Goudal v. Cecil B. DeMille Pictures Corp.

5 P.2d 432, 118 Cal. App. 407, 1931 Cal. App. LEXIS 210
CourtCalifornia Court of Appeal
DecidedNovember 19, 1931
DocketDocket No. 6752.
StatusPublished
Cited by13 cases

This text of 5 P.2d 432 (Goudal v. Cecil B. DeMille Pictures Corp.) is published on Counsel Stack Legal Research, covering California Court of Appeal primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Goudal v. Cecil B. DeMille Pictures Corp., 5 P.2d 432, 118 Cal. App. 407, 1931 Cal. App. LEXIS 210 (Cal. Ct. App. 1931).

Opinion

FRICKE, J., pro tem.

This is an appeal from a judgment for plaintiff in the sum of $34,531.23 in an action to recover damages for breach of a contract of employment entered into in April, 1925. Under this agreement respondent was employed by appellant as a motion picture actress for one year beginning May 19, 1925, with the option to appellant of four yearly extensions of the contract, each *409 yearly extension to be at a specified substantial increase in compensation. Respondent entered upon" her duties and appellant twice exercised its option, extending the period o£ employment to May 18, 1928. On September 10, 1927, respondent was discharged by appellant. The basic question in this ease is whether such termination of the employment of respondent was wrongful or whether it was justified by acts of the respondent violative of the terms of the contract. The trial court found that respondent had not violated the contract and that her discharge was not justified.

Many of the alleged violations of the employment contract set forth in appellant’s brief are either not supported by the references to the transcript due either to counsel drawing inferences not justified by the testimony or to the fact that the references are to the testimony of Cecil DeMille as to what he told respondent had been reported to him, testimony which, while perhaps admissible on another theory, is pure hearsay so far as its being proof of the conduct of respondent is concerned. As an example of the misinterpretation of the evidence may be cited appellant’s statement that “Mr. Howard testified that in two specific instances she refused to follow the directions of the director.” When we examine the reference to the transcript we find the testimony of Mr. Howard to be that in one scene Miss Goudal appeared disturbed and did not perform the scene as he thought her capable of performing it and that, in another instance, “She played the scene in a manner well enough for me to accept it and put it in my picture as a part of the picture but not in a manner I think fully as good as she was capable of pláying it.” Even the viewing of the testimony through the rose-colored glasses of the advocate can hardly justify counsels’ statement that this was a refusal to perform a part of the contract.

The claim that respondent failed or refused to perform her parts as requested is based upon many incidents set forth in detail in the record. They relate to occasions when the respondent, instead of unquestioningly performing as directed by the director in charge, called attention to inconsistencies, inaccuracies, possible improvements, or lack of artistic quality in the performance called for as they appeared to her. In some instances this resulted-in the suggested change being made by the director without argument; *410 in other cases the change was made after some argument between them. In most instances where the director did not make the suggested change it appears that respondent took the question up with the president of the appellant corporation and in a substantial number of instances he agreed with her and the changes were made. In other instances, he did not agree. This presents the question, was respondent compelled by the contract to go through her scenes as a mere puppet responding to the director’s pull of the strings, regardless of whether or not he pulled the right or the wrong string, or was she called upon by the language and spirit of the contract to give an artistic interpretation of her scenes, using her intelligence, experience, artistry and personality to the ultimate end of securing a production of dramatic merit? We believe that the latter is the correct interpretation. Suggestions and even objections as to the manner of enacting the various scenes, when made in good faith, were in the interest of the employer; in fact it appears from the testimony that they were welcomed and encouraged in many instances and, prior to commencing work, the president of appellant informed respondent that he did not want mannikins to work for him, that he wanted thinking people, and' that, if she would explain to him why she wanted to do a thing in a particular way, he would appreciate it. By the-very wording of the contract “it is agreed that' the services of the artist herein provided for are of a special, unique, unusual, extraordinary and intellectual character”. Even without the evidence contradicting that of appellant, the trial court was more than justified in finding that it was not true that respondent had refused or failed to' perform her part of the contract.

Some of the incidents, stressed by appellant as instances of a failure of respondent to perform her contract, turn out, when reference is had to the transcript, to be dependent upon the opinion of the director as to whether respondent performed to the best of her ability; others were dependent upon the feeling of the particular director as to whether he was or was not satisfied. The declarations of several of the directors as to their dissatisfaction with the work of respondent are rather inconsistent with the testimony elsewhere of one of them that the picture “White Gold” in which respondent performed under his direction was “the best pic *411 ture I ever will make”, and the testimony of the director of her last picture, that he considered it one of his best American pictures. When considering the testimony of the directors who expressed dissatisfaction with the performance of her parts by respondent one may well wonder who was temperamental and out of step when we note in connection therewith that in the picture in which Cecil DeMille directed Miss Goudal there was no trouble whatever. There is, furthermore, a conflict in the evidence as to whether the performance given by respondent was to the best of her ability and of an artistic character. In this conflict the trial court was fully sustained in its findings against appellant.

The remaining ground urged as justifying her discharge is that respondent on certain occasions was late in arriving on the sets at the time designated by her employer. The instances cited were explained by the testimony for respondent as being due, not to any neglect or intentional absence, but to duties relating to costumes which had been voluntarily assumed by respondent with the approval of appellant though not required by the contract, delays in appearing on the set due to the necessary consumption of time in the donning of a special wig, and in the last picture, the only one made after the exercise of the last option by appellant to re-employ respondent for another year, delays due to the large number of costumes used, in one instance, a failure of her maid who forgot an article of clothing, and the delay of appellant in delivering to respondent the script, which determined the costumes required. It should also be noted that as to this last picture the director in charge, when respondent expressed regret at being late, stated to her that he understood and that never before had he had as little trouble as he had with her. The case of May v. New York Motion Picture Corp., 45 Cal. App. 396 [187 Pac. 785], so strongly relied upon by appellant is easily distinguishable from the case at bar. The fact that the maximum salary under the contract of the plaintiff there was $125 per week as compared to the maximum salary of respondent of $5,000 per week sufficiently discloses the comparative skill of the respective artists.

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Bluebook (online)
5 P.2d 432, 118 Cal. App. 407, 1931 Cal. App. LEXIS 210, Counsel Stack Legal Research, https://law.counselstack.com/opinion/goudal-v-cecil-b-demille-pictures-corp-calctapp-1931.