Yorty v. Chandler

13 Cal. App. 3d 467, 91 Cal. Rptr. 709, 1970 Cal. App. LEXIS 1256
CourtCalifornia Court of Appeal
DecidedDecember 15, 1970
DocketCiv. 35021
StatusPublished
Cited by27 cases

This text of 13 Cal. App. 3d 467 (Yorty v. Chandler) is published on Counsel Stack Legal Research, covering California Court of Appeal primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Yorty v. Chandler, 13 Cal. App. 3d 467, 91 Cal. Rptr. 709, 1970 Cal. App. LEXIS 1256 (Cal. Ct. App. 1970).

Opinion

Opinion

FLEMING, J.

Libel action for $2,000,000 by Samuel W. Yorty against Otis Chandler, Los Angeles Times, The Times-Mirror Company (sued as Times Mirror Corporation), and Paul Conrad, in which plaintiff complains of a cartoon drawn by Conrad and published on the editorial page of the Los Angeles Times. The trial court ruled on demurrer that the cartoon was not defamatory and entered judgment for defendants.

The cartoon was published under the following circumstances: in mid-November 1968 Richard M. Nixon, having been elected President of the United States, was engaged in the selection of nominees for appointment to his cabinet. At a press conference Samuel W. Yorty, Mayor of the City of Los Angeles, publicly expressed interest in such an appointment, and, in particular, appointment as Secretary of Defense. According to the allegations of plaintiff’s complaint, President-elect Nixon was then considering Mayor Yorty for appointment to a cabinet post, and that fact was known to defendants.

*470 On 19 November 1968 the Los Angeles Times published on its editorial page the following cartoon and caption:

“I’ve got to go now . . . I’ve been appointed Secretary of Defense and the Secret Service men are here!”

*471 The cartoon depicts Mayor Yorty seated at his office desk talking on the telephone. Four white-coated medical orderlies with doleful expressions on their faces stand beside the desk. One orderly is holding a straight jacket behind his back while another beckons to Mayor Yorty with his finger. The caption reads, “Fve got to go now . . . I’ve been appointed Secretary of Defense and the Secret Service men are here!”

In claiming that the cartoon was defamatory, the complaint asserts:

“In publishing said cartoon, Defendants and each of them, intended to mean and convey to the readers of the editorial page of the Los Angeles Times, that Plaintiff was claiming that he had been appointed Secretary of Defense by President-elect Richard Nixon, and that he was further claiming that he was qualified to serve in such capacity; and that in making such a claim, he was insane and should be placed in a straight jacket. The defendants, in publishing said cartoon, intended to insinuate to [their] readers that plaintiff was unfit to serve as Secretary of Defense and, that in believing he was so qualified, he was mentally ill.” Plaintiff thus interprets the cartoon as a factual report that Mayor Yorty suffered from the delusion that he had been appointed Secretary of Defense and that because of his delusion he was insane and needed to be placed in a straight jacket.

The sole question is whether the cartoon is reasonably susceptible to the interpretation placed upon it in plaintiff’s complaint. The trial court concluded it was not, ruled as a matter of law that the cartoon was not libelous, and dismissed the complaint. Plaintiff appeals.

First, some consideration of the subject matter of this suit, the political cartoon. Ever since stone-age man began to draw on the walls of his cave, caricature has been used as a device to express opinion on matters of current interest. Examples of the art of caricature in ancient Egyptian and Roman times still abound. With the advent of printing, caricature became a form of social and political commentary, and in one of its aspects began to manifest itself as critical opinion on public issues and public figures. Thus the political cartoon was born. In America the first political cartoon was designed by Benjamin Franklin, and by the time of the Civil War the political cartoon had become a standard adjunct to public fife. In the 1870’s Thomas Nast proved the effectiveness of the political cartoon by a devastating series of drawings which helped break the corrupt political regime of “Boss” Tweed and the Tammany Ring. From Daumier and Tenniel to Low and Herblock the political cartoon has occupied a central position in the presentation of critical comment on events and personages of the times.

The genius of a well-conceived political cartoon lies in its ability to communicate in graphic form a statement of editorial opinion which might other *472 wise require paragraphs of written material to express. To say so much with so little, the political cartoonist makes extensive use of symbolism, caricature, exaggeration, extravagance, fancy, and make-believe. For example, if a federal official made a “fact-finding” trip to a vacation spot at public expense, a political cartoonist might criticize that official’s conduct by drawing a distorted likeness of the official taking money from the pocket of an unwary Uncle Sam. Because the use of symbolism in political cartooning is well-understood, the drawing would be interpreted by its viewers as editorial comment on the waste of public funds involved in the trip, and no reasonable viewer would consider it a factual report that the official had picked someone’s pocket, much less that of an elderly gentleman with a wispy white beard who was dressed in an American flag.

A cartoon, of course, remains subject to the law of libel (Civ. Code, § 45), and, like any other form of depiction or representation, it may be found libelous if it maliciously presents as fact defamatory material which is false. For example, a political cartoon which falsely depicts a public official selling franchises for personal gain, or a judge taking a bribe, or an attorney altering a public record, or a police officer shooting a defenseless prisoner, will not be exempt from redress under the laws of libel merely because the charge is depicted graphically in linear form rather than verbally in written statement. (Snively v. Record Publishing Co., 185 Cal. 565 [198 P. 1]; Newby v. Times-Mirror Co., 173 Cal. 387 [160 P. 233]; Gloria v. A Colonia Portuguesa, 128 Cal.App. 640 [18 P.2d 87].) On the other hand, a cartoon which depicts a fanciful, allegorical, anthropomorphical, or zoomorphical scene will not be considered libelous merely because it depicts a public person as a flower, a block of wood, a fallen angel, or an animal. Because a political cartoon presents critical opinion in imaginative and symbolic form, in claimed instances of defamation a court must ferret out the underlying themes of the cartoon and then determine whether these can reasonably be considered libelous. (Blake v. Hearst Publications Incorporated, 75 Cal.App.2d 6 [170 P.2d 100].)

The present cartoon is said by plaintiff to have made two basic assertions: First, an assertion that the mayor was unqualified for high national office. Second, an assertion that the mayor, in believing he was qualified for high national office, demonstrated mental incompetency to such a degree that he required the restraint of a straight jacket. Defendants concede the first assertion and defend their right to make it. Defendants deny the second assertion and deny that any reasonable viewer would interpret the cartoon as having made such a statement.

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Bluebook (online)
13 Cal. App. 3d 467, 91 Cal. Rptr. 709, 1970 Cal. App. LEXIS 1256, Counsel Stack Legal Research, https://law.counselstack.com/opinion/yorty-v-chandler-calctapp-1970.