Netflix, Inc. v. Divx, LLC

CourtCourt of Appeals for the Federal Circuit
DecidedMarch 1, 2023
Docket22-1083
StatusUnpublished

This text of Netflix, Inc. v. Divx, LLC (Netflix, Inc. v. Divx, LLC) is published on Counsel Stack Legal Research, covering Court of Appeals for the Federal Circuit primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Netflix, Inc. v. Divx, LLC, (Fed. Cir. 2023).

Opinion

Case: 22-1083 Document: 39 Page: 1 Filed: 03/01/2023

NOTE: This disposition is nonprecedential.

United States Court of Appeals for the Federal Circuit ______________________

NETFLIX, INC., Appellant

v.

DIVX, LLC, Appellee ______________________

2022-1083 ______________________

Appeal from the United States Patent and Trademark Office, Patent Trial and Appeal Board in No. IPR2020- 00558. ______________________

Decided: March 1, 2023 ______________________

MARK CHRISTOPHER FLEMING, Wilmer Cutler Pickering Hale and Dorr LLP, Boston, MA, argued for appellant. Also represented by LAUREN MATLOCK-COLANGELO, New York, NY; NORA N. XU, Washington, DC.

PARHAM HENDIFAR, Lowenstein & Weatherwax LLP, Santa Monica, CA, argued for appellee. Also represented by NATHAN NOBU LOWENSTEIN, KENNETH J. WEATHERWAX. ______________________

Before NEWMAN, REYNA, and TARANTO, Circuit Judges. Case: 22-1083 Document: 39 Page: 2 Filed: 03/01/2023

TARANTO, Circuit Judge. DivX, LLC owns U.S. Patent No. 10,225,588, which de- scribes and claims systems and methods for streaming me- dia. Netflix, Inc. and Hulu, LLC (petitioners) successfully sought institution of an inter partes review (IPR) to chal- lenge all claims of the ’588 patent as unpatentable for ob- viousness. In a final written decision, the Patent Trial and Appeal Board concluded that petitioners failed to prove ob- viousness because they did not demonstrate that a relevant artisan would have had a reasonable expectation of success in combining the asserted prior art to arrive at the inven- tions claimed in the ’588 patent. Petitioners appeal. Be- cause the Board legally erred in its obviousness analysis, and the error cannot be regarded as harmless, we vacate and remand. I A The patent describes streaming as “the playback of me- dia on a playback device, where the media is stored on a server and continuously sent to the playback device . . . .” ’588 patent, col. 1, lines 45–48. Media streams (e.g., audio, video, or subtitle streams) are sent to playback devices in segments, and the devices generally store a sufficient amount of received media so that playback can proceed without disruption, i.e., without interruption of playback to await receipt of the next needed portion of the media. Id., col. 1, lines 48–53. Adaptive bitrate streaming (ABS) is a form of streaming that uses diminution in quality of the media to prevent (or minimize) such disruption: When de- tected network bandwidth or other conditions indicate a constricting of possible throughput, a lower quality version of the media (requiring less data) is streamed, so that the playback continues without interruption, though at lower quality. Id., col. 1, lines 59–64. For ABS, the source media is encoded in multiple versions, each with a different bi- trate (amount of data transmitted per unit of time), and a Case: 22-1083 Document: 39 Page: 3 Filed: 03/01/2023

NETFLIX, INC. v. DIVX, LLC 3

playback device adjusts the stream quality by switching be- tween the different encodings depending on available re- sources, with a higher bitrate corresponding to higher quality. Id., col. 1, lines 64–67. The encoded source media is stored on a media server in one or more container files. Id., col. 2, lines 12–15. To stream media between a server and a playback device, ABS systems “typically” use Hyper- text Transfer Protocol (HTTP). Id., col. 2, lines 1–5. The ’588 patent claims systems and methods for per- forming ABS of media stored within Matroska container files using HTTP, where “frames” of the media (a relatively small segment in a hierarchy of segments) are partially en- crypted. Id., col. 1, lines 38–41; id., col. 4, lines 39–58. The patent makes clear that ABS (at least in some form), en- cryption, Matroska container files, and HTTP all pre-dated the ’588 patent. Id., col. 1, lines 59–67; id., col. 2, lines 1– 11, 35–46, 47–62. In contrast to pre-existing ABS and en- cryption systems, the patent says, “each of the alternative streams of protected video” in the ’588 patent’s claimed ABS system “includes partially encrypted video frames that are encrypted using a set of common keys.” Id., claim 1, col. 27, lines 37–40. Claim 1 is representative for present purposes: 1. A playback device for playing protected con- tent from a plurality of alternative streams, com- prising: a set of one or more processors; and a non-volatile storage containing an application for causing the set of one or more processors to per- form the steps of: obtaining a top level index file identifying a plu- rality of alternative streams of protected video, wherein each of the alternative streams of pro- tected video includes partially encrypted video frames that are encrypted using a set of common keys comprising at least one key, and wherein the Case: 22-1083 Document: 39 Page: 4 Filed: 03/01/2023

partially encrypted video frames contain encrypted portions and unencrypted portions of data; obtaining a copy of the set of common keys; detecting streaming conditions for the playback device; selecting a stream from the plurality of alterna- tive streams of protected video based on the de- tected streaming conditions; receiving a container index that provides byte ranges for portions of the selected stream of pro- tected video within an associated container file; requesting portions of the selected stream of protected video based on the provided byte ranges; locating encryption information that identifies encrypted portions of frames of video within the re- quested portions of the selected stream of protected video; decrypting each encrypted portion of the frames of video identified within the located encryption in- formation using the set of common keys; and playing back the decrypted frames of video ob- tained from the requested portions of the selected stream of protected video. Id., col. 27, lines 30–63. B On February 18, 2020, petitioners petitioned the Board to institute an IPR of all claims of the ’588 patent, asserting that the claims are unpatentable for obviousness over U.S. Patent Pub. No. 2011/0096828 (Chen) in view of U.S. Pa- tent Pub. No. 2007/0083467 (Lindahl) and U.S. Patent No. 8,683,066 (Hurst). Specifically, petitioners argued that a relevant artisan would have combined “Chen’s adaptive streaming teachings” with Lindahl’s encryption “teachings, including partial encryption and key management” and Hurst’s encryption and common key “teachings,” J.A. 11025, 11027, “to address piracy concerns and improve Case: 22-1083 Document: 39 Page: 5 Filed: 03/01/2023

NETFLIX, INC. v. DIVX, LLC 5

efficiency,” J.A. 11026. Petitioners also relied on another reference, U.S. Patent No. 8,243,924 (Chen-924), but only as support for the argued combination of Chen, Lindahl, and Hurst. J.A. 11027–28. Only the Board’s findings about the combination of Chen and Lindahl (the latter teaching the required partial-frame encryption) are presented for re- view in this appeal. Chen describes and claims a system (we may use the singular for present purposes) for block-request streaming using what the Board in this matter referred to as “scalable layers.” See Chen, abstract. In the Chen system, data are “organized as blocks that are transmitted and decoded as a unit, and the system is configured to provide and consume scalable blocks such that the quality of the presentation in- creases as more of the block is downloaded.” Id., ¶ 27. Chen also describes use of forward error correction (FEC) in its system. E.g., Id., ¶¶ 87–88. Before describing the asserted inventive system, Chen discusses already-existing ABS technology, including HTTP streaming, with the fol- lowing features: video is “encoded at multiple bitrates to form different versions” and “broken into smaller pieces . . .

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