Flynn v. Love

CourtDistrict Court, D. Nevada
DecidedMarch 30, 2021
Docket3:19-cv-00239
StatusUnknown

This text of Flynn v. Love (Flynn v. Love) is published on Counsel Stack Legal Research, covering District Court, D. Nevada primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Flynn v. Love, (D. Nev. 2021).

Opinion

3 UNITED STATES DISTRICT COURT

4 DISTRICT OF NEVADA

5 * * *

6 MICHAEL J. FLYNN, et al., Case No. 3:19-cv-00239-MMD-CLB

7 Plaintiffs, ORDER v. 8 MICHAEL LOVE, et al., 9 Defendants. 10 11 I. SUMMARY 12 This action arises from contractual disputes pertaining to a settlement involving 13 the copyrights of 35 songs and events surrounding these songs dating back to the 14 1960s. Plaintiffs Michael Flynn and Philip Stillman1 filed a third amended complaint 15 against Defendants Michael Love, his wife Jacquelyne Love, Meleco, Inc., and the 16 Michael Love Family Trust (collectively, “Defendants”2). (ECF No. 50 (“TAC”).) Before 17 the Court are Plaintiffs’ motion to strike and motion for partial summary judgment, and 18 Defendants’ motion to dismiss. (ECF Nos. 51, 67, 70.)3 19

20 1Plaintiffs are both attorneys licensed in Massachusetts. (ECF No. 50 at 2.) Plaintiffs are representing themselves pro se. Additionally, Plaintiffs’ TAC name William 21 Sheridan and Michael Tabb as plaintiffs in this action. (Id.) Plaintiffs, however, state that Sheridan and Tabb have assigned their rights, title, and interests to Plaintiffs. (Id.) The 22 Court notes that Sheridan’s and Tabb’s claims against Defendants were previously dismissed without prejudice. (ECF No. 22.) The Court construes the TAC as being 23 brought by Michael Flynn and Philip Stillman only. 24 2The Michael Love Family Trust (“Trust”) is named a Defendant in the TAC. The Trust is not a proper defendant. To the extent that Plaintiffs’ claims are against the 25 Trust, the Court interprets those claims against Love, in his capacity as trustee of the Trust (henceforth, “Trustee Love”). Moreover, Plaintiffs appear to allege alter ego 26 liability against Meleco, Inc. (“Meleco”) in the TAC. In Plaintiffs’ reply (ECF No. 84 at 20- 21), Plaintiffs state that they are not alleging alter ego principles. The Court will construe 27 the TAC accordingly. 28 3The parties additionally filed corresponding responses and replies to these motions. (ECF Nos. 64, 71, 74, 79, 84, 90.) 1 As further discussed below, the Court denies Plaintiffs’ motion to strike as 2 Plaintiffs are not prejudiced by Defendants’ motion to dismiss, nor would it be in the 3 interest of judicial economy to delay the resolution of the issues in Defendants’ motion. 4 The Court additionally denies Plaintiffs’ partial summary judgment motion as Plaintiffs 5 have not shown they are entitled summary judgment. Moreover, the Court grants in part 6 and denies in part Defendants’ motion to dismiss as discussed in this order. 7 II. BACKGROUND 8 The following facts are taken from Plaintiffs’ TAC4 (ECF No. 50), unless noted 9 otherwise. In November 1961, the Beach Boys music group was formed and included 10 Michael Love (“Love”) and Brian Wilson (“Wilson”) as members. (Id. at 11.) Wilson’s 11 father, Murry Wilson, was the Beach Boys’ manager and took control of the copyrights 12 and publishing of the group’s songs. (Id.) Between 1961 and 1964, Love and Wilson co- 13 wrote many of the Beach Boys’ songs and albums. (Id.) However, Love was not given 14 songwriting credits on the copyright applications of these songs. (Id.) 15 In 1967, Abraham Somer became attorney for both the Beach Boys and Murry 16 Wilson. (Id.) Somer incorporated the Beach Boys as Brother Records, Inc., and made 17 Murry Wilson sole proprietor of Sea of Tunes, Inc., which held the copyrights and 18 publishing rights to the Beach Boys’ songs. (Id. at 11-12.) In 1969, Sea of Tunes, Inc. 19 was sold to Almo Irving Music (the “1969 Sale”) with Somer representing the parties, 20 along with Brother Records, Inc., and Beach Boys members. (Id. at 12.) At the time, 21 Somer’s conflict of interest was allegedly concealed, Wilson was mentally incompetent, 22 and Love received nothing from the 1969 Sale. (Id.) 23 Around 1985, Somer’s conflict of interest was discussed at Brother Records’ 24 board meetings. (Id.) An investigation into the matter was conducted from 1985 to 1986 25 by attorneys John Branca and James Tierney, and by Eugene Landy. (Id. at 12-13.) 26 Additionally, members of the Beach Boys and others were involved in the investigation 27 4The allegations in Plaintiffs’ 55-page TAC relate to numerous events and 28 individuals spanning six decades. Plaintiffs’ claims require the Court to construe facts as 1 and corresponded with Branca. (Id. at 13.) Plaintiffs allege that there are documents 2 and correspondences during this period regarding the investigation and its purpose. (Id. 3 at 13.) 4 Attorney Tierney met with Love on December 5, 1986 and they entered into a 5 written agreement on December 22, 1986 securing Love’s cooperation in a lawsuit 6 Wilson was pursuing to regain copyrights of the Beach Boys’ songs. (Id. at 13-14.) For 7 his cooperation, Love would receive “30% of the [Wilson] case recovery, restoration of 8 [Love’s] songwriting credit and copyrights and a minimum of $2 million for past unpaid 9 songwriting payments that had been paid to [Wilson].” (Id. at 14.) Nearly three years 10 later in August 1989, Wilson filed a lawsuit against defendants Almo Irving Music, 11 Somer, and Somer’s law firm, to regain copyrights to the Beach Boys’ songs (“Wilson 12 Case”).5 (Id. at 15.) In the Wilson Case, Wilson argued the defendants concealed 13 Somer’s conflict of interest from the date of the 1969 Sale until fall of 1988, and 14 additionally argued that Wilson was legally incompetent. (Id.) 15 A. The 1992 Agreement 16 Love and Jacquelyne Love (“together, the “Loves”) met Plaintiff Michael Flynn 17 (“Flynn”) in December 1991. (Id. at 17.) Jacquelyne Love (“Jacquelyne”) disclosed to 18 Flynn the legal claims she believed Love had in numerous Beach Boys songs he co- 19 authored with Wilson, and the ongoing Wilson Case at the time. (Id. at 17-18.) She 20 further disclosed that there was no written agreement evidencing a promise of what 21 Love was to receive from the Wilson Case. (Id.) 22 From January to July 1992, Plaintiffs investigated the Wilson Case. (Id. at 19.) 23 Plaintiffs informed the Loves that Somer’s conflict of interest in the 1969 Sale was the 24 basis to defeat the statute of limitations issues in the Wilson Case. (Id.) At the time, 25 California had a one-year statute of limitations to sue Somer and his law firm. (Id.) 26 /// 27

