1 2 3 4 UNITED STATES DISTRICT COURT 5 NORTHERN DISTRICT OF CALIFORNIA 6 7 VIRAL DRM LLC, Case No. 3:24-cv-00747-JSC
8 Plaintiff, ORDER RE: MOTION FOR DEFAULT JUDGMENT AND VIRAL DRM’S 9 v. STANDING
10 SHUBSTOR MARGARITA, Re: Dkt. Nos. 30, 38 Defendant. 11
12 13 Plaintiff Viral DRM LLC brings copyright infringement and related claims against 14 Defendant Shubstor Margarita alleging he downloaded and copied Viral DRM’s copyrighted 15 materials from YouTube, and then re-uploaded infringing versions of its copyrighted media 16 content to his YouTube channel When God is Angry. This is one of several related copyright 17 infringement actions. See Case Nos. 23-4300, 23-5045, 23-5594, 23-5977, 23-6261, 23-6598, 24- 18 731, 24-733, 24-739, 24-746. After Defendant failed to respond to the Complaint, Viral DRM 19 moved for entry of default, which the Clerk granted, and now moves for entry of default judgment. 20 (Dkt. Nos. 27, 30.1) At the hearing on Viral DRM’s motion for default judgment, the Court raised 21 an issue regarding Viral DRM’s standing to bring the copyright infringement claims and directed 22 Viral DRM to submit a copy of its license with the copyright holders. (Dkt. No. 35.) After 23 reviewing Viral DRM’s response, the Court issued an Order to Show Cause (OSC) as to Viral 24 DRM’s standing to bring the copyright infringement claims at issue here. (Dkt. No. 38.) 25 Viral DRM has filed the exact same OSC response in each case—without any citations to 26 the record or even tailoring the responses to the facts of the particular case. See Case Nos. 23- 27 1 4300, Dkt. No. 112; Case No. 23-5045, Dkt. No. 78; Case No. 23-5594, Dkt. No. 75; Case No. 23- 2 5977, Dkt. No. 61; Case No. 23-6598, Dkt. No. 56; Case No. 24-731, Dkt. No. 39; Case No. 24- 3 733, Case No. 24-739, Dkt. No. 42; Case No. 24-746, Dkt. No. 49; Case No. 24-747, Dkt. No. 42. 4 Viral DRM’s response fails to demonstrate it has standing to bring the claims under 17 U.S.C. §§ 5 501(b), 1201, 1202. Those claims are therefore dismissed without leave to amend. Viral DRM 6 does have standing to bring its claim under 17 U.S.C. § 512(f) and default judgment is entered in 7 its favor on this claim. 8 DISCUSSION 9 Viral DRM is “a syndicator of award-winning videographic content created by talented 10 videographers.” (Dkt. No. 1 at ¶ 14.) According to the Complaint, Viral DRM is “affiliated” with 11 WXChasing LLC, “a video production company that creates some of the videographic Works that 12 Viral DRM syndicates and licenses,” and Live Storms Media LLC, “a licensing broker of video 13 content owned by or exclusively licensed to Viral DRM and WXchasing.” (Id. at ¶ 15.) Viral 14 DRM alleges it “was the exclusive licensee of the Works at issue in this case” and it “registered 15 the Works at issue in this case with the Register of Copyrights pursuant to 17 U.S.C. § 411(a).” 16 (Id. at ¶¶ 38, 39.) The Registration Certificates attached to the Complaint, however, show the 17 work at issue is registered to “Michael Brandon Clement.” (Dkt. No. 1-2.) 