Livingston v. Jay Livingston Music, Inc.

CourtDistrict Court, M.D. Tennessee
DecidedJuly 11, 2023
Docket3:21-cv-00780
StatusUnknown

This text of Livingston v. Jay Livingston Music, Inc. (Livingston v. Jay Livingston Music, Inc.) is published on Counsel Stack Legal Research, covering District Court, M.D. Tennessee primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Livingston v. Jay Livingston Music, Inc., (M.D. Tenn. 2023).

Opinion

UNITED STATES DISTRICT COURT MIDDLE DISTRICT OF TENNESSEE NASHVILLE DIVISION

TAMMY LIVINGSTON, individually and ) as Beneficiary and Co-Trustee of the ) Livingston Music Interest Trust, ) ) Plaintiff, ) ) v. ) NO. 3:21-cv-00780 ) JAY LIVINGSTON MUSIC, INC., ) RANDY TALMADGE, individually and ) TRAVILYN LIVINGSTON, as Co- ) Trustee of the Livingston Music Interest ) Trust, ) ) Defendants. )

MEMORANDUM OPINION This is a dispute between the heirs of Jay Livingston (“Jay”) arising from agreements that contain arbitration clauses. Before the Court is Jay Livingston Music, Inc. (“JLM”), Randy Talmadge, and Travilyn Livingston’s (“Defendants”) Renewed Motion to Dismiss (Doc. No. 58 and 62), opposed by Tammy Livingston (“Tammy”). (Doc. No. 61).1 Because Tammy’s claims are subject to binding arbitration clauses, Defendants’ Motion (Doc. No. 58) will be granted.

1 Tammy’s Motion for Leave to File Sur-Reply Brief in Opposition (Doc. No. 63), which Defendants oppose (Doc. No. 64), will be granted. I. FACTUAL BACKGROUND2 Jay was a popular songwriter whose music has been featured on television and in movies. (See Doc. No. 24 ¶¶ 9, 26). Tammy, Jay’s granddaughter, alleges that her rights to Jay’s music have been harmed by the tortious actions of her mother Travilyn Livingston, stepfather Randy

Talmadge, and the publishing company owned and operated by both, JLM. (Doc. No. 24 ¶¶ 1–4, 39, 51–79). Since the 1980s, Jay received royalty payments from JLM’s publication of songs pursuant to copyright agreements. (See id. ¶¶ 33–37 (citing Doc. No. 19-1)). Copyright interests in over 800 songs were assigned to JLM, and “[w]ith respect to each musical composition assigned . . . writer royalties [are] paid solely in accordance with the terms and conditions of [Popular Songwriters Agreements].” (Id. ¶ 38; Doc. No. 19-1 at 5). Each Popular Songwriters Agreement (“PSA”) includes identical language requiring the arbitration of disputes: Any and all differences, disputes or controversies arising out of or in connection with this contract shall be submitted to arbitration before a sole arbitrator under the then prevailing rules of the American Arbitration Association. The location of the arbitration shall be New York, New York, if the Writer on the date of execution of this contract resides East of the Mississippi River, or Los Angeles, California, if the Writer on the date of execution of this contract resides West of the Mississippi River. The parties hereby individually and jointly agree to abide by and perform any award rendered in such arbitration. Judgment upon any such award rendered may be entered in any court having jurisdiction thereof.

(e.g., Doc. No. 19-1 at 12, 17) (emphasis added). The PSAs also require JLM to provide an accounting of royalties owed and to produce royalty statements. (See, e.g., Doc. No. 19-1 at 16). The royalty rights and obligations owed to Jay were passed on to his heirs, including Tammy.

