Cummins v. Brodie

667 S.W.2d 759, 1983 Tenn. App. LEXIS 639
CourtCourt of Appeals of Tennessee
DecidedDecember 30, 1983
StatusPublished
Cited by82 cases

This text of 667 S.W.2d 759 (Cummins v. Brodie) is published on Counsel Stack Legal Research, covering Court of Appeals of Tennessee primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Cummins v. Brodie, 667 S.W.2d 759, 1983 Tenn. App. LEXIS 639 (Tenn. Ct. App. 1983).

Opinion

OPINION

LEWIS, Judge.

Plaintiff Wade Cummins, p/k/a Elvis Wade (hereinafter Cummins) filed suit against defendant Steve Brodie (hereinafter Brodie) and Elvis Wade International, Inc. alleging breach of contract, fraud, misrepresentation, and violation of the Tennessee Consumer Protection Act, T.C.A. § 47-18-101 et seq., because Cummins cancelled several nightclub performance dates upon Brodie’s advice and Brodie failed to obtain any replacement bookings. Cummins is an entertainer who does Elvis Presley imitations at night clubs and fairs. Brodie is an entrepreneur in the music business who founded Transcontinental Record Sales, Inc., in Buffalo, New York, has an ownership interest in Cartee Music Publishing Company in Nashville, Tennessee, owns Sahara Records in California, and produced a movie in California. Elvis Wade International, Inc. is a to-be-formed corporation whose purpose is to exploit the musical career of Cummins with Cummins, Brodie, and Alan Cartee, who is not a party in this suit, as its shareholders. Although the corporate charter was filed with the secretary of state, the corporation was not capitalized. It did not make an appearance in this case and was not represented by counsel.

Cummins had been doing his imitation of Elvis Presley for about fourteen years before the events that resulted in this lawsuit. He testified that he had little problem finding work and usually worked 150 to 200 days a year. The testimony is somewhat ambiguous, but apparently his usual fees were between $2,400 and $3,500. However, sometimes his fees dropped as low as $1,250 and, after Presley’s death, sometimes his fees were as high as $7,500. His usual expenses, including salaries, transportation, and occasional lodging for himself and his band, were around $1,100. He used two booking agencies, Celebrity Management, Inc. (hereafter Celebrity Management) and Century II Promotions (hereinafter Century II), and also did some booking himself. A six-piece band trav-elled with him and he paid their salaries and expenses.

After Elvis Presley died in August of 1977, there was an increased interest in Presley, amounting to a “mania.” Other singers began doing Elvis impersonations and Cummins, along with the newcomers, began to receive increased attention. Cum-mins produced a record, “Memories of the King,” almost immediately after Presley’s death. Unfortunately, the record did not sell well. However, audience size increased and there was some increase in the fees Cummins could charge, although he had several engagements at the contract price negotiated before Presley’s death.

Cummins first met Brodie after a show in Texas in September, 1977.. They were introduced by Alan Cartee. Cummins had met Cartee a short time before that through a long time friend in whom he placed great trust. Cartee was in the stu■dio recording business and had sold fifty percent (50%) of his publishing catalog to Brodie in a prior business deal. Cummins testified that at the meeting after the Texas show Brodie told him that “he owned a movie company ...[,] he was very much involved in television ...[,] he had discovered Linda Carter ... he also was involved in a record company ... [a]nd that he’s been in the record business for twenty some odd years in Buffalo, New York.” Cummins further testified that Brodie said “he was very impressed with the show and very impressed with the amount of money that [Cummins] was making ... and he offered [Cummins] a deal.” “He said he was interested in promoting [Cummins’] career ... and wanted [Cummins] to play the lead role [in a movie.]” “He also mentioned that he could get ... a television special_” “And he also said that he wanted to produce an album ... and start on that immediately.” The album was to be “of original material in an Elvis voice ....”

Cummins testified that when he asked for “all this stuff” in writing, Brodie “said *762 he could guarantee ... a movie ... [because] he owned the company.” He also assured Cummins that he could get a television special. Cummins made it clear he was making a comfortable living and “wouldn’t be interested in going into any kind of agreement unless [he] could be guaranteed that [he] was going to continue making that living.” He wanted to be “guaranteed X amount of money.”

After several phone calls from Brodie, Cummins received a “letter of intent” which mentioned the movie, the television special, the album, and a $5,000 per week salary and proposed the formation of a corporation to manufacture, produce, and distribute records, tapes, films, and television shows. Profits of the corporation were to be divided according to shares. Cummins was to be fifty (50%) percent shareholder and Brodie and Cartee were each to own twenty-five (25%) percent. The letter was signed by Cummins, Brodie, and Cartee. The three shareholders-to-be met with an attorney to discuss the formation of a corporation and on October 31, 1977, the articles of incorporation were filed with the secretary of state of Tennessee. Cummins also signed an exclusive employment agreement with the corporation, one day before the articles of incorporation were filed. This agreement was signed and accepted by Brodie.

Sometime shortly after the letter of intent was signed, Cummins made an album in Cartee’s studio in Muscle Shoals, Alabama. Cartee testified that at the recording session Brodie, Cummins, and Cartee discussed the ten songs included on the album and decided to record five more in an attempt to appeal to more markets. Brodie paid $40,000 for the production of the album which covered the cost of the original ten songs, but not the additional five. Studio musicians and over dubbing with additional background singers and string players were used to create a sound close to the Elvis Presley style.

Cummins had used a six-piece band in his show before Brodie and Cartee entered his professional life. Cummins testified that Brodie wanted him to increase the size of the band to seventeen to be an attraction in Las Vegas. Cartee testified that “we” decided “to beef up the band.” Brodie testified that Cummins and Cartee made the decision. All three went to Murfreesboro, Tennessee, to lease a bus to transport the larger band on October 31,1977. Cummins paid for the bus with the expectation that Brodie would reimburse him. He also increased the size of his band.

Cummins testified that after cutting the album, Brqdie wanted to immediately cancel all the dates scheduled for the rest of the year. Brodie was in contact with the Aladdin Hotel in Las Vegas and indicated that he could get Cummins $75,000 a week. He also wanted all promotions stopped so he could control what the media said about Cummins. Cummins testified that when he expressed reservations about cancelling the engagements Brodie reminded him that Brodie was a millionaire and was controlling the reins. Still, Cummins insisted that he would work the dates scheduled until January 1st.

Cummins did cancel several engagements with his booking agents. He testified that Brodie was guiding his career and had directed him to cancel. .Brodie testified that he was not involved with the booking and that Cummins and Cartee were involved in that area. In addition to cancelling dates, Cummins, Celebrity Management, and Century II ceased booking future dates.

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Cite This Page — Counsel Stack

Bluebook (online)
667 S.W.2d 759, 1983 Tenn. App. LEXIS 639, Counsel Stack Legal Research, https://law.counselstack.com/opinion/cummins-v-brodie-tennctapp-1983.