Meatheney v. Arts Performing Center LLC

CourtDistrict Court, E.D. Wisconsin
DecidedMarch 29, 2022
Docket2:21-cv-00683
StatusUnknown

This text of Meatheney v. Arts Performing Center LLC (Meatheney v. Arts Performing Center LLC) is published on Counsel Stack Legal Research, covering District Court, E.D. Wisconsin primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Meatheney v. Arts Performing Center LLC, (E.D. Wis. 2022).

Opinion

UNITED STATES DISTRICT COURT EASTERN DISTRICT OF WISCONSIN

ROBYN MEATHENEY,

Plaintiff, Case No. 21-cv-683-pp v.

ARTS PERFORMING CENTER, LLC, DOWNTOWN JUNEAU INVESTMENTS, LLC d/b/a Silk Exotic on Water, SCOTT KRAHN, and LYLE MESSINGER,

Defendants.

ORDER DENYING DEFENDANTS’ MOTION TO DISMISS LYLE MESSINGER AND ALL CLAIMS FROM 2018 (DKT. NO. 13); DENYING DEFENDANTS’ MOTION TO DISMISS PROCEEDINGS (DKT. NO. 16); GRANTING DEFENDANTS’ MOTION TO COMPEL ARBITRATION (DKT. NO. 16); STAYING LITIGATION AS TO PLAINTIFF’S CLAIMS AGAINST DEFENDANTS ARTS PERFORMING CENTER, DOWNTOWN JUNEAU INVESTMENTS; ORDERING PLAINTIFF, ARTS PERFORMING CENTER, DOWNTOWN JUNEAU INVESTMENTS TO ENGAGE IN ARBITRATION; AND ORDERING PLAINTIFF, SCOTT KRAHN, LYLE MESSINGER TO FILE RULE 26(F) PLAN

On June 2, 2021, the plaintiff filed a complaint on behalf of herself and others similarly situated, bringing claims related to her employment with the defendants. Dkt. No. 1. The plaintiff brings five claims under the Fair Labor Standards Act (FLSA): (1) failure to pay minimum wage, (2) failure to pay overtime wages, (3) illegal kickbacks, (4) unlawful taking of tips and (5) forced tipping. Id. at 16-23. On July 15, 2021, the defendants filed a motion under Federal Rule of Civil Procedure 12(b)(1) to dismiss Lyle Messinger as a defendant and to dismiss claims arising from conduct in 2018. Dkt. No. 13. That same day, the defendants filed a motion to dismiss the proceedings and to compel the plaintiff to submit to individualized arbitration. Dkt. No. 15. This order denies both motions to dismiss, grants the motion to compel arbitration as to two of the

defendants, stays the litigation as to claims against those two defendants and requires the parties to file a Rule 26(f) plan as to the other defendants. I. Background A. Factual Allegations The complaint alleges that from fall 2018 to March 2020, the plaintiff worked at the defendant’s business in Milwaukee, Wisconsin; the complaint identifies the “facility” as “Art’s Performing Center”1 and “Silk Exotic on Water,” indicating that the name changed while the plaintiff worked there. Dkt. No. 1 at

¶2-3. It asserts that while working at the defendants’ facility, the plaintiff qualified as an “employee” as defined in 29 U.S.C. §203(e)(1). Id. at ¶9. The complaint describes the FLSA Collective Members as “all current and former exotic dancers who worked at ART’S PERFORMING CENTER and SILK EXOTIC ON WATER located at 144 East Juneau Avenue, Milwaukee, Wisconsin, 53202 at any time starting three (3) years before [the complaint] was filed, up to the [date of filing].” Id. at ¶10. Defendants Arts Performing Center d/b/a Silk

Exotic on Water and Downton Juneau Investments, LLC both are Wisconsin LLCs with principal places of business in Wisconsin. Id. at ¶11-12. The

