Doe v. Geller

533 F. Supp. 2d 996, 86 U.S.P.Q. 2d (BNA) 1315, 2008 U.S. Dist. LEXIS 11380, 2008 WL 314498
CourtDistrict Court, N.D. California
DecidedFebruary 4, 2008
DocketC 07-2478 VRW
StatusPublished
Cited by13 cases

This text of 533 F. Supp. 2d 996 (Doe v. Geller) is published on Counsel Stack Legal Research, covering District Court, N.D. California primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Doe v. Geller, 533 F. Supp. 2d 996, 86 U.S.P.Q. 2d (BNA) 1315, 2008 U.S. Dist. LEXIS 11380, 2008 WL 314498 (N.D. Cal. 2008).

Opinion

ORDER

VAUGHN R. WALKER, Chief Judge.

This dispute concerns the copyright infringement takedown provisions under the Digital Millennium Copyright Act (“DMCA”). See 17 USC § 512(f) (2000). Plaintiff claims that defendants Explorologist, Ltd (“Explorologist”) and Uri Geller (“Geller”) knowingly misrepresented to the YouTube file-sharing company that one of plaintiffs video postings infringed defen *1001 dants’ copyrights. 17 USC § 512(f). Plaintiff seeks damages from the alleged misrepresentation, as well as a declaratory judgment of noninfringement. Doc # 1. Defendants respond with a motion to dismiss. Doc## 24, 25. Defendants argue that the court lacks subject matter jurisdiction and personal jurisdiction because the takedown notice that was sent to YouTube in San Bruno, California, was transmitted from outside the United States. Defendants also move to dismiss on the grounds that the complaint’s allegations surrounding the content of the takedown notice are insufficient under FRCP 9(b) and FRCP 8(a). Lastly, defendants move to transfer venue to the Eastern District of Pennsylvania, where a related action is proceeding. For the reasons set forth below, defendants’ motion to dismiss for lack of personal jurisdiction is GRANTED.

I

The YouTube internet video website is an entirely user-driven medium. Anyone with access to the internet can sign up for a YouTube account and upload any video file to YouTube’s servers so that the file may be accessed and viewed anywhere in the world, all for free. For instance, a family might post a video of a child’s soccer game in California so that grandparents may view it in Illinois. Or a pair of young writers might write, film and produce their own television show and broadcast the episodes in serial form online, as in the case of the show “lonelygirll5,” which drew millions of viewers on YouTube. See Virginia Heffernan and Tom Zeller, Well, It Turns Out That Lonelygirl Really Wasn’t, N.Y. Times Cl (Sept 13, 2006). Politicians, social activist organizations and nonprofit groups use YouTube to spread their messages. See Jose Antonio Vargas, YouTube Creates Issues Debate, Wash Post (Aug 8, 2007), at http://blog. washingtonpos t.com/the-trail/2007/08/08/youtube_creates_is-sues_debate.html (last visited Dec 4, 2007); Moisés Naim, The YouTube Effect, Foreign Policy (Jan/Feb 2007), at ht tp://www. foreignpohcy.com/story/cms.php?story_ id=3676 (last visited Dec 4, 2007); Yinka Adegoke, Nonprofits turn to YouTube to raise awareness, funds, Reuters UK (Oct 19, 2007), at http://uk.reuters.com/articl e/homepageCri-sis/idUK119280972697._CH_.242020071019 (last visited Dec 4, 2007). By nearly eliminating the cost of mass media distribution, YouTube offers its users unparalleled opportunities for free expression. See Richard Waters and Kevin Allison, How to set a course for a shooting star, Financial Times (Oct 8, 2006), at http://www.ft.com/ cms/s/0 /7261e5de-56fc-lldb-9110-0000779e2340.html (last visited Dec 4, 2007).

