In re Digital Music Antitrust Litigation

321 F.R.D. 64, 2017 WL 3037577
CourtDistrict Court, S.D. New York
DecidedJuly 18, 2017
Docket06-md-1780 (LAP)
StatusPublished
Cited by37 cases

This text of 321 F.R.D. 64 (In re Digital Music Antitrust Litigation) is published on Counsel Stack Legal Research, covering District Court, S.D. New York primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
In re Digital Music Antitrust Litigation, 321 F.R.D. 64, 2017 WL 3037577 (S.D.N.Y. 2017).

Opinion

[71]*71Opinion and Order

LORETTA A. PRESEA, Senior United States District Judge

Before the Court is a motion for class certification pursuant to Federal Rules of Civil Procedure 23(b)(2) and 23(b)(3), (Mot. Class Cert., Mar. 19, 2014, ECF No. 227), and an accompanying memorandum of law. (Pl. Mem. Class Cert., Mar. 19, 2014, ECF No. 228). Several individual plaintiffs seek to represent a putative nationwide class of Digital Music purchasers. The operative complaint before the Court is the Fourth Consolidated Amended Complaint (“FCAC”), filed September 25, 2015. (FCAC, Sept. 25, 2015, ECF No. 319). Defendants include Sony BMG Music Entertainment (“Sony BMG”), UMG Recordings, Inc. (“UMG”), Warner Music Group Corp. (“WMG”), Capitol Records, Inc., d/b/a EMI Music North America (“Capitol”), Capitol-EMI Music, Inc. (“Capitol EMI”), EMI Group North America, Inc. (“EMI North America”), and Virgin Records America, Inc. (“Virgin”), who have filed an opposition to the motion for class certification. (Def. Opp. Class Cert., June 16, 2016, ECF No. 353). Plaintiffs have in turn replied. [72]*72(PI, Reply Class Cert., Nov. 7, 2016, ECF No. 367).

The parties have also filed motions and accompanying memoranda of law to exclude the opinions rendered by each other’s experts. (See Pl. Mot. Exclude Aaron Read, Dec. 19, 2016, ECF No. 372; Def. Mot. Exclude Roger Noll, Dec. 19, 2016, ECF No. 376; Pl. Mot. Exclude Janusz Ordover, Dec. 19, 2016, ECF No. 376; Pl. Mot. Exclude Supp. Decl. Janusz Ordover, Jan, 19, 2017, ECF No. 388). Additionally, Plaintiffs have moved to strike the supplemental declaration of Janusz Ordover attached to Defendants’ motion to exclude the opinion of Roger Noll. (Letter from Alexandra Bernay, Dec. 23, 2016, ECF No. 384). For reasons explained in detail below, (1) Plaintiffs’ motion to exclude the opinion of Aaron Read is denied, (2) Defendants’ motion to exclude the opinion of Professor Noll is denied, (3) Plaintiffs’ motion to exclude Professor Ordover’s opinion is denied except insofar as it relates to price variability for digital downloads and albums, (4) Plaintiffs’ motion to exclude the supplemental declaration of Professor Ordover is granted, and (6) Plaintiffs’ motion to strike the supplemental declaration of Professor Ordover is denied.

The Court also finds that Plaintiffs have failed to satisfy Rule 23(a)’s typicality requirement for the reason that the proposed class members would be subject to unique unclean hands defenses, while the Proposed Class Representatives would not. Failure to satisfy the threshold criteria of Rule 23(a) precludes class certification pursuant to Rule 23(b).

Plaintiffs seek to certify two separate classes. Pursuant to Federal Rule of Civil Procedure 23(b)(2), Plaintiffs move to certify a nationwide injunctive relief class consisting of all purchasers of music downloads sold by Defendants indirectly to persons and entities residing in the United States. Plaintiffs seek to “enjoin Defendants’ collusive practices and policies that violate Section 1 of the Sherman Act (16 U.S.C. § 1), and operate to artificially maintain/inflate Digital Music prices in the U.S,” (PI. Mem. Class Cert, at 17-18). Because (1) there is no basis to Plaintiffs’ claim that there is a threat of future harm to the proposed class and (2) Plaintiffs have failed to show that injunctive relief would inure to the benefit of all members of the class, the motion for class certification pursuant to Rule 23(b)(2) is denied.

