In Re Patient Education Media, Inc.

210 B.R. 237, 1997 Bankr. LEXIS 953, 31 Bankr. Ct. Dec. (CRR) 49
CourtUnited States Bankruptcy Court, S.D. New York
DecidedJune 30, 1997
Docket18-23881
StatusPublished
Cited by12 cases

This text of 210 B.R. 237 (In Re Patient Education Media, Inc.) is published on Counsel Stack Legal Research, covering United States Bankruptcy Court, S.D. New York primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
In Re Patient Education Media, Inc., 210 B.R. 237, 1997 Bankr. LEXIS 953, 31 Bankr. Ct. Dec. (CRR) 49 (N.Y. 1997).

Opinion

MEMORANDUM DECISION REGARDING SALE OF ASSETS

STUART M. BERNSTEIN, Bankruptcy Judge.

Section 106 of the Copyright Act, 17 *239 U.S.C. § 106, 1 grants the owner of a copyright, with certain exceptions not material to the current dispute, the exclusive right to exploit the copyrighted work. The issue presented is whether the debtor, Patient Education Media, Inc. (“PEMI” or the “debtor”), can transfer its nonexclusive license to use the copyrighted work over the copyright owner’s objections. For the reasons that follow, the Court concludes that it cannot.

BACKGROUND

For the most part, the relevant facts of this matter are not in dispute. 2 The debtor filed this chapter 11 case on March 14, 1997. The debtor was formed in 1994 to create and market patient educational products under the trademark TIME-LIFE MEDICAL™. C. Everett Koop, M.D., former Surgeon General of the United States, became PEMI’s medical director and Chairman of the Board, but has since resigned from these positions. PEMI’s initial products included a library of thirty At Time of Diagnosis ™ patient education kits. Each kit related to a frequently diagnosed illness or medical condition and consisted of a 30-minute video and accompanying workbook. In October 1996, PEMI introduced a series of four specialized exercise videos under the name RX-Exercise™ for people with arthritis, heart disease, stress and anxiety, and lower back pain.

In 1995, PEMI hired David Katzenstein, a professional photographer, to take photographs for use in the production of the videotapes. Katzenstein’s photographs were eventually incorporated into the title and “bumper” (or transitional) sequences and as part of the set design seen on the videotape. It is undisputed that Katzenstein granted PEMI a nonexclusive license, unlimited as to time, to use the photographs for these purposes, and that the debtor still holds this nonexclusive license. 3

In early 1996, the debtor and Katzenstein agreed to supplement and extend PEMI’s right to use the 1995 photographs beyond what was granted in 1995. According to an invoice dated March 27, 1996, which both parties signed, the debtor agreed to pay Katzenstein $4,500.00 by April 5, 1996 and an additional $40,500.00 by April 22, 1996. In return, Katzenstein granted the debtor “the unlimited worldwide use of all images for one year plus the unlimited worldwide use, with no time limit specifically for packaging only. Photographer retains copyright to all images.” 4 The debtor made these two payments, and the parties agree that the debtor still holds a nonexclusive license, unlimited in time, to use the photographs for packaging purposes. On the other hand, the unlimited rights granted for only one year have expired.

*240 The debtor had the option, however, to extend the expired license for unlimited usage. Under the invoice, the debtor could pay $20,000.00 at the end of the year, and thereby acquire unlimited worldwide use, in perpetuity. The debtor tendered the $20,000.00 to Katzenstein in open court in early June, 1997, but Katzenstein refused the tender.

After the debtor filed its chapter 11 case, it entered into an agreement with Glaxo Well-come, Inc. (“Glaxo”) to sell substantially all of its assets, and to assume and assign its executory contracts. The assets included the master tapes for the thirty four videotapes which incorporated Katzenstein’s photographs. 5 Katzenstein objects to the proposed sale. First, he maintains that the debtor cannot assign its nonexclusive license to use his photographs without his consent under both federal copyright law and the anti-assignment provisions of the invoices. Second, he contends that the debtor cannot exercise the option, discussed above. Even if it could, the debtor could still not assign the extended, nonexclusive license, without his consent, for the same reasons it cannot sell the existing license.

