Hoffman v. L & M ARTS

774 F. Supp. 2d 826, 2011 U.S. Dist. LEXIS 22381, 2011 WL 778592
CourtDistrict Court, N.D. Texas
DecidedMarch 7, 2011
DocketCivil Action 3:10-CV-0953-D
StatusPublished
Cited by21 cases

This text of 774 F. Supp. 2d 826 (Hoffman v. L & M ARTS) is published on Counsel Stack Legal Research, covering District Court, N.D. Texas primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Hoffman v. L & M ARTS, 774 F. Supp. 2d 826, 2011 U.S. Dist. LEXIS 22381, 2011 WL 778592 (N.D. Tex. 2011).

Opinion

MEMORANDUM OPINION AND ORDER

SIDNEY A. FITZWATER, Chief Judge.

In this removed action arising from the alleged breach of a confidentiality agreement under which a valuable painting was sold by a recognized patroness of the arts, and the subsequent public auction of the painting at a well-known art auction house, the court must decide whether plaintiff has stated claims on which relief can be granted and whether the court can exercise in personam jurisdiction over one defendant. For the reasons that follow, the court grants two defendants’ motions to dismiss under Fed.R.Civ.P. 12(b)(6), grants in part and denies in part two defendants’ Rule 12(b)(6) motions, grants one defendant’s Rule 12(b)(2) motion to dismiss for lack of in personam jurisdiction, and grants plaintiff leave to replead her claims that are being dismissed under Rule 12(b)(6).

I

This suit is brought by plaintiff Marguerite Hoffman (“Hoffman”) against defendants L & M Arts (“L & M”), Sothe-by’s, Inc. (“Sotheby’s”), Tobias Meyer (“Meyer”), David Martinez (“Martinez”), *829 and Studio Capital, Inc. (“Studio Capital”) arising from the private sale and subsequent public auction of a Mark Rothko painting that Hoffman once owned. Hoffman sues L & M, Martinez, and Studio Capital for breach of contract, Sotheby’s and Meyer for tortious interference with contract, and Sotheby’s for unjust enrichment. 1

Hoffman, a Dallas resident and patroness of the arts, once owned Mark Rothko’s 1961 oil painting, Untitled (“the Rothko painting”). 2 Her ownership was well known because the Rothko painting had been the subject of some media coverage and had been displayed in the Dallas Museum of Art as part of a special exhibition of works from her collection.

Hoffman decided to sell the Rothko painting in early 2007 during a time when she faced uncertain financial circumstances following her husband’s death. She could have sold the painting at public auction, taking advantage of the publicity to obtain a higher price. But she opted for a private, confidential sale to avoid the embarrassment of disclosing publicly that she was selling the painting.

To ensure utmost privacy, Hoffman worked through intermediaries to arrange a confidential sale. She was eventually able to interest an undisclosed buyer. L & M, who had helped Hoffman acquire major contemporary art works in the past, acted as agent for the undisclosed buyer, while Greenberg Van Doren Gallery (“Green-berg”) acted as Hoffman’s agent.

Hoffman informed L & M that preservation of confidentiality was a critical component of any sale. The first agreement of sale, dated February 27, 2007, contained the following proviso: “It is the specified wish of the seller that the sale and terms of the sale remain confidential. Any breach in confidentiality prior to payment in full will be considered by the seller grounds for terminating this agreement. It is requested that confidentiality be maintained indefinitely.” Am. Pet. ¶ 31. 3 Before the sale was finalized, however, another art world professional heard that the Rothko painting was for sale and contacted Hoffman. Hoffman was alarmed that a third party had discovered that the painting was for sale. When she learned from L & M’s principal, Robert Mnuchin (“Mnuchin”), that his undisclosed buyer *830 had told a third party about the sale, she decided not to go forward with the transaction.

The undisclosed buyer remained interested in negotiating with Hoffman, however, and his agent, L & M (through Mnu-chin), expressly promised Hoffman that the Rothko painting would “ ‘disappear’ into his undisclosed buyer’s ‘very private’ collection.” Id. at ¶ 36. Hoffman remained unwilling to sell, and she refused to consent to the sale unless the undisclosed buyer made a written and binding commitment in the purchase agreement to “make maximum effort to keep all aspects of this transaction confidential....” Id. at ¶ 37 (ellipsis in original). The undisclosed buyer agreed to this condition, and agents of Greenberg and L & M signed a letter agreement (“Letter Agreement”) on April 24, 2007. See Martinez/Studio Capital June 30, 2010 App. 2.

The Letter Agreement specified that, among other requirements, the buyer would pay to the seller the net price of $17.6 million, make a confidential cash contribution of $500,000 to the Dallas Museum of Art, and (together with the seller and all agents involved) “make maximum effort to keep all aspects of this transaction confidential indefinitely.” Id. “[T]he buyer [also] agree[d] not to hang or display the work for six months following receipt of the painting.” Id.

Hoffman later discovered that the undisclosed buyer was either Martinez or Studio Capital, a Belize company that Hoffman alleges is controlled by Martinez for the purpose of maintaining the secrecy of his purchases and sales in art. The sale was kept secret until, 35 months later, Martinez (or Studio Capital, acting under Martinez’s direction) consigned the Rothko painting to public auction at Sotheby’s. Numerous media sources reported on the sale of the Rothko painting, including one art blogger, who wrote the following:

Three market sources have told me that the Rothko consigned for sale at Sothe-by’s comes from Mexican financier David Martinez.
If Martinez, or a related holding company, is the owner, it has been a hasty marriage.
In 2007 the painting was exhibited at the Dallas Museum of Art in a Fast Forward: Contemporary Collections for the Dallas Museum of Art. The show included works owned by three major area collectors who have promised works to the museum: the Hoffman, Rose and Rachofsky collections.

Am. Pet. ¶45 (ellipsis in original). And Sotheby’s website and catalog reported that the Rothko painting was exhibited at the Dallas Museum of Art as well.

Hoffman alleges that, based on this public information, the art community would have been able to deduce that she had sold the Rothko painting and that, in deliberately publicizing the sale, Martinez, Studio Capital, and L & M breached the provision of the Letter Agreement that required “maximum effort to keep all aspects of this transaction confidential indefinitely.” Hoffman asserts that, in exchange for confidentiality, she sacrificed a substantial premium when she sold the Rothko painting, and that she sold the painting for far less than she would have been able to obtain through a public sale. 4 According *831 to Hoffman, Martinez was able to purchase the Rothko painting at a discount in exchange for taking on the burden of the confidentiality provision.

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Bluebook (online)
774 F. Supp. 2d 826, 2011 U.S. Dist. LEXIS 22381, 2011 WL 778592, Counsel Stack Legal Research, https://law.counselstack.com/opinion/hoffman-v-l-m-arts-txnd-2011.