letter from the union representative, the appellees brought this suit against the local union and its officials, praying that the defendants in the suit be enjoined from placing or keeping the Plaza Theatre on the defaulter’s list, and from refusing to permit or allow members of the union to perform at the theatre; and that a money judgment for damages be entered against the defendants for the damages that the plaintiffs had sustained, and will sustain, on account of the refusal of the union to enter into contract with the lessee, Brown, binding certain of its members to perform for him during the winter season 1953-54.

In due course the defendants answered setting up the facts which have been stated above. In addition, they alleged that not only had the Plaza Theatre been placed on the defaulter’s list of the local union as a bad credit risk,, but also that the lessee Brown was , on- the defaulter’s list of the American Federation of Musicians (a list over which the local union had no control) as the result of the action of the national headquarters for failure to pay a claim prosecuted by the national organization. They alleged further, as the reason for placing the Plaza Theatre on the defaulter’s list, that the theatre had long been known in the vernacular of the trade as a “white elephant;” that “said premises has from time to time been leased to other entrepreneurs including but not limited to productions of Jewish Skits and ‘Min-skey’s’ Burlesque. * * * That none of these entrepreneurs have been able to successfully engage in their operations in the theatre owned by plaintiff lessor;” that the local union and its, members “have been importuned under each [prior] lease to make special concessions for the plaintiff lessors’ ‘white elephant’;” that concessions have been made up to and through the lease of the sublessee who operated the establishment before Brown subleased the premises, resulting in a defaulted contract to the great prejudice of the members of the defendant union who found themselves out of employment, upon the happening of such defaults, for the productive season of 1952-53 on Miami Beach, Florida, and were thereby forced to resort to “single engagements” and other occupations in order to feed themselves and their families; that in view of these past experiences the local union and its members do not care to enter into contracts either with Brown, or with other sublessees, at the premises — at least until the defaulted claims had been paid and the sublessee and the premises havé been removed from the “defaulter’s list.” Finally, they alleged that Brown was fully advised by the union, prior to the time he entered in to lease with Biscayne Beach Theatre, Inc., that the union would not contract with him to furnish musicians for the season until the defaults were cured, and informed him of the reasons for its decision; that consequently he cannot claim damages from the union for losses incurred by reason of his failure to hire union musicians.

After evidence had been submitted on the issues the trial court entered a decree in which it found that if anyone was in default to the defendant union or its members for the payment of musicians’ salaries it was not the plaintiff but was a prior sublessee of Biscayne Beach Theatre, Inc., the holder of the lease from the fee simple owner of the property; that because of the default by the prior sublessee, “the defendants are attempting to black list a valuable building because the owners and lessees thereof refuse to pay a claim which is not owed by them; that if a labor union had the right to black list a building because a tenant therein becomes insolvent [301]*301or bankrupt and is unable to pay his help, many theatres, hotels, department stores and other buildings would be permanently closed and kept out of channels of commerce; that the aforementioned conduct of the defendant Union amounts, in effect, to an unlawful secondary boycott and to unlawful coercion, unlawful intimidation, unlawful interference with the free use of property, and an unlawful attempted exaction of money for no consideration and where no services are rendered in exchange therefor. * * * That * * * it would be inequitable and unconscionable to permit the defendants to boycott and keep the Plaza Theatre on a black list on account of some alleged act or omission which was attributable to someone having no interest in said Theatre and not to the present owners or lessees 6f the Theatre. * *

Based upon these findings the trial court decreed “that the defendants * * * and each of them, be and they are hereby permanently restrained and enjoined from placing or keeping the Plaza Theatre, at Miami Beach, Florida, on the Defaulter’s List of the American Federation of Musicians; [and] that the defendants, and each of them, be and they are hereby permanently restrained and enjoined from refusing to permit or allow members of Miami Federation of Musicians Local Union No. 655 American Federation of Musicians to work at said Plaza Theatre.”

We think that the real questions presented on the appeal from this decree may be stated as follows: (1) Did the listing on the “defaulter’s list” circulated only within the union organization amount to a secondary boycott in respect to the persons and premises therein listed? (2) Can a voluntary association, such as a local labor union, be enjoined from “refusing to permit or allow members” to work at a particular theatre, when past experiences of the union have demonstrated that entertainment there involves a bad credit risk to the performers?

Free access — add to your briefcase to read the full text and ask questions with AI

Related

MacKey v. Moss
175 So. 2d 749 (Supreme Court of Alabama, 1965)

Cite This Page — Counsel Stack

Bluebook (online)
76 So. 2d 298, 1954 Fla. LEXIS 1904, 35 L.R.R.M. (BNA) 2224, Counsel Stack Legal Research, https://law.counselstack.com/opinion/miami-federation-of-musicians-local-union-no-655-v-wompearce-inc-fla-1954.