DISCUSSION

A. Introduction

The copyright law, the spirit of which is embodied in section 106, grants a limited monopoly to the copyright owner to exploit his creation; “[i]t is intended to motivate the creative activity of authors and inventors by the provision of a special reward, and to allow the public access to the products of their genius after the limited period of exclusive control has expired.” Sony Corp. of America v. Universal City Studios, Inc., 464 U.S. 417, 429, 104 S.Ct. 774, 782, 78 L.Ed.2d 574 (1984); accord Fogerty v. Fantasy, Inc., 510 U.S. 517, 526, 114 S.Ct. 1023, 1029, 127 L.Ed.2d 455 (1994). Only the copyright owner can transfer these rights. Landau v. Cosmetic & Reconstructive Surgery Ctr., Inc., 158 F.R.D. 117, 119 (N.D.Ill.1994); see 17 U.S.C. § 106 (“the owner of [the] copyright ... has the exclusive rights to do and to authorize ” the designated uses of the copyrighted work)(emphasis added).

Ownership is the sine qua non of the right to transfer, and the copyright law distinguishes between exclusive and nonexclusive licenses. A “transfer of copyright ownership” includes the grant of an exclusive license, but not a nonexclusive license. 17 U.S.C. § 101. The holder of the exclusive license is entitled to all the rights and protections of the copyright owner to the extent of the license. 17 U.S.C. § 201(d)(2). See generally 3 Melvin B. Nimmer & David Nimmer, Nimmer on Copyright § 10.02[A], at 10-23 (1996) (“Nimmer”). Accordingly, the licensee under an exclusive license may freely transfer his rights, and moreover, the licensor cannot transfer the same rights to anyone else. I.A.E., Inc. v. Shaver, 74 F.3d 768, 775 (7th Cir.1996).

By contrast, the nonexclusive license does not transfer any rights of ownership; ownership remains in the licensor. Id.; MacLean Assocs., Inc. v. William M. Mercer-Meidinger-Hansen, Inc., 952 F.2d 769, 778-79 (3d Cir.1991); Effects Assocs., Inc. v. Cohen, 908 F.2d 555, 558 (9th Cir.1990), cert. denied, 498 U.S. 1103, 111 S.Ct. 1003, 112 L.Ed.2d 1086 (1991); Steege v. AT & T (In re Superior Toy & Mfg. Co.), 183 B.R. 826, 833 (Bankr.N.D.Ill.1995); 3 Nimmer § 10.02[A], at 10-23. Thus, the nonexclusive licensee does not acquire a property interest in the licensed rights,

Free access — add to your briefcase to read the full text and ask questions with AI

Related

Abarca Health, LLC v. Pharmpix Corp.
806 F. Supp. 2d 483 (D. Puerto Rico, 2011)
Traicoff v. Digital Media, Inc.
439 F. Supp. 2d 872 (S.D. Indiana, 2006)
Itofca, Inc. v. Megatrans Logistics, Inc.
322 F.3d 928 (Seventh Circuit, 2003)
In Re Golden Books Family Entertainment, Inc.
269 B.R. 300 (D. Delaware, 2001)
Gardner v. Nike, Inc.
110 F. Supp. 2d 1282 (C.D. California, 2000)
Michaels v. Internet Entertainment Group, Inc.
5 F. Supp. 2d 823 (C.D. California, 1998)

Cite This Page — Counsel Stack

Bluebook (online)
210 B.R. 237, 1997 Bankr. LEXIS 953, 31 Bankr. Ct. Dec. (CRR) 49, Counsel Stack Legal Research, https://law.counselstack.com/opinion/in-re-patient-education-media-inc-nysb-1997.