Derek “Colddrank” Marshall v. Music Access, Inc., Robert Gonzalez, Steve Cavazos, and Does 1–10

CourtDistrict Court, M.D. Louisiana
DecidedJune 26, 2026
Docket3:25-cv-00805
StatusUnknown

This text of Derek “Colddrank” Marshall v. Music Access, Inc., Robert Gonzalez, Steve Cavazos, and Does 1–10 (Derek “Colddrank” Marshall v. Music Access, Inc., Robert Gonzalez, Steve Cavazos, and Does 1–10) is published on Counsel Stack Legal Research, covering District Court, M.D. Louisiana primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Derek “Colddrank” Marshall v. Music Access, Inc., Robert Gonzalez, Steve Cavazos, and Does 1–10, (M.D. La. 2026).

Opinion

UNITED STATES DISTRICT COURT MIDDLE DISTRICT OF LOUISIANA

DEREK “COLDDRANK” MARSHALL CIVIL ACTION VERSUS NO. 25-805-JWD-EWD MUSIC ACCESS, INC., ROBERT GONZALEZ, STEVE CAVAZOS, AND DOES 1–10

RULING AND ORDER Before the Court is a Motion to Dismiss Pursuant to 12(b)(2) and 12(b)(3), or Alternative, Motion to Transfer to the Northern District of Texas due to Improper Venue (“the Motion”) (Doc. 25), filed by Defendants Music Access, Inc. (“Music Access”) and Steve Cavazos (collectively, “Defendants”). Plaintiff Derek “Colddrank” Marshall (“Plaintiff”) opposes the motion. (Doc. 33.) Defendants filed a reply. (Doc. 36.) For the reasons below, the Court will grant the Motion in part. This case will be transferred to the United States District Court for the Northern District of Texas. I. RELEVANT FACTUAL & PROCEDURAL BACKGROUND Plaintiff is a producer, songwriter, and recording artist who resides in Baton Rouge, Louisiana. (Doc. 1 at 2.)1 He is also the “joint author, performer, and rightful copyright holder” of several “commercially successful” recordings, including the songs “One Night Stand” and “Good Foot.” (Id. at 1.) Defendant Music Access “is a Texas-based music company.” (Id. at 2.) Defendant Robert Gonzalez is, according to Plaintiff, a “representative of Music Access.” (Id. at 3.) And Defendant Steve Cavazos is the Vice President of Music Access. (Id.)2

1 For the most part, the above factual allegations come from the Complaint (Doc. 1). At this stage, “[t]he allegations of the complaint, except insofar as controverted by opposing affidavits, must be taken as true.” Thompson v. Chrysler Motors Corp., 755 F.2d 1162, 1165 (5th Cir. 1985).

2 Defendants Does 1–10 (“the Doe Defendants”) “are presently unknown parties” who facilitated and/or benefited from the “exploitation of Plaintiff’s works.” (Doc. 1 at 3, 9.) The Doe Defendants have not been served. (Id. at 9.) Defendants’ Motion presumes that the Doe Defendants live in Texas. (Doc. 25-1 at 11.) Otherwise, the parties do not discuss these defendants in their respective filings. Plaintiff alleges that, despite his “protectable creative contributions” to the aforementioned recordings (e.g., melodies, lyrics, vocal hooks, background vocals), “Defendants released, monetized, and publicly exploited these works without crediting Plaintiff or paying any royalties or compensation” to him. (Id. at 1, 3.) Specifically, Defendants released and monetized Plaintiff’s works via YouTube, VEVO, Spotify, Apple Music, and other platforms/services. (Id. at 3.) This

conduct has caused Plaintiff “substantial harm,” including loss of royalties/profits, loss of credit, and reputational damage. (Id. at 4.) Plaintiff therefore brings, inter alia, claims of copyright infringement under 17 U.S.C. § 501, false designation of origin and false endorsement under 15 U.S.C. § 1125(a), unjust enrichment, and breach of an implied-in-fact contract arising when Plaintiff authored or contributed to the relevant works. (Id. at 4–8.) Finally, Plaintiff alleges that, on or about January 30, 2025, Defendant Cavazos sent Plaintiff a proposed asset purchase agreement (“the Proposed Agreement”), by which Defendants sought to acquire Plaintiff’s rights to “One Night Stand” and “Good Foot.” (Id. at 3.) Plaintiff “never executed th[is] agreement,” but Defendants “continued their exploitation” of Plaintiff’s