2 The facts are drawn from the Amended Complaint (Doc. No. 24) that cites and relies upon the Declaration of Randy Talmadge (Doc. No. 19-1), (see Doc. No. 24 ¶¶ 34–35 (citing Doc. No. 19- 1), 61–63, 67, 69–71), which is incorporated by operation of Fed. R. Civ. P. 10(c) (“A statement in a pleading may be adopted by reference elsewhere . . . in any other pleading . . . .”). (Doc. No. 24 ¶ 35; see Doc. 24-3 at 7, 50 (granting Tammy a share of Jay’s music interests consisting of “royalties from . . . music publishers, record companies, motion pictures, stage productions, television programs, etc. and from all contracts pertaining thereto”); see, e.g., Doc. No. 19-1 at 17 (“Whenever the term ‘Writer’ is used herein . . . it shall be deemed to mean . . .

authors and composers of said compositions or their respective lawful successors . . . .”)). Tammy alleges that the Defendants have failed to provide detailed royalty statements, misrepresented royalty collections, failed to pay royalties owed, induced contractual breaches, and unlawfully terminated copyrights for songs. (Doc. No. 24 ¶¶ 51–79). These acts form the basis of her tortious interference, misrepresentation, accounting, civil conspiracy, negligence, breach of fiduciary duty, and unjust enrichment causes of action. (Id. ¶¶ 80–145). The Amended Complaint is silent on the arbitration clauses in the PSAs. (See generally Doc. No. 24). II. LEGAL STANDARD Under the Federal Arbitration Act (“FAA”), 9 U.S.C. §§ 1–16, when a valid agreement to arbitrate exists, the district court must stay or dismiss proceedings until the completion of

arbitration. Glazer v. Lehman Bros., Inc., 394 F.3d 444, 451 (6th Cir. 2005) (citing 9 U.S.C. §§ 3–4). The FAA requires that a “written provision in . . . a contract evidencing a transaction involving commerce to settle by arbitration a controversy thereafter arising out of such contract or transaction, . . . shall be valid, irrevocable, and enforceable, save upon such grounds as exist at law or in equity for the revocation of any contract.” 9 U.S.C. § 2. This reflects the “liberal federal policy favoring arbitration.” AT&T Mobility LLC v. Concepcion, 563 U.S. 333, 339 (2011) (quoting Moses H. Cone Mem’l Hosp. v. Mercury Constr. Corp., 460 U.S. 1, 245 (1983)); see O.J. Distrib., Inc. v. Hornell Brewing Co., 340 F.3d 345, 356 (6th Cir. 2003); Decker v. Merrill Lynch, Pierce, Fenner & Smith, Inc., 205 F.3d 906, 911 (6th Cir. 2000). The primary focus is “whether the parties agreed to arbitrate the dispute at issue.” Stout v. J.D. Byrider, 228 F.3d 709, 714 (6th Cir. 2000). To answer this question, courts evaluate: (1) whether the parties agreed to arbitrate; (2) the scope of the arbitration agreement; (3) whether Congress intended any federal statutory claims at issue to be non-arbitrable; and (4) whether to

stay proceedings for any remaining claims not subject to arbitration, if applicable. Id. To do so the courts “examine the language of the contract in light of the strong federal policy in favor of arbitration” and “any ambiguities in the contract or doubts as to the parties’ intentions should be resolved in favor of arbitration.” Id. Matters concerning the validity of arbitration clauses and contract formation are properly adjudicated before federal courts. Granite Rock Co. v. Int’l Bhd. Of Teamsters, 561 U.S. 287, 296–97 (2010) (“It is . . . well settled that where the dispute at issue concerns contract formation, the dispute is generally for courts to decide. . . . [C]ourt[s] must resolve any issue that calls into question the formation or applicability of the specific arbitration clause that a party seeks to have the court enforce.”); Taylor v. Pilot Corp., 955 F.3d 572, 576 (6th Cir. 2020). However, the

validity of a contract “as a whole” is reserved for arbitration. Buckeye Check Cashing, Inc. v. Cardegna, 546 U.S. 440, 444 n.1, 445–46 (2006) (“[U]nless the challenge is to the arbitration clause itself, the issue of the contract’s validity is considered by the arbitrator in the first instance. . . .

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Bluebook (online)
Livingston v. Jay Livingston Music, Inc., Counsel Stack Legal Research, https://law.counselstack.com/opinion/livingston-v-jay-livingston-music-inc-tnmd-2023.