18 According to Clement’s declaration in support of the motion for default judgment, he is a 19 principal and one of the owners of Viral DRM. (Dkt. No. 30-2 at ¶ 1.) Clement attests “[a]ll the 20 works are exclusively licensed to Viral DRM for distribution and syndication pursuant to written 21 agreements that provide Viral DRM with the necessary rights to sue for the infringements at issue 22 in this case.” (Id. at ¶ 8.) Following the hearing on the motion for default judgment, Viral DRM 23 purportedly filed its “Exclusive Management Agreement” between it and the videographer holding 24 the copyrights. (Dkt. No. 36-3.) Not so. Although the copyright registration for the work at-issue 25 is held by Michael Brandon Clement, the Agreement offered is between Viral DRM and “Bradley 26 Arnold.” (Compare Dkt. No. 1-2 with Dkt. No. 36-3.) Viral DRM has since filed the agreement 27 between it and Clement and a response to the OSC, as well as declarations from three other 1 with Viral DRM. (Dkt. Nos. 39-1; Dkt. No. 42; Dkt. No. 42-3; Dkt. No. 42-4; Dkt. No. 42-5.) 2 A. Copyright Infringement under Section 501(b) 3 Section 501(b) of the Copyright Act specifies who has standing to sue for infringement: 4 || “The legal or beneficial owner of an exclusive right under a copyright is entitled, subject to the 5 [registration] requirements of section 411, to institute an action for any infringement of that 6 || particular right committed while he or she is the owner of it.” 17 U.S.C. § 501(b). Section 106 sets 7 forth an “exhaustive list” of those exclusive rights. Si/vers v. Sony Pictures Entm'’t., Inc., 402 F.3d 8 881, 887 (9th Cir. 2005) (en banc) (citing 17 U.S.C. § 106). These include: 9 the rights “to do and to authorize” others to do six things with the copyrighted work: to reproduce the work, to prepare derivative works 10 based upon the work, to distribute copies of the work, to perform the work publicly, to display the work publicly, and to record and perform 11 the work by means of an audio transmission. a 12 Minden Pictures, Inc. v. John Wiley & Sons, Inc., 795 F.3d 997, 1002 (9th Cir. 2015) (quoting 17
13 || U.S.C. § 106). In Minden, the Ninth Circuit held “either an assignment (which transfers legal title
v 14 || to the transferee) or an exclusive license (which transfers an exclusive permission to use to the © 15 || transferee) qualifies as a ‘transfer’ of a right in a copyright for the purposes of the Act.” Minden,
Q 16 || 795 F.3d at 1003 (emphasis in original). In contrast, a “‘nonexclusive license’ does not constitute
17 a ‘transfer of copyright ownership’ and therefore cannot confer standing to assert an infringement
. . : □ Z 18 claim.” DRK Photo v. McGraw-Hill Glob. Educ. Holdings, LLC, 870 F.3d 978, 983 (9th Cir. 19 || 2017) (citing 17 U.S.C. § 101). 20 According to the Agreement between Viral DRM and Clement, the copyright holder— 21 referred to as a “Content Creator’—grants Viral DRM: 22 1. Grant of Exclusive Agency Rights. Content Creator hereby grants to VDEM the exclusive agency rights to manage and administer any content submitted by 23 Content Creator to VDORM (the “Works”), including but not limited to the right to search for copyright infringements of the Works, to register copyrights for the Works with the 24 United States Copyright Office; to authorize VDRM's attorneys to negotiate settlements, issuc takedown notices pursuant to the Digital Millennium Copyright Act or otherwise 25 file claims on behalf of the Content Creator in an effort to enforce the copyrights in and to the Works; Content Creator grants VORM exclusive agency rights to display, store, transmit, and distribute Works as needed to fulfill obligations set forth in this 26 agreement 27 (Dkt. No. 39-1 at | 1.) The Content Creator otherwise retains all copyright and ownership rights 28 in the work. (/d. at 3.) Arnold, Timmer, and Jayjack have all submitted declarations attesting to
1 agreements with the same language. (Dkt. No. 42-3 at ¶ 5; Dkt. No. 42-4 at ¶ 4; Dkt. No.
