321 Studios v. Metro Goldwyn Mayer Studios, Inc.

307 F. Supp. 2d 1085, 70 U.S.P.Q. 2d (BNA) 1028, 2004 U.S. Dist. LEXIS 2771, 2004 WL 415250
CourtDistrict Court, N.D. California
DecidedFebruary 19, 2004
DocketC 02-1955-SI
StatusPublished
Cited by20 cases

This text of 307 F. Supp. 2d 1085 (321 Studios v. Metro Goldwyn Mayer Studios, Inc.) is published on Counsel Stack Legal Research, covering District Court, N.D. California primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
321 Studios v. Metro Goldwyn Mayer Studios, Inc., 307 F. Supp. 2d 1085, 70 U.S.P.Q. 2d (BNA) 1028, 2004 U.S. Dist. LEXIS 2771, 2004 WL 415250 (N.D. Cal. 2004).

Opinion

ORDER GRANTING DEFENDANTS’ MOTION FOR PARTIAL SUMMARY JUDGMENT AND RESOLVING RELATED MOTIONS

ILLSTON, District Judge.

Presently before the Court are defendant/eounterclaimants’ motion for partial summary judgment, and various accompanying motions. Having carefully considered the arguments of counsel and the papers submitted, the Court hereby GRANTS defendant/counterclaimants motion for partial summary' judgment; GRANTS plaintiff Victor Mattison’s mo *1089 tion to dismiss defendants’ counterclaims; DENIES plaintiffs motion for denial or continuance of motion for summary judgment pursuant to Rule 56(f); GRANTS Electronic Frontier Foundation’s and Copyright Law Professors’ motion for leave to file amid briefs in opposition to defendants’ motion for summary judgment; DENIES plaintiffs motion for leave to amend answer to counterclaim; GRANTS Larry Davis’ motion to intervene as plaintiff; and GRANTS defendants’ motion for judicial notice, for the reasons set forth below.

BACKGROUND

A digital versatile disc (“DVD”) is a five inch wide plastic disk that stores digital information. Moore Decl., ¶ 2 n. 1; Schumann Dec!., ¶ 7. DVDs currently make up 39% of the sales of video and film works. Schwerin Decl. ¶ 3. Many films are sold only in the DVD format. Moore Deck ¶ 25; Schwerin Deck, ¶ 4. This format allows bonus features, such as alternate endings, deleted scenes, video games, alternate viewing configurations, commentary from directors and actors, and other menu-driven options, that are not available on VHS tapes or any other format. Moore Deck ¶¶ 26-30; Schwerin Deck, ¶ 7; Tour-etsky Deck, ¶ 9; Schumann Deck, ¶ 18.

Many DVDs store the digital data in a format called the “Contents Scramble System” or “CSS.” The Copyright Control Authority administers the CSS encoding scheme and the licensing of the electronic “keys” used by DVD players to playback DVDs. Moore Deck ¶¶ 10-11; Schumann Deck, ¶¶ 12-14. The 31 CSS keys and the algorithm that can be used to decode a DVD are broadly available on the Internet. Touretsky Deck, ¶¶ 7, 11, 14, 22, 24; Schumann Deck, ¶ 22.

Plaintiff 321 Studios, LLC is a company that markets and sells software and instructions for copying DVDs. First Amended Complaint ¶¶ 1, 23, 26, 28, 29; Moore Deck, ¶¶2-4. 321 sells two products: DVD Copy Plus, which began selling in August 2001, and DVD-X COPY, which began selling in November 2002. Moore Deck ¶¶ 2, 5. DVD Copy Plus consists of an electronic guide explaining how to create backup copies of DVDs, two pieces of free, publicly available software, and one CD burning application, PowerCDR, licensed from a German company. Moore Deck ¶ 2. DVD Copy Plus copies video content from original DVDs regardless of whether they are encoded with CSS. Moore Deck ¶ 3. The software does not create an identical copy of the DVD; rather it allows the user to copy a portion of the video contents on the DVD onto a recordable CD. Moore Deck ¶ 3. DVD-X COPY requires the user to have a DVD drive that is capable of reading and writing data to blank DVD media. Moore Deck ¶ 5. DVD-X COPY reads the data on the original DVD, decodes it, and then uses the data to create a backup copy of the DVD. Moore Deck ¶ 6. This data is read by the DVD drive, decrypted by the DVD-X COPY software, and then stored on the computer (either in RAM or on the hard drive) until the backup copy of the DVD is created. Id. Once the backup copy is created, the stored data from the original DVD is automatically deleted. Id. If the DVD is encoded with CSS, DVD-X COPY uses a CSS “player key” to access the data; DVD-X COPY also contains publicly known computer code that performs the algorithms to decode the DVD data. Moore Deck ¶ 8. DVD-X COPY does not affect the encryption on the original DVD. Moore Deck ¶ 9.