Pursuant to Federal Rule of Civil Procedure 23(b)(3), Plaintiffs also move to certify nine separate damages classes under the antitrust and/or consumer protection laws of California, the District of Columbia, Arizona, Florida, Iowa, Michigan, Minnesota, Nevada, and South Dakota, for persons and entities who, while residents or within those states, purchased Digital Music indirectly from the Defendants. (PI. Mem. Class Cert, at 1). For reasons explained below, Plaintiffs have failed to satisfy Rule 23(b)(3)’s predominance and superiority requirements. Accordingly, the motion for class certification pursuant to Rule 23(b)(3) is denied.

BACKGROUND

The allegations in this long-lived litigation as set forth in the FCAC are well-known to the Court. See In re Digital Music Antitrust Litig., 812 F.Supp.2d 390 (S.D.N.Y. 2011) (“In re Digital Music II”); Starr v. Sony BMG Music Entm’t, 592 F.3d 314 (2d Cir. 2010); In re Digital Music Antitrust Litig., 592 F.Supp.2d 435 (S.D.N.Y. 2008) (“In re Digital Music I”). The Court assumes familiarity with the alleged facts at issue, but in order to situate the discussion a brief summary follows.

Defendants produce, license, and distribute music sold online (“Digital Music” or “Internet Music”) and on compact discs (“CDs”), (FCAC ¶47), Together, they control eighty percent of the market for Digital Music in the United States. (FCAC ¶ 108). Plaintiffs allege that Defendants have conspired to restrain trade in and fix prices of Digital Music in order to sell CDs at supracompetitive prices. (FCAC ¶ 66).

In the initial stages of the alleged conspiracy, Defendants Bertlesmann, Inc., Warner Music Group Corp., and EMI launched an online service called MusicNet, a joint venture entity owned and controlled by various Defendants. (FCAC ¶ 67). Defendants UMG and Sony Corporation of America launched a [73]*73similar online music service called Duet, later renamed pressplay. (FCAC ¶ 57). It too was a joint venture. All Defendants signed distribution agreements with MusicNet and pres-splay. (FCAC ¶ 57). These joint ventures, along with the Recording Industry Association of America, allowed Defendants to “maintain[ ] prices at artificially high levels, eliminate[] competition among the Defendants in the pricing and terms of Internet Music sales, and providet] one of several forums in which the Defendants could discuss their general desires to restrain trade in Internet Music and come to agreement on the specifics.” (FCAC ¶ 57). Defendants also allegedly used these joint ventures to share licensing terms and pricing information and to police the alleged agreements, among other things, (FCAC ¶ 87).

Plaintiffs also allege that Defendants used Most Favored Nation (“MFN”) clauses in Defendants’ licensing agreements in order to guarantee that a licensor would receive at least equivalent licensing terms as another licensor. (FCAC ¶¶ 58, 81). The alleged effect of the MFN agreements was to set a wholesale price floor for Digital Music of 70 cents per song. (FCAC ¶¶ 89-90). Plaintiffs allege that despite the fact that the price of distributing Digital Music fell to essentially zero, the wholesale price of Digital Music increased uniformly. (FCAC ¶¶ 89-90). This was due in material part to Defendants’ enforcement of the MFN clauses, which Defendants attempted to hide. (FCAC ¶¶ 82, 90-91). In addition, Defendants allegedly fixed the terns of sale of Digital Music, including digital rights management terms (“DRM”), which restricted transfer of songs to portable players, among other things. (FCAC ¶¶ 59, 66). Plaintiffs allege that but for the conspiracy, a defendant may have removed DRMs to gain market share. (FCAC ¶ 66).

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321 F.R.D. 64, 2017 WL 3037577, Counsel Stack Legal Research, https://law.counselstack.com/opinion/in-re-digital-music-antitrust-litigation-nysd-2017.