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1 2 3 4 UNITED STATES DISTRICT COURT 5 NORTHERN DISTRICT OF CALIFORNIA 6 7 VIRAL DRM LLC, Case No. 3:24-cv-00747-JSC
8 Plaintiff, ORDER RE: MOTION FOR DEFAULT JUDGMENT AND VIRAL DRM’S 9 v. STANDING
10 SHUBSTOR MARGARITA, Re: Dkt. Nos. 30, 38 Defendant. 11
12 13 Plaintiff Viral DRM LLC brings copyright infringement and related claims against 14 Defendant Shubstor Margarita alleging he downloaded and copied Viral DRM’s copyrighted 15 materials from YouTube, and then re-uploaded infringing versions of its copyrighted media 16 content to his YouTube channel When God is Angry. This is one of several related copyright 17 infringement actions. See Case Nos. 23-4300, 23-5045, 23-5594, 23-5977, 23-6261, 23-6598, 24- 18 731, 24-733, 24-739, 24-746. After Defendant failed to respond to the Complaint, Viral DRM 19 moved for entry of default, which the Clerk granted, and now moves for entry of default judgment. 20 (Dkt. Nos. 27, 30.1) At the hearing on Viral DRM’s motion for default judgment, the Court raised 21 an issue regarding Viral DRM’s standing to bring the copyright infringement claims and directed 22 Viral DRM to submit a copy of its license with the copyright holders. (Dkt. No. 35.) After 23 reviewing Viral DRM’s response, the Court issued an Order to Show Cause (OSC) as to Viral 24 DRM’s standing to bring the copyright infringement claims at issue here. (Dkt. No. 38.) 25 Viral DRM has filed the exact same OSC response in each case—without any citations to 26 the record or even tailoring the responses to the facts of the particular case. See Case Nos. 23- 27 1 4300, Dkt. No. 112; Case No. 23-5045, Dkt. No. 78; Case No. 23-5594, Dkt. No. 75; Case No. 23- 2 5977, Dkt. No. 61; Case No. 23-6598, Dkt. No. 56; Case No. 24-731, Dkt. No. 39; Case No. 24- 3 733, Case No. 24-739, Dkt. No. 42; Case No. 24-746, Dkt. No. 49; Case No. 24-747, Dkt. No. 42. 4 Viral DRM’s response fails to demonstrate it has standing to bring the claims under 17 U.S.C. §§ 5 501(b), 1201, 1202. Those claims are therefore dismissed without leave to amend. Viral DRM 6 does have standing to bring its claim under 17 U.S.C. § 512(f) and default judgment is entered in 7 its favor on this claim. 8 DISCUSSION 9 Viral DRM is “a syndicator of award-winning videographic content created by talented 10 videographers.” (Dkt. No. 1 at ¶ 14.) According to the Complaint, Viral DRM is “affiliated” with 11 WXChasing LLC, “a video production company that creates some of the videographic Works that 12 Viral DRM syndicates and licenses,” and Live Storms Media LLC, “a licensing broker of video 13 content owned by or exclusively licensed to Viral DRM and WXchasing.” (Id. at ¶ 15.) Viral 14 DRM alleges it “was the exclusive licensee of the Works at issue in this case” and it “registered 15 the Works at issue in this case with the Register of Copyrights pursuant to 17 U.S.C. § 411(a).” 16 (Id. at ¶¶ 38, 39.) The Registration Certificates attached to the Complaint, however, show the 17 work at issue is registered to “Michael Brandon Clement.” (Dkt. No. 1-2.) 18 According to Clement’s declaration in support of the motion for default judgment, he is a 19 principal and one of the owners of Viral DRM. (Dkt. No. 30-2 at ¶ 1.) Clement attests “[a]ll the 20 works are exclusively licensed to Viral DRM for distribution and syndication pursuant to written 21 agreements that provide Viral DRM with the necessary rights to sue for the infringements at issue 22 in this case.” (Id. at ¶ 8.) Following the hearing on the motion for default judgment, Viral DRM 23 purportedly filed its “Exclusive Management Agreement” between it and the videographer holding 24 the copyrights. (Dkt. No. 36-3.) Not so. Although the copyright registration for the work at-issue 25 is held by Michael Brandon Clement, the Agreement offered is between Viral DRM and “Bradley 26 Arnold.” (Compare Dkt. No. 1-2 with Dkt. No. 36-3.) Viral DRM has since filed the agreement 27 between it and Clement and a response to the OSC, as well as declarations from three other 1 with Viral DRM. (Dkt. Nos. 39-1; Dkt. No. 42; Dkt. No. 42-3; Dkt. No. 42-4; Dkt. No. 42-5.) 