Plaintiff 321 Studios filed a complaint for declaratory relief on April 22, 2002, seeking, in Claim One, a declaratory judgment from this Court that “its activities in distributing DVD Copy Plus and DVD-X COPY do not violate the provisions of the [Digital Millennium Copyright Act, *1090 “DMCA”] or, in the alternative, that these provisions are invalid in light of other copyright law provisions, these provisions are invalid because Congress exceeded its enumerated powers under Article 1, Section 8, of the United States Constitution, these provisions are “unconstitutionally vague, and/or these provisions violate the First Amendment of the Constitution.” FAC ¶ 44. Claim Two seeks a declaratory judgment from this Court that its distribution of DVD Copy Plus and DVD-X COPY do not violate the Copyright Act “on the grounds that DVD Copy Plus and DVD-X COPY have substantial non-infringing uses, that the use of DVD Copy Plus and DVD-X COPY constitute fair use, and/or that the provisions of the Copyright Act, if interpreted to bar the distribution of DVD Copy Plus and DVD-X COPY, violate the First Amendment of the Constitution.” FAC ¶ 49.

Most defendants (“the Studios”) are members of the Motion Picture Association of America (“MPAA”). They are owners of copyrights in motion pictures, and produce and/or distribute DVDs that contain the copyrighted material. The. United States was granted intervenor-defendant status on August 12, 2002 and limits its involvement to plaintiffs claims regarding the validity of the DMCA.

Now before the Court are defendant/counterclaimants’ motion for partial summary judgment, plaintiff Victor Matti-son’s motion to dismiss defendants’ counterclaims, plaintiffs motion for denial or continuance of motion for summary judgment pursuant to Rule 56(f), Electronic Frontier Foundation’s and Copyright Law Professors’ motion for leave to file amici briefs in opposition to defendants’ motion for summary judgment, plaintiffs motion for leave to amend answer to counterclaim, Larry Davis’ motion to intervene as plaintiff, and defendants’ request for judicial notice.

LEGAL STANDARD

A. Summary judgment

The Federal Rules of Civil Procedure provide for summary adjudication when “the pleadings, depositions, answers to interrogatories, and admissions on file, together with affidavits, if any, show that there is no genuine issue as to any material fact and that the moving party is entitled to a judgment as a matter of law.” Fed.R.Civ.P. 56(c).

In a motion for summary judgment, “[if] the moving party for summary judgment meets its initial burden of identifying for the court those portions of the materials on file that it believes demonstrate the absence of any genuine issues of material fact”, the burden of production then shifts so that “the non-moving party must set forth, by affidavit or as otherwise provided in Rule 56, ‘specific facts showing that there is a genuine issue for trial.’ ” See T.W. Elec. Service, Inc. v. Pacific Elec. Contractors Ass’n, 809 F.2d 626, 630 (9th Cir.1987) (citing Celotex Corp. v. Catrett, 477 U.S. 317, 106 S.Ct. 2548, 91 L.Ed.2d 265 (1986)).

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307 F. Supp. 2d 1085, 70 U.S.P.Q. 2d (BNA) 1028, 2004 U.S. Dist. LEXIS 2771, 2004 WL 415250, Counsel Stack Legal Research, https://law.counselstack.com/opinion/321-studios-v-metro-goldwyn-mayer-studios-inc-cand-2004.