United States v. The Painting Known as "Le Marché"

CourtCourt of Appeals for the Second Circuit
DecidedJune 3, 2011
Docket10-300
StatusPublished

This text of United States v. The Painting Known as "Le Marché" (United States v. The Painting Known as "Le Marché") is published on Counsel Stack Legal Research, covering Court of Appeals for the Second Circuit primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

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United States v. The Painting Known as "Le Marché", (2d Cir. 2011).

Opinion

10-300-cv United States v. The Painting Known as “Le Marché”

UNITED STATES COURT OF APPEALS FOR THE SECOND CIRCUIT

August Term, 2010

(Argued: February 2, 2011 Decided: June 3, 2011)

Docket No. 10-300-cv

UNITED STATES OF AMERICA,

Plaintiff-Appellee,

— v.—

SHARYL R. DAVIS,

Claimant-Appellant,

THE PAINTING KNOWN AS “LE MARCHÉ,” created by Camille Pissarro, located at Sotheby’s, 1334 York Avenue, New York, NY,

Defendant-in-Rem.*

B e f o r e:

CALABRESI and LYNCH, Circuit Judges, and COTE, District Judge.**

__________________

* The Clerk of Court is respectfully instructed to amend the official caption in this case to conform to the listing of the parties above. ** The Honorable Denise Cote, United States District Judge for the Southern District of New York, sitting by designation. This appeal arises out of a successful forfeiture action brought by the United States

government pursuant to 19 U.S.C. § 1595a. The district court (Richard J. Sullivan,

Judge) issued a final judgment of forfeiture in favor of the government after a one-week

jury trial and denied claimant-appellant Sharyl R. Davis’s subsequent motion for

attorney’s fees. On appeal, Davis principally argues that the district court erred by

refusing to apply the protections afforded by 18 U.S.C. § 983 to the government’s Section

1595a claim and by denying her motion for attorney’s fees after two of the government’s

three forfeiture claims were dismissed at summary judgment. We hold that forfeiture

actions brought pursuant to 19 U.S.C. § 1595a are not governed by 18 U.S.C. § 983, and

therefore Davis was not entitled to raise the innocent-owner defense provided by Section

983(d) or to take advantage of the heightened proof requirement of Section 983(c). We

therefore AFFIRM the district court’s judgment of forfeiture entered on January 19, 2010.

Furthermore, since Davis was not a prevailing party within the meaning of 28 U.S.C.

§ 2465(b)(1), she was not entitled to attorney’s fees under that statute. We therefore

AFFIRM the district court’s order of May 25, 2010.

BARBARA HOFFMAN, The Hoffman Law Firm, New York, New York, for Claimant-Appellant.

JEFFREY ALBERTS, Assistant United States Attorney (Virginia Chavez Romano, Assistant United States Attorney, on the brief), for Preet Bharara, United States Attorney for the Southern District of New York, New York, New York, for Plaintiff-Appellee.

2 GERARD E. LYNCH, Circuit Judge:

This case involves two parties, both asserting legitimate claims to the same

indivisible piece of property. In 1985, claimant-appellant Sharyl R. Davis purchased the

Camille Pissarro monotype Le Marché for its fair market value, unaware that it had

recently been stolen from a French museum. More than twenty years later, Le Marché’s

true provenance came to light, and the United States government brought this forfeiture

action with the intent of returning the monotype to France. Unlike in the Judgment of

Solomon, see 1 Kings 3:16-28, neither party has blinked, and we are therefore in the

unenviable position of determining who gets the artwork, and who will be left with

nothing despite a plausible claim of being unfairly required to bear the loss. In making

that determination, we take comfort in our obligation to follow the rules that Congress has

given, and recognize that justice is done by providing the predictable result that Congress

intended. Doing so here requires that we affirm both the district court’s (Sullivan, J.)

final judgment of forfeiture entered on January 19, 2010, and its order of May 25, 2010,

denying Davis’s motion for attorney’s fees.

BACKGROUND

I. Factual Background

Two works of art were stolen from the Musée Faure in Aix-les-Bains, France on

November 16, 1981. One of them, the Pissarro monotype Le Marché, made its way to

San Antonio, Texas, where Emil Guelton consigned it to J. Adelman Antiques and Art

Gallery. On May 1, 1985, the gallery’s proprietor, Jay Adelman, sold the monotype for

3 $8,500 to the Sharan Corporation, a now-defunct entity once partially controlled by

Davis.

Following the Sharan Corporation’s 1992 dissolution, Davis took ownership of Le

Marché, which she displayed in her home for more than ten years before consigning it to

Sotheby’s for sale at an upcoming auction. The French National Police became aware of

Le Marché’s impending sale and informed United States law enforcement officials that

the Pissarro monotype soon to be auctioned off by Sotheby’s had been stolen from the

Musée Faure twenty-two years earlier. The United States Department of Homeland

Security requested that Sotheby’s withdraw Le Marché from the auction, and Sotheby’s

complied.

Around the same time, the French authorities reopened their investigation into the

theft in hopes of uncovering sufficient evidence to secure Le Marché’s return. As part of

those efforts, investigators interviewed Guelton, who admitted selling artwork to

Adelman while visiting Texas in the 1980s. Investigators also included Guelton’s picture

in a photo array that they showed to Jacqueline Rivollet, the museum guard on duty the

day of the theft. Rivollet positively identified Guelton as the thief. Armed with this

evidence, the United States government filed a verified complaint in the Southern District

of New York on November 6, 2006, seeking civil forfeiture of the monotype.

II. District Court Proceedings

The government’s complaint alleged three separate claims for forfeiture. First, the

government’s “customs claim” sought forfeiture under 19 U.S.C. § 1595a, a customs

4 statute enacted as part of the Tariff Act of 1930. Section 1595a authorizes the forfeiture

of “[m]erchandise which is introduced . . . into the United States contrary to law . . . if

[the merchandise] . . . is stolen, smuggled, or clandestinely imported or introduced.” 19

U.S.C. § 1595a(c)(1)(A). To satisfy the statute’s “contrary to law” requirement, the

government alleged a violation of the National Stolen Property Act (“NSPA”), which

criminalizes, among other things, the possession or sale of stolen goods valued at $5,000

or more that have moved in interstate or international commerce, with knowledge that the

goods were stolen. See 18 U.S.C. §§ 2314, 2315. To satisfy the “is stolen, smuggled, or

clandestinely imported or introduced” requirement, the government alleged that Guelton

took Le Marché from the Musée Faure.

The government based its second and third forfeiture claims on 18 U.S.C. § 981,

under which property constituting or “derived from proceeds traceable to a violation of

. . . any offense constituting ‘specified unlawful activity’” is forfeitable to the United

States. 18 U.S.C.

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