2 A. Copyright Infringement under Section 501(b) 3 Section 501(b) of the Copyright Act specifies who has standing to sue for infringement: 4 || “The legal or beneficial owner of an exclusive right under a copyright is entitled, subject to the 5 [registration] requirements of section 411, to institute an action for any infringement of that 6 || particular right committed while he or she is the owner of it.” 17 U.S.C. § 501(b). Section 106 sets 7 forth an “exhaustive list” of those exclusive rights. Si/vers v. Sony Pictures Entm'’t., Inc., 402 F.3d 8 881, 887 (9th Cir. 2005) (en banc) (citing 17 U.S.C. § 106). These include: 9 the rights “to do and to authorize” others to do six things with the copyrighted work: to reproduce the work, to prepare derivative works 10 based upon the work, to distribute copies of the work, to perform the work publicly, to display the work publicly, and to record and perform 11 the work by means of an audio transmission. a 12 Minden Pictures, Inc. v. John Wiley & Sons, Inc., 795 F.3d 997, 1002 (9th Cir. 2015) (quoting 17
13 || U.S.C. § 106). In Minden, the Ninth Circuit held “either an assignment (which transfers legal title
v 14 || to the transferee) or an exclusive license (which transfers an exclusive permission to use to the © 15 || transferee) qualifies as a ‘transfer’ of a right in a copyright for the purposes of the Act.” Minden,
Q 16 || 795 F.3d at 1003 (emphasis in original). In contrast, a “‘nonexclusive license’ does not constitute
17 a ‘transfer of copyright ownership’ and therefore cannot confer standing to assert an infringement
. . : □ Z 18 claim.” DRK Photo v. McGraw-Hill Glob. Educ. Holdings, LLC, 870 F.3d 978, 983 (9th Cir. 19 || 2017) (citing 17 U.S.C. § 101). 20 According to the Agreement between Viral DRM and Clement, the copyright holder— 21 referred to as a “Content Creator’—grants Viral DRM: 22 1. Grant of Exclusive Agency Rights. Content Creator hereby grants to VDEM the exclusive agency rights to manage and administer any content submitted by 23 Content Creator to VDORM (the “Works”), including but not limited to the right to search for copyright infringements of the Works, to register copyrights for the Works with the 24 United States Copyright Office; to authorize VDRM's attorneys to negotiate settlements, issuc takedown notices pursuant to the Digital Millennium Copyright Act or otherwise 25 file claims on behalf of the Content Creator in an effort to enforce the copyrights in and to the Works; Content Creator grants VORM exclusive agency rights to display, store, transmit, and distribute Works as needed to fulfill obligations set forth in this 26 agreement 27 (Dkt. No. 39-1 at | 1.) The Content Creator otherwise retains all copyright and ownership rights 28 in the work. (/d. at 3.) Arnold, Timmer, and Jayjack have all submitted declarations attesting to
1 agreements with the same language. (Dkt. No. 42-3 at ¶ 5; Dkt. No. 42-4 at ¶ 4; Dkt. No. 42-5 at ¶ 2 4.) 3 In response to the Court’s OSC, Viral DRM circularly argues “[t]he grant of ‘exclusive 4 agency rights’ in the agreements between videographers and Viral DRM are sufficient to appoint 5 Viral as exclusive owner of at least one of the § 106 rights and provide Viral with standing to sue” 6 because in order to “fulfill its responsibility to ‘manage and administer any content’” Viral DRM 7 “must be empowered to ‘display, store, transmit, and distribute Works as needed to fulfill 8 obligations set forth in this agreement.’” (Dkt. No. 42 at 4-5.) That Viral DRM believed its 9 licensing agreements would allow it to bring the copyright infringement claims before the Court 10 does not confer standing under Section 501. Statutory standing cannot be willed into existence. 11 In this case, it is a matter of contract and it exists or it does not. As the Court previously noted:
