Zaret v. Bonsey

CourtDistrict Court, S.D. New York
DecidedSeptember 28, 2023
Docket1:22-cv-07109
StatusUnknown

This text of Zaret v. Bonsey (Zaret v. Bonsey) is published on Counsel Stack Legal Research, covering District Court, S.D. New York primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Zaret v. Bonsey, (S.D.N.Y. 2023).

Opinion

UNITED STATES DISTRICT COURT US DC SDNY SOUTHERN DISTRICT OF NEW YORK DOCUMENT Peter H. Zaret dba Peter Zaret & Sons Violins, ELECTRONICALLY FILED Inc., DOC #: _________________ DATE FILED: 9/28/2023 __ Plaintiff, -against-

David Bonsey, D. Bonsey, Inc. aka New York Violin Consulting Inc., Florian Leonhard, Florian 22 Civ. 7109 (AT) Leonhard Fine Violins, Inc., Peter Horner, Brompton’s Auctioneers Limited, Charles Beare ORDER OBE, Beare Violins Limited, Joe W. Robson,

Defendants. ANALISA TORRES, District Judge:

Plaintiff, Peter H. Zaret d/b/a Peter Zaret & Sons Violins, Inc., brings this product disparagement action against Defendants David Bonsey, D. Bonsey, Inc. a/k/a New York Violin Consulting Inc., Florian Leonhard, Florian Leonhard Fine Violins, Inc., Peter Horner, Brompton’s Auctioneers Limited, Charles Beare OBE, Beare Violins Limited, and Joe W. Robson, alleging that Defendants wrongfully disputed Zaret’s claim that a violin in his possession was produced by renowned Italian violin maker Antonio Stradivari. Second Am. Compl. ¶¶ 93–94, ECF No. 60 (the “SAC”). Each Defendant moves to dismiss the SAC for failure to state a claim pursuant to Federal Rule of Civil Procedure 12(b)(6). See Brompton’s, Beare & Horner Mot., ECF No. 100; Leonhard Mot., ECF No. 102; Robson Mot., ECF No. 104; Bonsey Mot., ECF No. 106. For the reasons stated below, Defendants’ motions are GRANTED. Plaintiff also seeks leave to file a proposed third amended complaint (the “PTAC”), ECF No. 91, pursuant to Federal Rule of Civil Procedure 15(a). See Pl. Mot. Amend, ECF No. 82; Pl. Reply, ECF No. 91. The PTAC differs from the SAC in two respects: the PTAC provides additional facts in support of Plaintiff’s product disparagement claim, and includes a new cause of action against Defendant Charles Beare for tortious interference with prospective economic relations. For the reasons stated below, Plaintiff’s motion to amend the complaint is DENIED. BACKGROUND1 This matter concerns the identity and value of an antique violin that Zaret, an Ohio

resident and former concertmaster, purchased for $20,000 at a 1998 auction. SAC ¶ 22. The violin was not advertised as a Stradivarius, the work of eighteenth-century Italian violin maker Antonio Stradivari, but as “an interesting violin” with papers “suggesting it was produced in [Stradivari’s] workshop.” Id. Stradivarius violins “routinely command very high prices” and have been sold for as much as $16 million. Id. In 2015, in an effort to sell the violin to “one of the great symphony orchestras or performing virtuosos,” Zaret and his acquaintance Terrence J. Kavalec sought to authenticate the violin as a genuine Stradivarius. Id. ¶¶ 22–23. Defendants are individuals and corporations domiciled in New York and the United Kingdom and involved in the appraisal, auction, and study of rare and antique string instruments. Id. ¶¶ 8–16. Zaret claims that Defendants publicly disparaged the violin, “preclud[ing] the

possibility that the instrument could be deemed [an] authentic Strad[ivarius],” id. ¶ 103, and thereby handing down “a death sentence” to the marketability of the instrument, id. ¶ 88. The SAC details two sets of disparaging statements made by Defendants. The first set centers around Zaret’s efforts to sell the violin through private transactions and forms the basis of Zaret’s claim against Leonhard, Bonsey, and Robson.2 See id. ¶¶ 25–70. In October 2015, Kavalec contacted David Bonsey, a violin maker, appraiser, and President of

