Universal City Studios, Inc. v. Reimerdes

111 F. Supp. 2d 294, 2000 WL 1160678
District Court, S.D. New York·Decided September 6, 2000·No. 00 Civ. 0277 (LAK)·Published·Cited by 40 cases

Opinion

OPINION

KAPLAN, District Judge.

Contents

I. The Genesis of the Controversy.305

A. The Vocabulary of this Case.305

1. Computers and Operating Systems.305

*303 2. Computer Code.305

3. The Internet and the World Wide Web .306
4. Portable Storage Media.307
5. The Technology Here at Issue.308

B. Parties.308

C. The Development of DVD and CSS.309

D. The Appearance of DeCSS.311

E. The Distribution of DeCSS.311

F. The Preliminary Injunction and Defendants’ Response .312

G. Effects on Plaintiffs.313

II. The Digital Millennium Copyright Act.315

A. Background and Structure of the Statute.315

B. Posting of DeCSS .316

1. Violation of Anti-Trafficking Provision.316

a. Section 1201(a)(2)(A).317

(1) CSS Effectively Controls Access to Copyrighted Works.317

(2) DeCSS Was Designed Primarily to Circumvent CSS .318

b. Section 1201(a)(2)(B).319

c. The Linux Argument.319

2. Statutory Exceptions.319

a. Reverse engineering.319

b. Encryption research.320

c. Security testing.321

d. Fair use.321

C. Linking to Sites Offering DeCSS.324

III. The First Amendment.325

A. Computer Code and the First Amendment.326

B. The Constitutionality of the DMCA’s Anti-Trafficking Provision.327

1. Defendants’ Alleged Right to Disseminate DeCSS.327
2. Prior Restraint.333
3. Overbreadth.336
4. Vagueness.339

C. Linking.339

IV. Relief.341

A. Injury to Plaintiffs.341

B. Permanent Injunction and Declaratory Relief.342

V. Miscellaneous Contentions.345

VI.Conclusion.345

Plaintiffs, eight major United States motion picture studios, distribute many of their copyrighted motion pictures for home use on digital versatile disks (“DVDs”), which contain copies of the motion pictures in digital form. They protect those motion pictures from copying by using an encryption system called CSS. CSS-protected motion pictures on DVDs may be viewed only on players and computer drives equipped with licensed technology that permits the devices to decrypt and play— but not to copy — the films.

Late last year, computer hackers devised a computer program called DeCSS that circumvents the CSS protection system and allows CSS-protected motion pictures to be copied and played on devices that lack the licensed decryption technology. Defendants quickly posted DeCSS on their Internet web site, thus making it readily available to much of the world. Plaintiffs promptly brought this action under the Digital Millennium Copyright Act (the “DMCA”) 1 to enjoin defendants from posting DeCSS and to prevent them from electronically “linking” their site to others that post DeCSS. Defendants responded with what they termed “electronic civil disobedience” — increasing their efforts to link their web site to a large number of *304 others that continue to make DeCSS available.

Defendants contend that their actions do not violate the DMCA and, in any case, that the DMCA, as applied to computer programs, or code, violates the First Amendment. 2 This is the Court’s decision after trial, and the decision may be summarized in a nutshell.

Defendants argue first that the DMCA should not be construed to reach their conduct, principally because the DMCA, so applied, could prevent those who wish to gain access to technologically protected copyrighted works in order to make fair— that is, non-infringing — use of them from doing so. They argue that those who would make fair use of technologically protected copyrighted works need means, such as DeCSS, of circumventing access control measures not for piracy, but to make lawful use of those works.

Technological access control measures have the capacity to prevent fair uses of copyrighted works as well as foul. Hence, there is a potential tension between the use of such access control measures and fair use. Defendants are not the first to recognize that possibility. As the DMCA made its way through the legislative process, Congress was preoccupied with precisely this issue. Proponents of strong restrictions on circumvention of access control measures argued that they were essential if copyright holders were to make their works available in digital form because digital works otherwise could be pirated too easily. Opponents contended that strong anti-circumvention measures would extend the copyright monopoly inappropriately and prevent many fair uses of copyrighted material.

Congress struck a balance. The compromise it reached, depending upon future technological and commercial developments, may or may not prove ideal. 3 But the solution it enacted is clear. The potential tension to which defendants point does not absolve them of liability under the statute. There is no serious question that defendants’ posting of DeCSS violates the DMCA.

Defendants’ constitutional argument ultimately rests on two propositions — that computer code, regardless of its function, is “speech” entitled to maximum constitutional protection and that computer code therefore essentially is exempt from regulation by government. But their argument is baseless.

Computer code is expressive. To that extent, it is a matter of First Amendment concern. But computer code is not purely expressive any more than the assassination of a political figure is purely a political statement. Code causes computers to perform desired functions. Its expressive element no more immunizes its functional aspects from regulation than the expressive motives of an assassin immunize the assassin’s action.

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Universal City Studios, Inc. v. Reimerdes, 111 F. Supp. 2d 294, 2000 WL 1160678 (S.D.N.Y. 2000).

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