Bruce Berg v. Kingdom of the Netherlands

24 F.4th 987
CourtCourt of Appeals for the Fourth Circuit
DecidedFebruary 3, 2022
Docket20-1765
StatusPublished
Cited by2 cases

This text of 24 F.4th 987 (Bruce Berg v. Kingdom of the Netherlands) is published on Counsel Stack Legal Research, covering Court of Appeals for the Fourth Circuit primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Bruce Berg v. Kingdom of the Netherlands, 24 F.4th 987 (4th Cir. 2022).

Opinion

PUBLISHED

UNITED STATES COURT OF APPEALS FOR THE FOURTH CIRCUIT

No. 20-1765

BRUCE BERG, as an heir to Benjamin Katz, a partner in Firma D. Katz,

Plaintiff – Appellant,

v.

KINGDOM OF THE NETHERLANDS; MINISTRY OF EDUCATION CULTURE & SCIENCE OF THE NETHERLANDS; THE CULTURAL HERITAGE AGENCY OF THE NETHERLANDS; MUSEUM HET REMBRANDTHUIS, a/k/a Rembrandt House Museum; MUSEUM BOIJMANS VAN BEUNINGEN; THE FRANS HALS MUSEUM; THE CENTRAAL MUSEUM; MUSEUM CATHARIJNECONVENT; THE RIJKSMUSEUM; THE RIJKSMUSEUM TWENTHE; THE DORDRECHTS MUSEUM; MUSEUM DE LAKENHAL; MUSEUM GOUDA; MUSEUM VOOR RELIGIEUZE KUNST; THE BONNEFANTENMUSEUM; HET NOORDBRABANTS MUSEUM; THE LIMBURGS MUSEUM; PALEIS HET LOO; MUSEUM ONS’ LIEVE HEER OP SOLDER; STICHTING BIJBELS MUSEUM; MUSEUM ROTTERDAM; MUSEUM HET PRINSENHOF; HISTORISCH CENTRUM HET MARKIEZENHOF,

Defendants – Appellees.

Appeal from the United States District Court for the District of South Carolina, at Charleston. Bruce H. Hendricks, District Judge. (2:18-cv-03123-BHH)

Argued: October 27, 2021 Decided: February 3, 2022

Before RICHARDSON and QUATTLEBAUM, Circuit Judges, and Michael F. URBANSKI, Chief United States District Judge for the Western District of Virginia, sitting by designation. Affirmed by published opinion. Judge Urbanski wrote the opinion, in which Judge Richardson and Judge Quattlebaum joined.

ARGUED: Daniel Woofter, GOLDSTEIN & RUSSELL, P.C., Bethesda, Maryland, for Appellant. Samuel Batiste Hartzell, WOMBLE BOND DICKINSON (US) LLP, Raleigh, North Carolina; Sarah Erickson Andre, NIXON PEABODY LLP, Los Angeles, California, for Appellees. ON BRIEF: Joel M. Androphy, Rebecca Lynne Gibson, BERG & ANDROPHY, Houston, Texas; E. Paul Gibson, E. PAUL GIBSON P.C., North Charleston, South Carolina, for Appellant. Brent F. Powell, WOMBLE BOND DICKINSON (US) LLP, Winston-Salem, North Carolina, for Appellees. Donald I. Baker, Lucy S. Clippinger, BAKER & MILLER PLLC, Washington, D.C., for Appellees Kingdom of the Netherlands, Ministry of Education, Culture & Science of the Netherlands, and Cultural Heritage Agency of the Netherlands. Thaddeus J. Stauber, Kristin M. Jamberdino, NIXON PEABODY LLP, Los Angeles, California, for Appellees Museum Het Rembrandthuis, a/k/a Rembrandt House Museum; Museum Boijmans Van Neuningen; Frans Hals Museum; Centraal Museum; Catharijneconvent; Rijksmuseum; Rijksmuseum Twenthe; Dordrechts Museum; Museum de Lakenhal; Museum Gouda; Museum Voor Religieuze Kunst; Bonnefantenmuseum; Het Noordbrabants Museum; Limburgs Museum; Paleis Het Loo; Museum Ons’ Lieve Heer Op Solder; Stichting Bijbels Museum; Museum Rotterdam; Museum Het Prinsenhof and Historisch Centrum Het Markiezenhof.