12 Giving Viral DRM the rights necessary to enforce the videographer’s copyright, is not the same as the exclusive right to “authorize third 13 parties to reproduce, distribute, and display the photographs” required to have standing to bring a copyright infringement action. Minden 14 [Pictures, Inc. v. John Wiley & Sons, Inc., 795 F.3d 997, 1005 (9th Cir. 2015)]; see also Silvers [v. Sony Pictures Ent., Inc., 402 F.3d 881, 15 884 (9th Cir. 2005)] (“The right to sue for an accrued claim for infringement is not an exclusive right under § 106.”). Unlike the 16 agreement in Minden, the Agreement does not give Viral DRM the exclusive right to authorize third parties to reproduce, distribute, and 17 display the copyrighted video. 18 (Dkt. No. 38 at 4.) Accordingly, under binding Ninth Circuit precedent, Viral DRM lacks 19 standing to bring a copyright infringement claim under Section 501(b). 20 B. Removal and Misrepresentation of CMI under Sections 1202(a), (b) 21 Viral DRM’s 17 U.S.C. §§ 1201, 1202 claims allege the CMI watermarks identify the 22 Works as the property of Live Storms Media. (Dkt. No. 1 at ¶ 67.) Under 17 U.S.C. § 1203, 23 “[a]ny person injured by a violation of section 1201 or 1202 may bring a civil action in an 24 appropriate United States district court for such violation.” 25 Viral DRM has not established it has standing to bring a claim challenging removal or 26 falsification of Live Storms Media’s watermark. According to the Complaint, Viral DRM is 27 “affiliated” with WXchasing LLC, and Live Storms Media LLC, and “Live Storms Media is a 1 WXchasing.” (Dkt. No. 1 at ¶ 15.) While the record contains evidence of license agreements 2 between Timmer, Jayjack, Clement, and Viral DRM, these agreements do not mention Live 3 Storms Media. While Arnold attests, “I have an agreement with Live Storms Media, LLC 4 (“LSM”) to act as my licensing agent,” the agreement is not attached to the declaration and there is 5 no evidence of an agreement between Viral DRM and Live Storms Media regarding the former’s 6 ability to bring suits regarding the latter’s watermarks. (Dkt. No. 42-3 at ¶ 3.) To further 7 complicate the issue, Viral DRM’s response to the OSC indicates “[s]ince this case was filed, 8 Viral DRM’s status as a partner with L[ive Storms Media] in the syndication and distribution 9 business underwent a change” and because of “disagreements” between Clement and Brett Adair, 10 the manager of [Live Storms Media]” Mr. Adair has assigned his interest in Viral DRM to 11 Clement. (Dkt. No. 42 at 2-3.) On this record, it is impossible to unravel the web of connections 12 between all the entities and individuals here and determine the relationship between the entities 13 and individuals involved with the copyrighted works at issue. Given the lack of clarity regarding 14 Live Storms Media’s relationship with Viral DRM, the videographers, or the Works at issue, Viral 15 DRM has not demonstrated it has standing to bring a claim regarding the removal of Live Storms 16 Media’s watermark from the Works. 17 C. DMCA False Counternotices under Section 512(f) 18 Section 512(f) authorizes claims for damages for material misrepresentations by the 19 “copyright owner or copyright owner’s authorized licensee.” 