1 The following facts are taken from the complaint and “are presumed to be true for purposes of considering a motion to dismiss for failure to state a claim.” Fin. Guar. Ins. Co. v. Putnam Advisory Co., 783 F.3d 395, 398 (2d Cir. 2015). 2 Plaintiff’s claim against entities D. Bonsey, Inc. a/k/a New York Violin Consulting Inc. and Florian Leonhard Fine Violins, Inc. are also based on this first set of allegedly disparaging statements. the American Federation of Violin and Bow Makers (“AFVBM”), about authenticating the violin. Id. ¶¶ 27–28. After reviewing information about the violin, Bonsey stated that aspects of the violin were similar to a Stradivarius he sold in 2006 and suggested that Kavalec meet Florian Leonhard, “a violin maker, dealer, restorer[,] and expert.” Id. ¶¶ 10, 30. In November 2015,

Leonhard met with Kavalec and examined the violin, concluding that it was not a Stradivarius, but instead a copy of an 1890s German “Ruggieri” violin. Id. ¶¶ 30–31. This assessment ended Bonsey’s interest in Zaret’s violin. Id. ¶ 32. Undeterred, Zaret and Kavalec sought the opinion of Joseph W. Robson, “an author and varnish expert.” Id. ¶¶ 16, 40–41. At a November 2018 lecture, Robson opined that cochineal varnish, a reddish varnish or coating derived from insects, was “the sine qua non of Casa Stradivarius.” Id. ¶ 40. The following day, Robson inspected Zaret’s violin and stated that it “was indeed created with [c]ochineal [v]arnish.” Id. ¶ 41. However, in November 2019, Robson expressed doubts about the violin to the editor of Strad Magazine, a publication about string instruments. Id. ¶ 41 n.6. In February 2020, Robson

requested that Zaret cease to use Robson’s “name as verification of any sort” of the violin’s status as a Stradivarius. Id. ¶ 57. In February 2022, Robson wrote on Maestronet, a website read by “at least 75% of the people in the [string instrument] trade,” id. ¶ 60, that each person that had examined Zaret’s violin “dismissed the ‘fact’ that this was a Stradivari instrument,” id. ¶ 59. Zaret claims that Robson’s shift was instigated by David Bonsey, whom Plaintiff alleges Robson knew from an AFVBM event. Id. ¶¶ 58, 100. The second set of statements relates to Zaret’s efforts to consign the violin to an auction house and grounds his claim against Horner, Beare, and Brompton’s Auctioneers.3 During the

3 Plaintiff’s claim against Beare Violins Limited is also based on this second set of allegedly disparaging statements. summer of 2021, Kavalec began corresponding with Peter Horner, “a citizen of the United Kingdom and a founding member of Brompton’s Auctioneers.” Id. ¶¶ 12, 73. Horner initially showed interest in Zaret’s violin and arranged to meet with Kavalec in New York on January 22, 2022. Id. ¶ 75. In that meeting, Horner exclaimed that the violin’s “scroll is perfect” but “that

[the] certification of Charles Beare would be a necessary precondition for a Brompton’s auction.” Id. ¶ 76. Beare is a “British violin expert-authenticator, craftsman[,] and [d]ealer” whose family has studied and authenticated violins for several generations. Id. ¶ 14. By email dated January 25, 2022, Horner requested that Kavalec send pictures of the violin to Beare. Id. ¶ 78. A day later, on January 26, 2022, Horner informed Kavalec that Beare had concluded from the images that the violin was most likely the work of “one of the fine French [violin] makers,” not Stradivari. Id. ¶ 79. Zaret alleges that, by making this judgment after only reviewing two- dimensional images, Beare “depart[ed] from the careful inspection protocols required by professional associations.” Id. ¶ 85. As a result of these two sets of statements, Zaret claims that his violin “cannot be

lawfully represented as a genuine Stradivarius without disclosure of the adverse opinion[s]” of Bonsey, Leonhard, Beare, and Horner. Id. ¶¶ 69–87. Zaret states that two attempted sales of the violin fell through as a result of the alleged product disparagement.

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