Amato v. Wilentz

952 F.2d 742, 60 U.S.L.W. 2440, 1991 U.S. App. LEXIS 30138
CourtCourt of Appeals for the Third Circuit
DecidedDecember 30, 1991
DocketNos. 91-5045, 91-5072 and 91-5289
StatusPublished
Cited by83 cases

This text of 952 F.2d 742 (Amato v. Wilentz) is published on Counsel Stack Legal Research, covering Court of Appeals for the Third Circuit primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Amato v. Wilentz, 952 F.2d 742, 60 U.S.L.W. 2440, 1991 U.S. App. LEXIS 30138 (3d Cir. 1991).

Opinion

OPINION OF THE COURT

BECKER, Circuit Judge.

Acting as administrator of the New Jersey judicial system, New Jersey Supreme Court Chief Justice Robert N. Wilentz (“the Chief Justice”) refused to allow Warner Brothers to use several New Jersey courthouses to film a scene for the movie “Bonfire of the Vanities.” The Chief Justice based his decision on the ground that the scene (which depicted African-Americans rioting in a courtroom against a perceived judicial injustice) offensively stereotyped blacks and might undermine their “already vulnerable” confidence in the state judiciary. One of the courthouses to which Warner Brothers specifically sought access was the old Essex County Courthouse in Newark, New Jersey. To induce Essex County to consent to the use of the courthouse, Warner Brothers had offered to donate $250,000 to the Courthouse Restoration Fund.

Faced with the threat of an injunction against filming in the Essex County Courthouse, Warner Brothers proceeded to shoot the scene elsewhere. Essex County and County Executive Nicholas R. Amato (collectively “the County”) thereupon brought suit in the district court for the District of New Jersey under 42 U.S.C. § 1983 (1988) against Chief Justice Wilentz individually and in his official capacity as administrator of the New Jersey judiciary.1 The County claimed that Chief Justice Wilentz violated Warner Brothers’ First Amendment rights and caused the County to lose $250,000 in revenue. The County sought damages, declaratory relief, and attorneys’ fees. Warner Brothers neither joined the suit nor took any public stand on it, and the Chief Justice sought dismissal on the ground that the County lacked standing to raise Warner Brothers’ rights.

After the suit was filed but before decision was rendered, Chief Justice Wilentz altered the procedure for handling courthouse filming requests so that a nonjudicial committee would review the proposals according to an official policy and would determine whether to permit filming. Because the County elected not to challenge the new system directly, the Chief Justice argued that the claims for prospective relief were moot even if the damages claim was live. The County disagreed, contending that under the new policy, applications could still be denied for identical reasons, and that studios would lack incentive to challenge the denials; in the County’s view, the declaratory relief claim was live because essentially similar violations were capable of repetition yet evading review.

The parties also hotly disputed the First Amendment issues. Addressing the County’s motion for summary judgment and the Chief Justice’s cross-motion for dismissal or summary judgment, the district court ruled that (1) the County had third party standing to assert Warner Brothers’ claims; (2) the declaratory relief claim was not moot; (3) the Essex County Courthouse was the relevant “forum” for First Amendment purposes, and it was a “designated public forum” for filmmaking; (4) the Chief Justice violated the First Amendment by discriminating on the basis of content in a manner not narrowly tailored to further a compelling state interest; (5) the Chief Justice also violated the First Amendment by discriminating based on viewpoint; and (6) the Chief Justice was not entitled to Eleventh Amendment or absolute judicial immunity, but he was entitled to qualified immunity from damages because he did not violate clearly established law.

[744]*744Chief Justice Wilentz appealed, pressing every defense he raised before the district court. The County cross-appealed, claiming that the Chief Justice was not entitled to qualified immunity from damages. The district court subsequently awarded attorneys’ fees to the County under 42 U.S.C. § 1988 (1988), thereby rejecting Chief Justice Wilentz’s objections that qualified immunity and the Eleventh Amendment foreclosed the award, that the County did not substantially prevail, and that the fees were excessive in any event. The Chief Justice appealed the attorneys’ fees ruling as well, and we consolidated the appeals.

For the reasons that follow, we hold that the County lacked third party standing to raise the First Amendment rights of Warner Brothers. We will therefore set aside both the judgment on the merits and the attorneys’ fees award, and we will direct the district court to dismiss the case. Because our holding bars all the County’s claims, we need not decide whether the declaratory judgment claim was still live, whether the Chief Justice violated the First Amendment, or whether attorneys’ fees would have been appropriate.

I. FACTS AND PROCEDURAL HISTORY

The relevant facts are essentially undisputed. Before 1988, the New Jersey state judiciary had no formal written policy governing the use of state courthouses for commercial filmmaking, but under prevailing practice such requests were referred to the Chief Justice for approval. In 1988, the judiciary adopted a formal policy which confirmed the existing practice: judges in the various vicinages were to “consult” with the Chief Justice before consenting to commercial uses of courtrooms. No statistics were kept before 1988, but a 1989 survey showed that the Chief Justice approved seven of twelve requests to film in state courthouses that year.

In mid-April 1990, Warner Brothers sought access to the Essex County Courthouse to film a brief “walking” scene for its movie adaptation of Tom. Wolfe’s novel, Bonfire of the Vanities.2 The Chief Justice approved the request, finding the proposed scene “innocuous.” In late April 1990, Warner Brothers apparently sought to film the climactic scene from “Bonfire” in the federal courthouse in Newark, but the request was denied for reasons not disclosed in the record. Warner Brothers then contacted officials in several New Jersey counties possessing old courthouses (including Ocean and Somerset Counties, but not Essex County) about filming the scene in their county courthouses. Those officials, consistent with the established policy, contacted the Chief Justice’s office, and Chief Justice Wilentz turned down Warner Brothers’ request.

In the scene in question, the trial judge (portrayed by African-American actor Morgan Freeman) dismisses an indictment against the main character, an upper-middle-class white man accused of running over a young black man with a car, and thereby provokes the predominantly black audience to riot over the racism of the criminal justice system and to chase the judge and the defendant from the courtroom. According to Chief Justice Wilentz’s later press release and affidavit, he based his denial of the filming request on his beliefs that African-Americans might resent the state judiciary’s having supplied the setting for the scene, and that his approval might “seriously undermine” the black community’s “already vulnerable” confidence in the state judiciary. He specifically cited the scene’s portrayal of black people “acting in a riotous, lawless and life-threatening manner” and its depiction of them “in the worst possible stereotype.”

Theodore Fetter, Deputy Director of New Jersey’s Administrative Office of the [745]*745Courts, notified Warner Brothers of the rejection on April 30, 1990, although he may not have told Warner Brothers exactly why permission was denied.

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Bluebook (online)
952 F.2d 742, 60 U.S.L.W. 2440, 1991 U.S. App. LEXIS 30138, Counsel Stack Legal Research, https://law.counselstack.com/opinion/amato-v-wilentz-ca3-1991.