2 URBANSKI, Chief District Judge:

Bruce Berg, a resident of South Carolina, brought suit for recovery of paintings and

other works of art taken under duress by the Nazis following the German invasion of the

Netherlands in 1940. At the time of the German invasion, Berg’s grandfather, Benjamin

Katz, was a partner in Firma D. Katz, which owned and operated three art galleries

specializing in the sale of paintings by Dutch Old Masters. Following World War II, many

of the stolen artworks were returned to the Netherlands by the United States military under

Collection Point Agreements in which the Netherlands agreed to hold the art as “custodians

pending the determination of the lawful owners thereof.” See, e.g., J.A. 100. Firma D. Katz

was liquidated in 1974, 1 and the artworks have not been returned to the heirs of its partners,

Benjamin and Nathan Katz.

Berg brought suit in the District of South Carolina against the Kingdom of the

Netherlands; Ministry of Education, Culture & Science of the Netherlands (“Ministry”);

Cultural Heritage Agency of the Netherlands (“RCE”); and several private and public

municipal museums in the Netherlands holding the artworks. 2 Claiming ownership of the

1 The amended complaint alleges that “Firma D. Katz was forced to liquidate as a result of ‘Aryanization’ policies in February of 1941. Firma D. Katz continued operations after that period with ‘Aryan’ owners as N.V. Schilderijen en Antiquiteitenhandel v/h Firma D. Katz.” Am. Compl. ¶ 128. Benjamin Katz returned to the Netherlands after its liberation in May 1945, and took over the “Aryanized” Firma D. Katz on October 3, 1946. Id. at ¶ 144. Following Benjamin Katz’s death in 1962, Firma D. Katz was liquidated in 1974. Id. at ¶ 157. 2 The four public municipal museums are Dordrechts Museum, Museum de Lakenhal, Museum Het Prinsenhof, and Historisch Centrum Het Markiezenhof. The amended complaint seeks restitution for 143 paintings and other artworks, thirteen of which are alleged to be held in the municipal museums. Am. Compl. ¶¶ 37, 38, 48, and 49. 3 artworks, Berg brought claims for declaratory judgment, conversion, unjust enrichment,

and constructive trust, arising from the alleged taking and retention of the artworks in

violation of international law.

The district court considered a series of jurisdictional and procedural challenges to

the amended complaint and granted Defendants’ motion to dismiss on several grounds.

First, the court held that the Ministry and RCE are political subdivisions of the Netherlands

entitled to sovereign immunity under the Foreign Sovereign Immunities Act (“FSIA”), 28

U.S.C. § 1602, et seq. Second, the court held that the municipal and private museums had

insufficient contacts with South Carolina to support the court’s exercise of personal

jurisdiction. Third, the court concluded that venue was not proper in South Carolina as to

the municipal and private museums. Fourth, the court concluded that the allegations of the

amended complaint were insufficient to show that Berg had a legally cognizable interest

providing him standing to sue.

Berg appealed some, but not all, of these rulings. At the outset, it is important to

focus on the limited scope of this appeal. The Statement of Issues section of Berg’s

opening brief raised three issues on appeal:

1. Whether the Ministry and RCE are political subdivisions of the Netherlands for

FSIA immunity purposes.

2. Whether the district court erred in holding that it had no personal jurisdiction over

the municipal museums.

3. Whether the district court erred in holding that Berg lacked Article III standing.

Appellant’s Opening Br. at 2.

4 The opening brief did not appeal the district court’s dismissal of several party

defendants, including the Kingdom of the Netherlands and the private museums. Nor did

the opening brief directly raise as a ground for appeal the district court’s dismissal for lack

of venue over the municipal museums. Berg’s opening brief mentions venue in passing on

the last page of the Conclusion section, stating only: “That leaves one last reason for the

District Court’s dismissal: improper venue. Because the District Court’s finding of

improper venue was based solely on its personal jurisdiction holding, its dismissal based

on venue does not pass muster.” Appellant’s Opening Br. at 54 (internal citation omitted).

In a footnote, Berg added “[c]onsequently, if Plaintiff succeeds in this appeal, on remand,

he will request transfer of this action to the U.S. District Court for the District of Columbia,

where venue is proper under 28 U.S.C. § 1391(f)(4).” Id. at 54 n.42.

As such, this appeal concerns only two groups of defendants: (1) the Ministry and

RCE, and (2) the four municipal museums. As to the Ministry and RCE, we affirm the

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24 F.4th 987, Counsel Stack Legal Research, https://law.counselstack.com/opinion/bruce-berg-v-kingdom-of-the-netherlands-ca4-2022.