Amato v. Wilentz

753 F. Supp. 543, 18 Media L. Rep. (BNA) 1985, 1990 U.S. Dist. LEXIS 17195, 1990 WL 209977
CourtDistrict Court, D. New Jersey
DecidedDecember 18, 1990
Docket90-1951
StatusPublished
Cited by10 cases

This text of 753 F. Supp. 543 (Amato v. Wilentz) is published on Counsel Stack Legal Research, covering District Court, D. New Jersey primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Amato v. Wilentz, 753 F. Supp. 543, 18 Media L. Rep. (BNA) 1985, 1990 U.S. Dist. LEXIS 17195, 1990 WL 209977 (D.N.J. 1990).

Opinion

*545 OPINION AND ORDER

POLITAN, District Judge.

This is a case to determine the constitutionality of certain acts taken by defendant Robert Wilentz, Chief Justice of The Supreme Court of New Jersey, prohibiting Warner Brothers (“Warner”) from filming scenes for a commercial motion picture in the Old Essex County Courthouse (“Courthouse”). The plaintiffs are Nicholas Ama-to, Essex County Executive, and the County of Essex. They instituted this action on May 16, 1990, seeking declaratory and in-junctive relief, as well as compensatory damages, on the grounds that the Chief Justice acted under color of state law, in violation of the Civil Rights Act of 1868, 42 U.S.C. § 1983, to deprive Warner of rights secured by the First Amendment of the United States Constitution. Presently before the Court are cross-motions for summary judgment. The Court has jurisdiction under 28 U.S.C. §§ 1331 and 1343.

FACTS

The Old Essex County Courthouse has been used as a setting for a variety of artistic activities, including commercial filmmaking. Specifically, the Courthouse was used to film “She-Devil” in June 1989, “Rage of Angels” in September 1982, “Rage of Angels II”, in April 1986, “Presumed Innocent” in August 1989, “Jacobs Ladder” in September 1989, “Invasion of Privacy” in February 1982, “The Firm” in March 1982. The CBS television news program “48 Hours” was filmed in September 1989, and in April 1989 the rap singer L.L. Cool. J. used the Courthouse to produce a music video. The first four productions were all filmed during the day while the court was in session.

Essex County charges a set fee for the use of Courthouse facilities including the exterior. The County received a fee for each of the productions listed above. According to Amato, during his tenure, the County has never denied access to the Essex County Courts for “artistic productions.” The County does not have a fixed policy or procedure governing content review of requests to use County facilities for film productions.

The acts giving rise to this litigation first occurred in April 1990. During that period Warner transmitted a request to the Chief Justice to shoot a “walking” scene in the Courthouse hallway for use in a movie based on the popular Tom Wolfe novel “Bonfire of the Vanities”. The Chief Justice reviewed the content of the scene and determined that it was “innocuous.” He therefore approved Warner’s request.

In late April, Warner transmitted a second request to the Chief Justice. This request asked to use either the Ocean or Somerset County Courthouse to film the climactic scene of the novel. In the scene, a court room filled with predominantly black spectators, erupts into a violent riot after the trial judge dismisses an indictment filed against the novel’s protagonist, Sherman McCoy. 1 The Chief Justice indicates that he denied the request because of its content. He states:

In essence, I believed and believe that the scene, because of its content, could cause justifiable offense to any black person, and I also believed and believe that, upon learning that the scene had been shot in a New Jersey courthouse— with the express permission of the Chief Justice (emphasis in original) — any black person would have justifiable cause to question the sensitivity of the New Jersey judiciary to the interests and concerns of blacks. If called upon to explain why I had approved the use of the state judiciary’s facilities and resources — the use of a courtroom — for a private, commercial film showing blacks acting in violent and flagrant disrespect for the rule of law — indeed, for the specific purpose of filming a scene that depicted blacks in the worst possible stereotype — -I could think of no adequate response.

*546 Despite this setback, Warner continued to express interest in New Jersey’s historic courthouses. On or about May 8, the Chief Justice learned that Warner sought permission to film the troublesome scene in the Essex County Courthouse. The defendant advised Essex County Assignment Judge Humphreys that such a request should be rejected. 2 On or about the same day, the County Executive reached an agreement for use of the Courthouse with the Production Manager and Producer of the film. In a letter memorializing that agreement, the Production Manager, Peter Runfolo wrote:

As per our conversation this morning, Warner Brothers would like to film sequences from the major motion picture entitled “Bonfire of the Vanities” in Room 226 of the Essex County Courthouse. The filming would take place during non-court hours for approximately 5-7 days.
In consideration for this, Warner Brothers has agreed to donate $250,000 to the County of Essex and Warner Brothers further respects your request to donate said money directly to the restoration fund of the Essex County Courthouse.
Since time is of the essence we await your response.

Widespread publicity followed the Chief Justice’s decision and he therefore issued a formal press statement outlining his reasons and motivations. This statement provides in its entirety:

Permission to utilize a New Jersey courtroom to film a particular scene for the production, “Bonfire of the Vanities,” has been denied because its use could serve to seriously undermine the confidence of black citizens in our court system.
The scene, involving black persons acting in a riotous, lawless and life-threatening manner, could very easily raise questions concerning why a New Jersey courtroom would be used for such a purpose.
Encouraging the confidence of the movie industry in our court system is not as important as risking the confidence of those whose confidence in it is, for many reasons, already vulnerable.
Should permission be granted, it would not be difficult to reach the conclusion that those responsible for justice in New Jersey do not care how blacks are portrayed or that they are unaware or unconcerned with such a portrayal.
It is not our desire to pass judgment on the artistic merits of the film; rather, it is our feeling that the assumed advantages of allowing a courtroom to be used for this particular scene are outweighed by the risk of identifying New Jersey’s court system with a portrayal which will erode the confidence of black citizens in our system of justice.
We have no desire to impede or advance this film. That is none of our business. But confidence in our justice system, confidence in our awareness of the sensitivities and concerns of blacks about our justice system, is very much our business.

Nevertheless, the dogged Warner continued to lobby for use of the historic Courthouse. On May 11 they once again transmitted a request to the Chief Justice and the County.

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Amato v. Wilentz
952 F.2d 742 (Third Circuit, 1991)
United States Court of Appeals, Third Circuit
952 F.2d 742 (Third Circuit, 1991)

Cite This Page — Counsel Stack

Bluebook (online)
753 F. Supp. 543, 18 Media L. Rep. (BNA) 1985, 1990 U.S. Dist. LEXIS 17195, 1990 WL 209977, Counsel Stack Legal Research, https://law.counselstack.com/opinion/amato-v-wilentz-njd-1990.