But because digital content is so easy to generate, the potential for copyright and trademark violations is enormous. See Waters and Allison, supra. Claiming fair use, a YouTube user might post a homemade video that takes scenes from his favorite movie and sets them to his favorite song, using both without permission. See, for example, My Body is a Cage, at http://www.youtube.com/wateh?v=Pyp34v 6Lmcc (mixing the climactic scene from Sergio Leone’s Once Upon a Time in the West with the Arcade Fire’s My Body is a Cage) (garnering over 550,000 hits as of Jan 29, 2008). More troublingly, a YouTube user might film his favorite musician’s live performance and post the footage on YouTube, potentially discouraging other fans from purchasing the musician’s live performance DVD. YouTube does not actively monitor the content of the postings on its website.

To address these and other concerns, Congress passed the DMCA in 1998. 17 USC § 512 (2000). Section 512(c) lays out a detailed process allowing a copyright *1002 owner who observes infringing content on a website like YouTube to have the content taken down. The copyright owner must send a notification to YouTube (“takedown notice”) identifying the offending video and asserting under penalty of perjury that the sender is the copyright owner and has a good faith belief that the video infringes the sender’s copyrights. 17 USC § 512(c)(3). YouTube then must remove the material from its servers or face infringement liability itself. 17 USC § 512(c)(1) (C). The infringing user might also suffer penalties under YouTube’s terms of use, such as suspension of his' account. See YouTube Terms of Use ¶ 7, at http://www.youtube.com/Vterms (last visited Dec 4, 2007). Conversely, copyright owners who abuse the takedown procedure are subject to liability. At issue in this case is the misrepresentation provision of the DMCA, which provides, in relevant part:

Any person who knowingly materially misrepresents [in a takedown notice to an internet service provider] * * * that material or activity is infringing * * * shall be hable for any damages, including costs and attorneys’ fees, incurred by the alleged infringer * * * who is injured by such misrepresentation ], as the result of the service provider relying upon such misrepresentation in removing or disabling access to the material or activity claimed to be infringing * * *.

17 USC § 512(f).

II

Defendant Explorologist is a private company registered in London, England. Doc #1 at ¶ 5. Defendant Geller is a resident of England and a director and controlling shareholder of Explorologist. Doc # 1 at ¶¶ 4, 6. Geller is also a performer who claims to have psychic powers such as the ability to bend spoons with his mind. Doc # 1 at ¶ 14. Plaintiff is John Doe AKA Brian Sapient (“Sapient”) who, as part of his “controversial religious beliefs,” is a member of the “Rational Response Squad,” which is committed to “debunking what it maintains are irrational beliefs and theories.” Doc # 1 at ¶¶ 3, 12. As part of that mission, plaintiff “rel[ies] on YouTube to reach thousands of audience members and promote [his] activist messages and campaigns online.” Doc # 1 at ¶ 12. Plaintiff uses the alias “Brian Sapient” because “he receives a substantial amount of abusive correspondence, including threats of physical harm” due to his beliefs. Doc #1 at ¶ 3. Given his attention to “the ongoing debate between evolution and creationism” (see Doc # 30 at 2), plaintiffs choice of “Sapient” as a pseudonym is presumably a reference to evolutionary taxonomy, or relatedly, is a derivative of sapientia, Latin for wisdom.

Plaintiff eventually set his sight on Geller. On November 15, 2006, plaintiff uploaded a video clip (the “NOVA video”) to YouTube. The video originally aired on the NOVA television program and features an illusionist named James Randi challenging Geller’s powers. Doc # 1 at ¶¶ 13-14. The NOVA video includes “three seconds” of another video clip in which a man' named Dr C J Hughes describes Geller’s asserted psychic powers (“Hughes clip”). Doc # 1 at ¶ 14.

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Bluebook (online)
533 F. Supp. 2d 996, 86 U.S.P.Q. 2d (BNA) 1315, 2008 U.S. Dist. LEXIS 11380, 2008 WL 314498, Counsel Stack Legal Research, https://law.counselstack.com/opinion/doe-v-geller-cand-2008.