Beegal v. Park West Gallery

925 A.2d 684, 394 N.J. Super. 98
CourtNew Jersey Superior Court Appellate Division
DecidedJune 22, 2007
StatusPublished
Cited by9 cases

This text of 925 A.2d 684 (Beegal v. Park West Gallery) is published on Counsel Stack Legal Research, covering New Jersey Superior Court Appellate Division primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Beegal v. Park West Gallery, 925 A.2d 684, 394 N.J. Super. 98 (N.J. Ct. App. 2007).

Opinion

925 A.2d 684 (2007)
394 N.J. Super. 98

Alan BEEGAL and Bonnie Beegal, Kenneth Sataloff and Sheila Sataloff, Lawrence Benton and Carol Benton, Michael Block and Abbe Block, Robert Waxler, Esquire and Stella Rosner, individually and on behalf of all similarly situated individuals, Plaintiffs-Respondents,
v.
PARK WEST GALLERY, Park West at Sea, Defendants-Appellants, and
Carnival Cruise Lines[1], Defendant.

Superior Court of New Jersey, Appellate Division.

Argued March 21, 2007.
Decided June 22, 2007.

*688 Douglas S. Eakeley, Roseland, argued the cause for appellants (Lowenstein Sandler, attorneys; Mr. Eakeley, of counsel; Gavin J. Rooney, Melissa Toner Lozner and Mr. Eakeley, on the brief).

Kenneth G. Andres, Haddonfield, argued the cause for respondents (Begelman & Orlow, Andres & Berger, and Garber & Nathan, attorneys; Ross Begelman, on the brief).

Before Judges CUFF, WINKELSTEIN and FUENTES.

The opinion of the court was delivered by

*689 WINKELSTEIN, J.A.D.

On leave granted, defendants challenge the Law Division's certification of a putative class of plaintiffs composed of bidders at art auctions conducted on cruise ships. Plaintiffs claim defendants inflated the prices of the art through fraudulent bidding practices. We conclude that because the difficulties likely to be encountered in the management of this class action cannot be overcome, see R. 4:32-1(b)(3)(D), common questions of law do not predominate over individual questions. Consequently, we conclude that class certification was improvidently granted.

I.

Defendants, Park West at Sea, a Delaware corporation with its principal place of business in Florida, and Park West Gallery, a Michigan corporation with its principal place of business in Michigan (collectively, defendants or Park West), conduct land-based art auctions and art auctions aboard cruise ships. They maintain art storage facilities in both Florida and Michigan. Plaintiffs are New Jersey residents who represent the putative class, which includes potentially thousands of residents of the United States[2] who, between 1996 and the present, attended those auctions.

Since 1996, Park West has conducted auctions on ships operated by seven different cruise lines, departing from a variety of locations, including numerous states and territories, as well as international ports. Plaintiffs estimate that 90,000 individuals bid on art on Carnival Cruise Lines alone. While the parties agree that the auctions were held on board the cruise ships, the record is not specific as to where the ships were located when the auctions took place.

Defendants also sold art at sidewalk sales and in on-ship galleries. While they maintain records of the names and addresses of the individuals who purchased art, the records do not indicate the means by which the art was purchased, nor do they contain the names of individuals who attended auctions without making a purchase.

As is standard practice in the auction industry, art sold at defendants' auctions was subject to a "reserve," a confidential minimum price below which the art would not be sold. Park West's customer catalog states that "[w]e may implement such reserve by opening or continuing the bidding, or [by] placing bids in response to other bidders, up to the amount of the reserve."

While the auctioneers are independent contractors, Park West supplies them with a "Policy and Procedure Manual." The manual provides for eight levels of pricing for any given work. In order of highest to lowest, they are: "Above Reserve"; "Reserve"; "Below Reserve"; "Redline"; "Under"; ".9 Under"; ".8 Under"; and "Below." When conducting an auction, the auctioneer views a computer screen that lists, for each piece of art, the prices corresponding to those various pricing levels. According to the manual, an auctioneer has the discretion to set the reserve anywhere in the range from the price representing the "below" pricing level to the price representing the "reserve" pricing level. The manual states that the "below" is the price below which the art may not be sold. Most auctioneers, guided by the range established by the pricing levels, mentally set a reserve, "[o]n the fly"; it is not a pre-determined amount. Accordingly, that number is never written down or *690 disclosed, and is subject to change at the auctioneer's discretion.

The auctioneer may also place bids on behalf of the house (house bid). The only limit in placing house bids is the "reserve" pricing level on the auctioneer's computer. The auctioneer may bid a sum higher than the reserve, which is referred to as "bidding to reserve" and serves to "stimulate bidding."

Plaintiffs allege that under these practices, the "below" pricing level represents the true reserve and the house bidding procedure fraudulently inflates the value of the art. They further assert that not only do auctioneers artificially inflate bids, but they place house bids in a deceptive manner. For example, the auctioneer will sometimes bid to reserve by using a "house number," a number not assigned to the placard of any bidder in the room. If an auctioneer places a house bid using a house number, and no one places a higher bid, the auctioneer will end the auction and call out the house number, so that the audience believes the art has been sold for that price. Plaintiffs allege that auctioneers do not always disclose that the house places the bid; they sometimes point to the back of the gallery to lead the audience to believe that an audience member placed the bid.

Park West's materials instruct auctioneers to use the bid-to-reserve technique to maximize sales. Nevertheless, the instructions direct auctioneers to be honest with bidders; not to pretend to acknowledge a non-existent bidder; and not to indicate that a work has been sold if it has not. At their depositions, many auctioneers testified that they infrequently use the bid-to-reserve procedure, and they never do so where a customer has already placed a bid or where a piece of art is unique.

II.

The trial court's order granted class certification to "`[a]ll individuals who attended and bid on artwork and were at any of the Park West live auctions from 1996 to present[,]' [w]ith respect to the following cause of action: `Any claims premised on an alleged violation of the New Jersey Consumer Fraud Act.'"[3] In New Jersey, class certification is governed by Rule 4:32-1, which is modeled after the federal class action rule, Fed.R.Civ.P. 23. Iliadis v. Wal-Mart Stores, Inc., 191 N.J. 88, 103, 922 A.2d 710 (2007); Varacallo v. Mass. Mut. Life Ins. Co., 332 N.J.Super. 31, 41, 752 A.2d 807 (App.Div.2000); see also Muise v. GPU, Inc., 371 N.J.Super. 13, 31, 851 A.2d 799 (App.Div.2004) (Muise II) ("Construction of the federal rule may be considered helpful, if not persuasive, authority."). To attain class certification, a plaintiff must establish the following four requirements:

(1) the class is so numerous that joinder of all members is impracticable, (2) there are questions of law or fact common to the class, (3) the claims or defenses of the representative parties are typical of the claims or defenses of the class, and (4) the representative parties will fairly and adequately protect the interests of the class.
[R. 4:32-1(a); see also Muise II, supra, 371 N.J.Super. at 30, 851 A.

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Bluebook (online)
925 A.2d 684, 394 N.J. Super. 98, Counsel Stack Legal Research, https://law.counselstack.com/opinion/beegal-v-park-west-gallery-njsuperctappdiv-2007.