17 U.S.C. § 512(f). Viral DRM has 20 established its standing to pursue this claim as (1) it has produced evidence of licensing 21 agreements between it and Arnold, Timmer, Jayjack, and Clement; (2) the DMCA takedown 22 notices were submitted on behalf of Viral DRM by Michael Clement who is identified as the 23 Digital Rights Manager; and (3) Viral DRM has submitted copies of the counternotifications for 24 each Work. (Dkt. No. 1-3 at 5-26.) The Court thus proceeds to consider its motion for default 25 judgment as to this claim. 26 This Court has jurisdiction to enter default judgment as it is brought under the federal 27 Copyright Act. 28 U.S.C. § 1331; 17 U.S.C. § 512. By submitting a counternotification 1 of the Eitel factors favors default judgment. See Eitel v. McCool, 782 F.2d 1470, 1471–72 (9th 2 Cir. 1986). The Complaint’s allegations as to the DMCA claim are well pled and state plausible 3 claims for relief, and Viral DRM has presented reliable evidence in support of this claim. 4 Defendant never appeared even though he was properly served. Defendant’s decision not to 5 respond suggests that no material facts are in dispute. And his failure to appear makes any 6 decision on the merits impossible. So, a default judgment is the only recourse Viral DRM has. 7 The amount of money at stake for this claim—$10,000—is not excessive, although Viral 8 DRM has failed to justify the amount sought. See Geddes v. United Fin. Grp., 559 F.2d 557, 560 9 (9th Cir. 1977) (“[U]pon default the factual allegations of the complaint, except those relating to 10 the amount of damages, will be taken as true.”). Under Section 512(f), any person who makes a 11 misrepresentation:
12 shall be liable for any damages, including costs and attorneys’ fees, incurred by the alleged infringer, by any copyright owner or copyright 13 owner's authorized licensee, or by a service provider, who is injured by such misrepresentation, as the result of the service provider relying 14 upon such misrepresentation in removing or disabling access to the material or activity claimed to be infringing, or in replacing the 15 removed material or ceasing to disable access to it. 16 17 U.S.C. § 512(f). In drafting the statute, Congress did not limit damages to monetary loss or 17 other forms of specific relief even though such limitations are included in other sections of the 18 DMCA. See Lenz v. Universal Music Corp., 815 F.3d 1145, 1156 (9th Cir. 2016) (“The term 19 ‘monetary relief’ appears in § 512(a), (b)(1), (c)(1), and (d), but is notably absent from § 512(f). 20 As a result, the damages an alleged infringer may recover under § 512(f) from ‘any person’ are 21 broader than monetary relief.”). A “[plaintiff] may seek recovery of nominal damages due to an 22 unquantifiable harm suffered as a result of [defendant’s] actions.” Lenz, 815 F.3d at 1156 (“the 23 DMCA is akin to a statutorily created intentional tort whereby an individual may recover nominal 24 damages for a ‘knowingly material misrepresent[ation] under this section [512]’”) (quoting 17 25 U.S.C. § 512(f)). 26 Viral DRM has failed to show it suffered any harm “as a result of” Defendant’s false 27 counternotifications. Upon receipt of the DMCA takedown notice, YouTube took down the 1 receipt of the counternotifications, and the communication from YouTube indicates it would not 2 do so provided Viral DRM took “legal action against the uploader,” which it did when it filed this 3 copyright infringement action. (Id.) The evidence Viral DRM offers in support of default 4 judgment does not establish it incurred any actual damages because of Defendant’s 5 counternotifications. Rather, Clement’s declaration in support of default judgment contends:
