De La Falaise v. Gaumont-British Picture Corp.

103 P.2d 447, 39 Cal. App. 2d 461, 1940 Cal. App. LEXIS 419
CourtCalifornia Court of Appeal
DecidedJune 11, 1940
DocketCiv. 11897
StatusPublished
Cited by23 cases

This text of 103 P.2d 447 (De La Falaise v. Gaumont-British Picture Corp.) is published on Counsel Stack Legal Research, covering California Court of Appeal primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
De La Falaise v. Gaumont-British Picture Corp., 103 P.2d 447, 39 Cal. App. 2d 461, 1940 Cal. App. LEXIS 419 (Cal. Ct. App. 1940).

Opinion

YORK, P. J.

The record herein reveals that appellant entered into a contract with respondent whereby she agreed to render services as a motion picture actress in the production by respondent of two photoplays entitled “Everything is Thunder ’ ’ and ‘ ‘ The Hawk, ’ ’ each picture to be produced in *464 London, England, to be completed within a reasonable time following the starting date, and neither to require appellant’s services for a period of more than eight weeks. For such services appellant was to receive from respondent “10% of the U. S. A. gross distribution receipts from the distribution of said two motion pictures . . . and as a guaranteed advance for each production on account of such percentage $30,000 in cash, . . . also . . . the additional sum of $5,000 on each picture . . . which sum, however, is not an advance and is not to be recouped . . . from the percentage due (appellant) from gross receipts of distribution.” All such moneys due appellant to be paid to her in the United States through respondent ’s subsidiary company, Gaumont-British Picture Corporation of America.

The first picture “Everything is Thunder” was produced and completed, appellant receiving on account thereof the $30,000 guaranteed advance and the additional sum of $5,000 provided by said contract.

With respect to the second picture “The Hawk”, said contract provided that the starting date for the same should be not later than November 14, 1936, not earlier than September 1, 1936, and in any event appellant was to receive notice of the precise starting date not later than August 1, 1936. This second picture was not made and appellant never received notice of the starting date thereof, nor was anything ever paid her on account of said production.

In March, 1937, appellant brought the instant action for breach of contract against respondent, the complaint alleging that said breach consisted in the failure of respondent to advise appellant of a starting date for said production, the refusal of said company to produce the second picture, and to pay the compensation provided for appellant’s services therein, notwithstanding she was ready, able and willing to perform her part of the said contract. In a second cause of action against respondent and its American subsidiary, appellant sought an accounting of the gross proceeds resulting from the distribution of the first photoplay in the United States. During the trial appellant dismissed her second cause of action without prejudice to both defendants, which eliminated the Gaumont-British Picture Corporation of America from the case, leaving Gaumont-British Picture Corporation, Ltd., the sole respondent herein. Appellant also *465 waived her right to recover from respondent on her first cause of action more than $35,000, the minimum compensation guaranteed for her services in the second picture.

It was brought out at the trial, in addition to the facts hereinbefore narrated, that early in the summer of 1936 appellant made arrangements to make the fourth and last picture required under a contract dated June 30, 1933, between her and Twentieth Century-Fox Film Corporation. By this arrangement appellant agreed to commence this, picture entitled “Ladies in Love’’ on July 13,1936, and to continue her services with the aforementioned company until its completion, the estimated “shooting schedule’’ for the same being not more than six weeks. Appellant received compensation for such services from said July 13th to August 22d, although, because she had been ill during the filming thereof, she gratuitously continued to render her services in connection with said picture for an additional period of thirteen days, or until September 4, 1936. It was further shown that appellant’s agent made diligent attempts to secure employment for her as a motion picture actress but that appellant received no offers of employment and no compensation for her services in motion pictures between September 1, 1936, and January 1, 1937. However, she did receive the sum of $4,000 for two radio engagements on September 5 and 17, 1936, which took place in the evening at half past five and nine o’clock, respectively.

Respondent alleged in its answer that after the first picture was completed, the contract was mutually cancelled at a meeting between appellant’s agent, William Hawks, and respondent’s representative, Larry Darmour, which took place in May, 1936. However, the testimony of these two men established the fact that they failed to arrange for such a cancellation. Furthermore, in a letter written on June 12, 1936, by appellant to Michael Balcón, a representative of respondent, which was introduced in evidence as plaintiff’s exhibit 2, appellant expressed in strongest terms her desire and intention to render her services in the second picture.

No conflict appears to exist either in the factual situation or in the evidence adduced at the trial herein which was heard by the court sitting without a jury.

This appeal is prosecuted from that part of the judgment which limits the amount of appellant’s recovery to $31,000 by *466 deducting from the $35,000 guaranteed under the contract, the sum of $4,000 received by appellant for her services in radio broadcasts during the month of September, 1936. She also appeals from the order granting respondent’s motion for a new trial.

In her appeal from the ordei granting the motion for a new-trial, appellant contends that respondent’s breach of contract is established by uneontradicted evidence, hence no issues of fact are involved and the questions on appeal relate wholly to the sufficiency of the evidence as a matter of law to support the judgment.

With respect to her appeal from the judgment, appellant urges that the measure of damages for breach of the contract is the sum of $35,000 and that the sum of $4,000 received by her in radio engagements was not earned during any period when respondent was entitled to her services and, therefore, cannot be offset in mitigation of damages.

While the minute order granting respondent’s motion for a new trial specifies the grounds therefor as “insufficiency of the evidence to sustain the findings and judgment, and for error of law”, respondent makes no attempt in its brief either to point out such error of law or to show in what particulars the evidence is insufficient. However, respondent urges that appellant’s abandonment of the contract is established by her uneontradicted testimony to the effect that she began work in July, 1936, for Twentieth Century-Fox Film Corporation on the picture entitled “Ladies in Love”, thereby relieving respondent from giving the notice of August 1, 1936,- provided by the terms of the contract herein. Also, that appellant has failed to state a cause of action in her complaint because of her failure to allege that “she performed or that she tendered performance, or that defendant prevented performance or that performance was excused, of performing her obligations under the contract.”

It therefore appears from the state of the record that it is incumbent upon this court to decide as a matter of law whether the evidence which is uneontradicted is sufficient to sustain the judgment in favor of appellant.

Quoting from the opinion in the case of Moss v. Stubbs, 111 Cal. App. 359, at 362 [295 Pac. 572, 296 Pac.

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Bluebook (online)
103 P.2d 447, 39 Cal. App. 2d 461, 1940 Cal. App. LEXIS 419, Counsel Stack Legal Research, https://law.counselstack.com/opinion/de-la-falaise-v-gaumont-british-picture-corp-calctapp-1940.