works. (Id. at 1, 3–4.) Plaintiff suggests that the Proposed Agreement is a de facto acknowledgment of “Plaintiff’s authorship and ownership” of the relevant works. (Id. at 1.) Neither party has provided the Proposed Agreement to this Court. Defendants have, however, provided the Affidavit of Robert Gonzalez, who identifies himself as the President and CEO of Music Access. (Doc. 25-2 at 1–2.)3 Gonzalez swears that: (1) “All of [Defendants’] activities” take place in Dallas, Texas. (Id. at 1.) (2) “All of the named Defendants are domiciled in Dallas County . . . .” (Id.) (3) Music Access “is a Texas corporation

3 The Court may properly consider Gonzalez’s sworn statements when determining whether it has personal jurisdiction over Defendants. Stuart v. Spademan, 772 F.2d 1185, 1192 (5th Cir. 1985); accord Thompson, 755 F.2d at 1165 (citing Washington v. Norton Mfg. Co., 588 F.2d 441, 443 (5th Cir.), cert. denied, 442 U.S. 942 (1979)). and [is] registered to do business in . . . Texas.” (Id. at 2.) (4) Music Access “has no direct and intentional affiliation with Louisiana”; it is not located in Louisiana, has no officers or employees in Louisiana, conducts no business in Louisiana, does not advertise in Louisiana, and directs no activities toward Louisiana. (Id. at 1.) And (5) requiring Defendants to travel to this District (e.g., to testify as witnesses) “would pose an undue burden,” financially and otherwise. (Id.)

Plaintiff filed suit in this Court on September 9, 2025. (Doc. 1.) On February 13, 2026, Defendants filed the instant motion. (Doc. 25.) Defendants seek dismissal under Federal Rule of Civil Procedure 12(b)(2) (i.e., for lack of personal jurisdiction), under Rule 12(b)(3) (i.e., for improper venue), or under Rule 12(b)(7) (i.e., for failure to join a necessary party).4 (Id. at 1; Doc. 25-1 at 12–14.) In the alternative, Defendants seek transfer of this case to the United States District Court for the Northern District of Texas. (Doc. 25 at 2 (citing 28 U.S.C. §§ 1404(a), 1406(a)).) Plaintiff does not dispute that this case can be transferred to the Northern District of Texas. (See Doc. 33.) But Plaintiff opposes Defendants’ requests for dismissal and transfer. (Id. at 7.) II. RULE 12(B)(2) STANDARD

When a non-resident defendant moves for dismissal under Rule 12(b)(2), the plaintiff bears the burden of establishing that the district court can exercise personal jurisdiction. Herman v. Cataphora, Inc., 730 F.3d 460, 464 (5th Cir. 2013). When the court resolves a Rule 12(b)(2) motion without holding an evidentiary hearing, the plaintiff need only make a prima facie showing of personal jurisdiction. Id. (citing Guidry v. U.S. Tobacco Co., 188 F.3d 619, 625 (5th Cir. 1999)); accord Latshaw v. Johnston, 167 F.3d 208, 211 (5th Cir. 1999). The court may consider, inter alia,

4 The Court can decide Defendants’ Motion under Rule 12(b)(2) and therefore pretermits analysis of venue and joinder of necessary parties. The Court does, however, note the following: In the Opposition, Plaintiff’s Counsel cites Palmer v. Braun, 376 F.3d 1254, 1260 (11th Cir. 2004), in support of the argument that venue is proper with respect to Plaintiff’s copyright infringement claim. (Doc. 33 at 4–5.) To be sure, Palmer is a real case. But the quote which Counsel purports to pull from Palmer does not appear therein. As far as the Court can tell, the quote does not appear in any case. Because this case will be transferred, the Court will not pursue this issue. But the Court cautions counsel to review all briefs carefully before filing. affidavits submitted by the parties. Stuart v.

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Bluebook (online)
Derek “Colddrank” Marshall v. Music Access, Inc., Robert Gonzalez, Steve Cavazos, and Does 1–10, Counsel Stack Legal Research, https://law.counselstack.com/opinion/derek-colddrank-marshall-v-music-access-inc-robert-gonzalez-steve-lamd-2026.