6 Viral DRM incurred the expense of my time and the time of other employees who needed to review the defendant’s YouTube videos 7 and then submit the DMCA notices to get them removed. Viral DRM dedicates a team of people to this task. We need to prepare extensive 8 documentation to support our claims, submit the claims, follow up with the claims, inform our attorneys of our claims, and participate in 9 litigation concerning those claims. I have determined that for each counternotice the cost of the time that Viral DRM employees must 10 devote to this process is $2,500 per counternotice. 11 (Dkt. No. 30-2 at ¶ 30.) This declaration establishes Clement’s documented time is for 12 preparation of the takedowns, not responding to the counternotifications; so, it does not 13 demonstrate any injury arising from Defendant’s “material misrepresentation” in the 14 counternotifications. See 17 U.S.C. § 512(f). Viral DRM is therefore only entitled to nominal 15 damages for its section 512(f) claim. See Moonbug Ent. Ltd. v. BabyBus (Fujian) Network Tech. 16 Co., No. 21-CV-06536-EMC, 2024 WL 2193323, at *17 (N.D. Cal. May 15, 2024) (“In general, 17 nominal damages are intended to recognize a plaintiff’s legal injury when no actual monetary 18 damages may be discerned.”) (citing Magnett v. Pelletier, 488 F.2d 33, 35 (1st Cir. 1973)). 19 Accordingly, the Court awards Viral DRM nominal damages of $1.00 for each false 20 counternotification for a total of $4.00. Viral DRM is entitled to post-judgment interest at the 21 federal rate on all unpaid principal sums until the judgment is paid.2 See 28 U.S.C. § 1961 22 (“Interest shall be allowed on any money judgment in a civil case recovered in a district court.”). 23 CONCLUSION 24 For the reasons stated above, default judgement is GRANTED as to Viral DRM’s Section 25 512(f) claim and it is awarded $4.00 in nominal damages plus post-judgment interest. 26 2 Viral DRM has waived any claim to pre-judgment interest or attorneys’ fees and costs, but 27 suggests it might “seek an amendment of the judgment” later to recover prejudgment interest. 1 Viral DRM’s motion for default judgment on the 17 U.S.C. §§ 501(b), 1201, 1202 claims 2 || is DENIED and those claims are dismissed without leave to amend for lack of standing. To the 3 extent Viral DRM now seeks leave to name the videographers as “nominal Plaintiffs,” it is unclear 4 || what this even means. (Dkt. No. 42 at 6.) In support, Viral DRM cites a Supreme Court case 5 from 1897 discussing in whose name a wrongful death action should be brought. See Stewart v. 6 Baltimore & O.R. Co., 168 U.S. 445, 449 (1897) (describing the person in whose name a wrongful 7 death suit is brought a “nominal plaintiff.”). When considering whether to grant leave to amend, 8 || the Court considers five factors: “bad faith, undue delay, prejudice to the opposing party, futility 9 || of amendment, and whether the plaintiff has previously amended the complaint.” United States v. 10 Corinthian Colleges, 655 F.3d 984, 995 (9th Cir. 2011). “Although a district court ‘should freely 11 give leave [to amend] when justice so requires,’ the court’s discretion to deny such leave is 12 ‘particularly broad’ where the plaintiff has previously amended its complaint.” Ecological Rts. 13 Found. v. Pac. Gas & Elec. Co., 713 F.3d 502, 520 (9th Cir. 2013) (quoting Fed. R. Civ. P. 14 15(a)(2); Miller v. Yokohama Tire Corp., 358 F.3d 616, 622 (9th Cir. 2004)). Viral DRM has 3 15 been afforded several opportunities to clarify its claims and the evidence in support of its claims. a 16 || Each successive filing raises more questions than it answers. It is impossible to tell whether this is 3 17 sloppiness or something nefarious, but the Court has expended tremendous resources trying to 18 figure it out and has given Viral DRM chance after chance to clarify the record, but each response 19 only muddies the record. Accordingly, the Court in its discretion denies leave to amend as to 20 || Viral DRM’s 17 U.S.C. §§ 501(b), 1201, 1202 claims. 21 A separate judgment will follow. 22 This Order disposes of Docket Nos. 30 and 38. 23 24 IT IS SO ORDERED. 25 || Dated: March 14, 2025
27 ne JAQGQUELINE SCOTT CORL 28 United States District Judge