1 The complaint identifies the defendant as “Art’s”—in the possessive— Performing Center. The contracts the defendants provided in support of one of their motions identifies the defendant as “Arts”—plural—Performing Center. complaint alleges that “[a]t all times mentioned herein, Defendant was an ‘employer’ or ‘joint employer’ as defined by the FLSA, 29 U.S.C. § 203(d) and (g).” Id. The complaint claims that defendant Scott Krahn “was/is one of the

main manager(s)/owner(s) who executed the policies regarding payment to dancers and management of dancers, including Plaintiff.” Id. at ¶13. It asserts that defendant Lyle Messinger “was the main manager/owner who executed the policies regarding payment to dancers and management of dancers, including Plaintiff, during the first part of Plaintiff’s tenure, until the purchase of the club by DOWNTOWN JUNEAU INVESTMENTS, LLC dba SILK EXOTIC ON WATER.” Id. at ¶14. Krahn was employed by Silk and acted “directly or indirectly on behalf of Silk.” Id. at ¶15. The complaint alleges that Krahn controlled the

nature of the pay structures and the employment relationships of the plaintiff and the FLSA Collective Members, that Krahn had direct supervision over the work of employees and authority over the business’ checking accounts and that he was “responsible for the day-to-day affairs of Silk.” Id. The complaint alleges that prior to the purchase by Silk, Messinger acted on Silk’s behalf, “exerted operational and management control over Silk,” was frequently present, controlled the pay structures and employment of the plaintiff and the FLSA

Collective members, had hiring and firing authority, had check-signing authority for the business and was responsible for Silk’s day-to-day affairs (including its compliance with the FLSA). Id. at ¶16. The complaint alleges that “DOES 1-10 are the managers/owners/employees or agents who control the policies and enforce the policies related to employment at Silk.” Id. at ¶17. The complaint asserts that the defendants have had annual gross

business volume that qualifies them for coverage by 29 U.S.C. §203. Id. at ¶20. It maintains that during the relevant period, the defendants “categorized all dancers/entertainers employed at Silk as ‘independent contractors’ and have failed and refused to pay wages or compensation to such dancers/entertainers.” Id. at ¶21. The complaint alleges that “[d]uring her time being employed by Defendants, Plaintiff was denied minimum wage payments and denied overtime as part of Defendants’ scheme to classify Plaintiff and other

dancers/entertainers as ‘independent contractors.’” Id. at ¶2. It contends that the defendants did not pay their entertainers on an hourly basis and that they set prices for all performances, as well as the daily cover charge for customers to enter the facility, and that they had complete control over which customers or members could enter. Id. at ¶¶36, 38-39. The complaint says that the defendants controlled the music for the plaintiff’s performances and the ways in which she could perform. Id. at ¶¶40-41. The defendants had the authority

to suspend, fine, fire and discipline dancers who didn’t comply with their rules, and did so. Id. at ¶¶42-43. The complaint alleges that the plaintiff was compensated exclusively through tips from the customers—the defendants did not pay her anything—and the defendants required her to share her tips with the defendants and other employees such as the managers, disc jockeys and bouncers. Id. at ¶¶45-46. The complaint asserts that the defendants “exercised significant control over Plaintiff during her shifts and would demand that Plaintiff pay to work a particular shift.” Id. at ¶37. It alleges that the

defendants failed to maintain financial records such as records of wages, fines, tips and gratuities paid or received by entertainers. Id. at ¶58. The complaint also alleges that the defendants required the plaintiff to pay “fees” to them and to other Silk employees such as managers, DJs and doormen, “for reasons other than the pooling of tips among employees who customarily and regularly received tips.” Id. at ¶¶73-74. The complaint asserts that “[a]lthough Defendants allowed entertainers to choose their own costumes, Defendants reserved the right to decide what a

particular entertainer was allowed to wear on the premises” and that “[i]n order to comply with Silk’[s] dress and appearance standards, Plaintiff typically expended approximately an hour of time each shift getting ready for work without being paid any wages for such time getting ready.” Id. at ¶44.

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Meatheney v. Arts Performing Center LLC, Counsel Stack Legal Research, https://law.counselstack.com/opinion/meatheney-v-arts-performing-center-llc-wied-2022.