Vincent De Frontbrune v. Alan Wofsy

838 F.3d 992, 95 Fed. R. Serv. 3d 1215, 120 U.S.P.Q. 2d (BNA) 1230, 2016 U.S. App. LEXIS 17477, 2016 WL 5349749
CourtCourt of Appeals for the Ninth Circuit
DecidedSeptember 26, 2016
Docket14-15790
StatusPublished
Cited by33 cases

This text of 838 F.3d 992 (Vincent De Frontbrune v. Alan Wofsy) is published on Counsel Stack Legal Research, covering Court of Appeals for the Ninth Circuit primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Vincent De Frontbrune v. Alan Wofsy, 838 F.3d 992, 95 Fed. R. Serv. 3d 1215, 120 U.S.P.Q. 2d (BNA) 1230, 2016 U.S. App. LEXIS 17477, 2016 WL 5349749 (9th Cir. 2016).

Opinion

OPINION

McKEOWN, Circuit Judge:

Justice Holmes once observed that foreign legal systems can appear to the uninitiated “like a wall of stone,” impenetrable and unyielding. Diaz v. Gonzalez, 261 U.S. 102, 106, 43 S.Ct. 286, 67 L.Ed. 550 (1923) (Holmes, J.). For over a century, the federal courts attempted to scale this stone wall by treating questions of foreign law as questions of fact to be pleaded and proved. But over the years, this method proved unsatisfactory, obscuring rather than illuminating the content and nuance of foreign laws. Finally, in 1966, following a proliferation of international litigation, Federal Rule of Civil Procedure 44.1 was adopted to furnish federal courts with a uniform procedure for raising and determining an issue concerning foreign law. Fed. R. Civ. P. 44.1 advisory committee’s note. Now, according to the Rule, a “court’s determination [of foreign law] must be treated as a ruling on a question of law.” Fed. R. Civ. P. 44.1.

Despite the clear mandate of the federal rule, this appeal illustrates the difficulty that can arise in determining foreign law and the confusion surrounding the role of foreign law in domestic proceedings. The dispute stems from the transcontinental attempts of Yves Sicre de Fontbrune to protect his copyright in' photographs of Pablo Picasso’s artworks after an American art editor, Aan Wofsy and Alan Wofsy and Associates (collectively, ‘Wofsy”), reproduced the photographic images. As part of his efforts, de Fontbrune received a judgment in French court of. two million euros in “astreinte” against Wofsy for copyright violations. De Fontbrune sought to enforce this astreinte in federal court in California under the California Uniform Foreign-Court Monetary Judgment Recognition Act (“Uniform Recognition Act” or “the Act”), Cal. Civ. Proc. Code §§ 1713 et seq.

The Picasso photographs—intended to convey the quintessence of Picasso’s artworks—now require us to delve into the essence of astreinte, a French judicial device. The enforceability of the French award turns on whether, in this case, the astreinte functions as a fine or penalty— which the Uniform Recognition Act- does not recognize—or as a grant of monetary recovery—which is statutorily cognizable. The answer to this question is not a simple matter of translation, but, as we explain, requires a broader look at French law to understand the nature of the astreinte remedy in this case, in conjunction with an analysis of California law regarding the enforcement of foreign judgments.

In granting Wofsy’s Rule 12(b)(6) motion to dismiss de Fontbrune’s claim, the district court considered the parties’ expert declarations on the nature of ast-reinte. We disagree with de Fontbrune’s proposition that consideration of such materials outside the pleadings was error. Rather, under Rule 44.1’s broad mandate, foreign legal materials—including expert declarations on foreign law—can be considered in ruling on a motion to dismiss where foreign law provides the basis for the claim. We reverse and remand, however, because, the district court erred in *995 concluding that the astreinte awarded by the French court in this case functioned as a “fine or other penalty” for purposes of the Uniform Recognition Act.

Background

Between 1932 and 1970, Christian Zer-vos created a “catalogue raisonné” 1 featuring photographs of Picasso’s artistic corpus. The “Zervos Catalog,” which contained almost 16,000 photographs of Picasso’s art, was ultimately published by Cahiers d’Art and has become a universally recognized reference work. De Fontbrune purchased Cahiers d’Art’s publisher’s stock in 1979, thereby acquiring intellectual property rights in the Zervos Catalog under French law.

Almost two decades later, Wofsy reproduced several photographs from the Zer-vos Catalog in two volumes on Picasso, which he offered for sale at a Parisian book fair. De Fontbrune brought suit in French court claiming that these reproductions violated his copyright in the Zervos Catalog.

After a French trial court rejected his claims, de Fontbrune appealed to the Paris Court of Appeal. In a 2001 decision (the “2001 Judgment”), the Court of Appeal concluded that Wofsy was “guilty of infringement of copyright and ha[d] infringed on [de Fontbrune’s] rights.” The court accordingly prohibited Wofsy “from the use in any manner whatsoever of the [Zer-vos] photographs under penalty of ... [astreinte] of 10,000 francs by proven infraction,” and required Wofsy “to pay Mr. de Fontbrune 800,000 francs in pecuniary damages in redress of his- injury resulting from the infringement of copyright.” 2

Ten years later, de Fontbrune filed a claim with an enforcement judge at the Tribunal de Grande Instance de Paris (High Court of Paris) for “[liquidation d’astreinte] made against [Wofsy] by judgment of the Paris Court of Appeal[ ].” De Fontbrune sought “a judgment ordering [Wofsy] to pay him the sum of 2,000,000 euros from the amount of the [liquidation d’astreinte].”

In a 2012 decision (the “2012 Judgment”), the enforcement judge found that Wofsy had violated the 2001 Judgment by reproducing copyrighted images from the Zervos Catalog. The judge accordingly “[a]ward[ed] the [astreinte] prounounced by the Paris Court of Appeal[ ] ... in the amount of 2,000,000 euros,” as well as 1,000 euros in costs.

De Fontbrune then initiated proceedings in California state court seeking recognition of the 2012 Judgment under the Uniform Recognition Act. Wofsy removed the action to federal court ' on diversity grounds, and filed a motion to dismiss under Rule 12(b)(6).

Wofsy’s motion contested the. characterization of astreinte as “damages” in the English versions of the 2001 and 2012 Judgments attached to de Fontbrune’s complaint. Wofsy argued that astreinte functions as a penalty—not as an award, of damages—and is thus not cognizable under the Uniform Recognition Act. In sup: port of this assertion, Wofsy supplied a declaration by a French lawyer, Vonnick le Guillou. De Fontbrune countered with a *996 declaration from Ms own expert on French law, Christopher Mesnooh, explaining that, in the French system, astreinte can function as an award of damages. De Font-brune also argued that the district court should strike Guillou’s declaration as evidence outside the pleadings impermissibly filed in support of a motion to dismiss.

Faced with conflicting information about the function of astreinte in French law, the district court initially denied Wofsy’s motion in part, concluding that determining whether astreinte is a “fine, a penalty, damages, or something else ...

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838 F.3d 992, 95 Fed. R. Serv. 3d 1215, 120 U.S.P.Q. 2d (BNA) 1230, 2016 U.S. App. LEXIS 17477, 2016 WL 5349749, Counsel Stack Legal Research, https://law.counselstack.com/opinion/vincent-de-frontbrune-v-alan-wofsy-ca9-2016.