Wind Dancer Production Group v. Walt Disney Pictures

10 Cal. App. 5th 56, 215 Cal. Rptr. 3d 835, 2017 WL 1075435, 2017 Cal. App. LEXIS 268
CourtCalifornia Court of Appeal
DecidedMarch 22, 2017
DocketB262426
StatusPublished
Cited by33 cases

This text of 10 Cal. App. 5th 56 (Wind Dancer Production Group v. Walt Disney Pictures) is published on Counsel Stack Legal Research, covering California Court of Appeal primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Wind Dancer Production Group v. Walt Disney Pictures, 10 Cal. App. 5th 56, 215 Cal. Rptr. 3d 835, 2017 WL 1075435, 2017 Cal. App. LEXIS 268 (Cal. Ct. App. 2017).

Opinion

Opinion

ZELON, J.

Plaintiffs and appellants are writers and producers who entered into a profit participation agreement with defendant and respondent Walt Disney Pictures regarding their work on the television series, Home Improvement. The parties’ agreement includes an “incontestability” clause, which requires a participant to object in specific detail to Disney’s quarterly participation statements within 24 months after the date sent, and to initiate a legal action within six months after the expiration of that 24-month period. In July 2008, following an audit of Disney’s books of account, the producers objected to the participation statements that were sent between June 2001 and March 2006. After Disney rejected the objections as untimely, the producers filed this action, alleging that Disney failed to properly account for and pay them the amounts owed under the parties’ agreement. The trial court granted Disney’s motion for summary adjudication on the ground that the producers’ claims were time-barred by the contractual limitations period in the incontestability clause. For the reasons set forth below, we reverse.

FACTUAL BACKGROUND AND PROCEDURAL HISTORY

I. The Parties’ Agreement

Home Improvement was a popular television series that aired on network television between 1991 and 1999. The series continues to be sold in *61 syndication and has generated substantial revenues to date. 1 Between 1989 and 1992, the parties entered into a series of written agreements (collectively, the “profit participation agreement”) under which the producers agreed to transfer the rights to the series to Disney, and Disney agreed to pay the producers 75 percent of all net profits earned by the series. During the parties’ contract negotiations, the producers were represented by highly regarded agents, attorneys, and production companies.

The profit participation agreement sets forth the terms for Disney’s accounting of the net profits owed to the producers. As relevant here, the agreement states that Disney “shall render statements to Participant showing in summary form the appropriate calculations relating to the treatment of Gross Receipts, including all distribution fees, distribution expenses, other participations paid, interest and negative cost.” The agreement further provides that Disney “shall keep books of account” regarding the production and distribution of the series, and that “[s]aid books, to the extent they have not become incontestable or have not been previously examined, may be examined at Participant’s expense once in each 12 month period. ... No such examination may continue beyond a period of 60 days after commencement thereof.”

The agreement includes a clause entitled “Incontestability,” which states in pertinent part: “Each statement shall be deemed conclusively correct and binding on Participant as to the transactions reflected therein for the first time on the expiration of a period ... of 24 months after the date sent. . . . The inclusion of any item from a prior statement on a subsequent statement or of cumulative figures provided to Participant as a courtesy shall not render such prior-appearing item contestable or recommence the running of the applicable 24-month period with respect thereto. If Participant serves written notice on [Disney] within the applicable 24 month period objecting in specific detail to particular items and stating the nature of the objection, then insofar as such specified items are concerned such statements shall not be deemed conclusively correct and binding. If Participant’s objections are not resolved amicably, Participant may maintain or institute an action with respect to an objection raised and not resolved amicably if commenced before the end of 6 months after the expiration of said 24 month period or prior to the expiration of the period of the applicable statute of limitations established by law as to such transactions or items, whichever first occurs. [Disney’s] books of *62 account and all supporting documentation need not be retained and may be destroyed after the expiration of said 24 month period unless Participant has duly objected prior thereto and instituted an action as herein provided.”

The agreement also includes a section on “Standard Terms and Conditions” with provisions on waiver and modification. The “waiver” clause provides “[n]o waiver by either Lender, Artist, or [Disney] of any failure of the other party to fulfill any term hereof shall be deemed a waiver of any preceding or succeeding breach of nonfulfillment of the same or of any other term hereof.” The “prior agreements” clause states that “[t]his Agreement constitutes the entire agreement between [Disney] and Lender and Artist and supersedes all prior written or oral agreements pertaining hereto, and cannot be modified except by a writing signed by Lender and Artist and [Disney]. . . .”

II. The Audits of the Participation Statements

Since Home Improvement s debut in 1991, the producers have exercised their contractual right to audit Disney’s books of account regarding the series on six occasions. The current lawsuit concerns audits 4 and 5. According to Marcia Harris, the attorney who has represented the producers since 1997, Disney has not allowed the producers to conduct audits annually, nor has Disney permitted them to timely commence an audit upon receiving notice of such intent. Instead, Disney has advised the producers that they must remain in a queue while other audits are pending. Over the course of the parties’ business dealings, Harris regularly communicated with Disney’s in-house attorney, Christina Oswald, and there were occasions when they agreed, either orally or in writing, to toll the limitations period for certain participation statements during the pendency of an audit. A summary of the audits requested by the producers and Disney’s responses to those audits is set forth below.

A. Audit 1

In 1997, the producers filed a lawsuit against Disney based on their audit of the participation statements for the period from the inception of the series to March 31, 1996 (Audit 1). Although many of the statements that were the subject of Audit 1 were more than 30 months old when the litigation commenced, Disney did not assert the limitations period in the incontestability clause as a defense to the producers’ Audit 1 claims. The parties settled the lawsuit in April 1999.

B. Audits 2 and 3

After the lawsuit related to Audit 1 settled, the producers conducted an audit of the participation statements for the period from April 1, 1996, to *63 December 31, 1998 (Audit 2), followed by an audit of the participation statements for the period from January 1, 1999, to December 31, 2000 (Audit 3). The producers did not object to the statements that were the subject of Audits 2 and 3 while those audits were pending. The auditors retained by the producers issued an Audit 2 report in December 1999, and an Audit 3 report in May 2002. In August 2002, the parties began negotiating a resolution of the claims raised by Audits 2 and 3.

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Bluebook (online)
10 Cal. App. 5th 56, 215 Cal. Rptr. 3d 835, 2017 WL 1075435, 2017 Cal. App. LEXIS 268, Counsel Stack Legal Research, https://law.counselstack.com/opinion/wind-dancer-production-group-v-walt-disney-pictures-calctapp-2017.