El Gran Combo De Puerto Rico, D/B/A El Gran Combo v. National Labor Relations Board

853 F.2d 996, 107 A.L.R. Fed. 223, 129 L.R.R.M. (BNA) 2167, 1988 U.S. App. LEXIS 10245
CourtCourt of Appeals for the First Circuit
DecidedAugust 3, 1988
Docket87-1756
StatusPublished
Cited by16 cases

This text of 853 F.2d 996 (El Gran Combo De Puerto Rico, D/B/A El Gran Combo v. National Labor Relations Board) is published on Counsel Stack Legal Research, covering Court of Appeals for the First Circuit primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
El Gran Combo De Puerto Rico, D/B/A El Gran Combo v. National Labor Relations Board, 853 F.2d 996, 107 A.L.R. Fed. 223, 129 L.R.R.M. (BNA) 2167, 1988 U.S. App. LEXIS 10245 (1st Cir. 1988).

Opinion

COFFIN, Circuit Judge.

This case requires us to decide whether the National Labor Relations Board (“the Board”) was justified in deciding that two musicians were dismissed from employment with their band for engaging in protected concerted activities under Section 7 of the National Labor Relations Act, 29 U.S.C. § 157. The Board’s finding overruled a decision to the contrary earlier issued by an Administrative Law Judge (“ALJ”). The employer, El Gran Combo de Puerto Rico, d/b/a El Gran Combo (“the Combo”) petitions for review of the Board’s order of July 20, 1987. That decree ordered the Combo to reinstate the two employees to their former or substantially equivalent positions and pay damages for loss of earnings and benefits. The Board cross-petitions for enforcement of its order. Though this is a very close case, we find it necessary to defer to the discretion and expertise of the Board, and agree to enforce the order.

I.

El Gran Combo is a band that performs music and dance at nightclubs and discos throughout Puerto Rico, Central and South America, and the continental United States. It was founded in 1962 by Raphael Ithier, who is currently its director, arranger, pianist, and business manager. Ithier hires and fires the band members, and has substantial if not complete control over all financial concerns of the Combo, including band members’ remuneration. He also is the musical leader of the band, making most decisions regarding repertoire, performances, etc.

*999 Jose Luis Duchesne was hired as a saxophone player in 1969. Mike Ramos was hired the next year as a dancer. Ramos also sang in the chorus and played the güiro, a percussion instrument made from a gourd. Duchesne and Ramos were discharged by Ithier at the end of 1979, effective during January 1980. These dismissals gave rise to this action.

Beginning in 1972, the Combo made numerous recordings on its own record label. The first eleven records were not financial successes; the income gained therefrom was used merely to defray travel and other expenses and to purchase band outfits. The individual band members were not paid the record proceeds directly and were not reimbursed for rehearsal and recording time attendant to the making of the records. The Combo recorded its twelfth record, “Aqui No Se Sienta Nadie,” in May and June 1979. Ithier, thinking that this record had the potential to make some money, sought an agent for distribution. Eventually one Ralph Cartagena, owner of Rico Records Distributors of New York City, offered the Combo a deal. In exchange for allowing Rico to distribute the record, the band members were each individually to receive $1000 up front.

Ithier brought Cartagena’s offer to the attention of the group during a rehearsal in the Fall of 1979. Ramos was not present at this meeting. Everyone in the band noted their assent to the arrangement except Duchesne, who told Ithier and the Combo that he thought the record to be worth substantially more money. He was not satisfied with the proposed proceeds. Ithier became upset at this, and responded, “Duchesne, you have a very short time left working with me.” Ithier accused Du-chesne of being very greedy.

Shortly thereafter, the members of the Combo met in New York to discuss the offer again. Ramos once more was not present. The contract was executed shortly thereafter. Ithier, acting as director and leader of the group, gave Cartagena exclusive rights to the record in exchange for $16,000, to be distributed to the Combo at $1000 per member and $5000 for Ithier. The contract also provided for additional compensation in the event of sales over 35,000 copies. The album was released by Cartagena in October 1979. On a trip to New York later that fall, Cartagena paid each of the Combo members $1000. Sometime later, he mailed additional checks in the amount of $650, representing each member’s share of additional income for sales over 35,000 copies.

In late November, Duchesne once again expressed, at a meeting of the band, his displeasure with the completed arrangement, but seemed resigned to accept it given his minority status. At that meeting, Ithier explained that Ramos was not to receive a $1000 share, because he had not performed on the album. Duchesne subsequently visited Ramos and informed him that he (Ramos) was being cut out of the proceeds. Duchesne suggested that Ramos speak to Ithier about this matter, which both Duchesne and Ramos considered unfair. Ramos, believing that direct confrontation of Ithier would be counterproductive, instead approached another band member, Tati Maldonado, who often handled various administrative matters for Ithier, including payments to band members. Ramos told Maldonado that he was unhappy about being excluded from the record’s proceeds. Maldonado responded that he could not help, and suggested that Ramos go directly to Ithier.

Ramos then reiterated his unhappiness to various other members of the Combo, some of whom testified at the hearing. Although the Combo members denied that Ramos was seeking their assistance, Ramos himself testified that he was requesting help, and both the AU and the Board credited his testimony.

Ithier testified that he had heard about Duchesne’s visit to Ramos, and had also been informed that Ramos and Duchesne had been saying things about Ithier behind his back. In particular, he was told that Duchesne and Ramos had accused Ithier of “stealing” from the Combo. Combo member Aponte testified that Duchesne had told him he did not trust Ithier, and that Ithier was “stealing” from the band. The *1000 Board found, and we concur, that this reference to “stealing” was used by Duchesne and Ramos in the figurative or colloquial sense, and that it was understood by the Combo members and by Ithier to refer to the alleged underpayment on the record proceeds.

On December 27th, while the Combo was on vacation, Ithier wrote Duchesne and Ramos identical letters of discharge, giving them each two weeks notice. A complaint filed with the musicians’ union local was largely unsuccessful; it resulted merely in the extension of the termination date by a few days. The discharged employees then filed this action with the Board.

II.

Following an extensive but confusing hearing, the AU dismissed the complaint in its entirety. As to Ramos, the AU found that he was attempting to enlist support of his fellow band members, but only for an interest (Ramos’ share of the proceeds) that was individual in nature, and possibly adverse to the interests of those he was soliciting. According to the AU, this was not activity for “mutual aid or protection,” and therefore not protected activity under section 7 of the Act, 29 U.S.C. § 157. The AU also found that the “precipitating cause” of Ramos’s discharge was Ithier’s conclusion that Ramos’s “stealing” comments produced intolerable dissension within the organization.

As for Duchesne, the AU determined that the subject of his complaints was not encompassed by the protections of section 7.

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853 F.2d 996, 107 A.L.R. Fed. 223, 129 L.R.R.M. (BNA) 2167, 1988 U.S. App. LEXIS 10245, Counsel Stack Legal Research, https://law.counselstack.com/opinion/el-gran-combo-de-puerto-rico-dba-el-gran-combo-v-national-labor-ca1-1988.