28 5The Wilson Case was eventually settled in favor of Wilson for $10 million and he 1 Plaintiffs allege that, at the time, the Loves knew about the statute of limitations and 2 about the conflict of interest. (Id.) 3 Plaintiffs thereafter entered into an agreement with Love to pursue Love’s claims 4 to the copyright of the Beach Boys’ songs on July 27, 1992 (“1992 Agreement”). (Id. at 5 21.) Under the 1992 Agreement, Plaintiffs agreed to pursue Love’s case on a sliding 6 scale contingent fee agreement with an expense retainer to be replenished when it fell 7 below $7,000. (Id.) The Agreement provided that for any disputes over the fees charged 8 for services, the parties “agree to submit the controversy to binding arbitration in 9 accordance with the Rules of the State Bar Fee Arbitration program set out in Section 10 6200-6206 of the California Business and Professions Code.” (ECF Nos. 51-2 at 11, 64- 11 3 at 5.) It concluded with the sentence, “By executing this Agreement, you acknowledge 12 receipt of an executed copy hereof.” (ECF Nos. 51-2 at 12, 64-3 at 6).6 When the 13 Agreement was made, Jacquelyne stated that all financial matters, documents 14 production, and related questions should go to her. (ECF No. 50 at 21.) 15 From July 1992 until February 1995, Plaintiffs represented Love in a lawsuit 16 against Almo Irving Music and Wilson (“Love Case”). (Id.) During this time, Plaintiffs met 17 with Tierney and Little, who refused to acknowledge any agreement with Love or that 18 Love co-authored 35 Beach Boys songs. (Id.

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Flynn v. Love, Counsel Stack Legal Research, https://law.counselstack.com/opinion/flynn-v-love-nvd-2021.