Ty, Inc. v. Gma Accessories, Inc. And Paul Harris

132 F.3d 1167, 45 U.S.P.Q. 2d (BNA) 1519, 1997 U.S. App. LEXIS 35974
CourtCourt of Appeals for the Seventh Circuit
DecidedDecember 19, 1997
Docket97-2153, 97-2356
StatusPublished
Cited by106 cases

This text of 132 F.3d 1167 (Ty, Inc. v. Gma Accessories, Inc. And Paul Harris) is published on Counsel Stack Legal Research, covering Court of Appeals for the Seventh Circuit primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Ty, Inc. v. Gma Accessories, Inc. And Paul Harris, 132 F.3d 1167, 45 U.S.P.Q. 2d (BNA) 1519, 1997 U.S. App. LEXIS 35974 (7th Cir. 1997).

Opinion

POSNER, Chief Judge.

Ty, the manufacturer of the popular “Beanie Babies” line of stuffed animals, has obtained a preliminary injunction under the Copyright Act against the sale by GMA (and also a retailer, but we can disregard that aspect of the injunction) of “Preston the Pig” and “Louie the Cow.” These are bean-bag animals manufactured by GMA that Ty contends are copies of its copyrighted pig (“Squealer”) and cow (“Daisy”). Ty began selling the “Beanie Babies” line, including Squealer, in 1993, and it was the popularity of the line that induced GMA to bring out its own line of bean-bag stuffed animals three years later. GMA does not contest the part of the injunction that enjoins the sale of Louie, but asks us on a variety of grounds to vacate the other part, the part that enjoins it from selling Preston.

We have appended to our opinion five pictures found in the appellate record. The first shows Squealer (the darker pig, actually pink) and Preston (white). The second is a picture of two real pigs. The third and fourth are different views of the design for Preston that Janet Salmon submitted to GMA several months before Preston went into production. The fifth is a picture of the two bean-bag cows; they are nearly identical. A glance at the first picture shows a striking similarity between the two bean-bag pigs as well. The photograph was supplied by GMA and actually understates the similarity (the animals themselves are part of the record). The “real” Preston is the same length as Squealer and has a virtually identical snout. The difference in the lengths of the two animals in.the picture is a trick of the camera. The difference in snouts results from the fact that the pictured Preston was a manufacturing botch. And GMA put a ribbon around the neck of the Preston in the picture, but the Preston that it sells doesn’t have a ribbon.

The two pigs are so nearly identical that if the second is a copy of the first, the second clearly infringes Ty's copyright. But identity is not infringement. The Copyright Act forbids only copying; if independent creation results in an identical work, the creator of that work is free to sell it. Selle v. Gibb, 741 F.2d 896, 901 (7th Cir.1984); Grubb v. KMS Patriots, L.P., 88 F.3d 1, 3 (1st Cir. 1996). The practical basis for this rule is that unlike the case of patents and trademarks, the creator of an expressive work-an author or sculptor or composer-cannot canvass the entire universe of copyrighted works to discover whether his poem or song or, as in this case, "soft sculpture" is identical to some work in which copyright subsists, especially since unpublished, unregistered works are copyrightable. 17 U.S.C. § 104(a); Harper & Row, Publishers, Inc. v. Nation Enterprises, 471 U.S. 539, 548, 105 S.Ct. 2218, 2224, 85 L.Ed.2d 588 (1985). But identity can be powerful evidence of copying. Gaste v. Kaiserman, 868 F.2d 1061, 1068 (2d Cir.1988); Ferguson v. National Broadcasting Co., 584 F.2d 111 (5th Cir.1978). The more a work is both like an already copyrighted work and-for this is equally important,unlike anything that is in the public domain, the less likely it is to be an independent creation. As is generally true in the law, circumstantial evidence-evidence merely probabilistic rather than certain-can confer sufficient confidence on an inference, here of copying, to warrant a legal finding.

The issue of copying can be broken down into two subissues. The first is whether the alleged copier had access to the work *1170 that he is claimed to have copied; the second is whether, if so, he used his access to copy. CMM Cable Rep, Inc. v. Ocean Coast Properties, Inc., 97 F.3d 1504, 1513 (1st Cir.1996); Fisher-Price, Inc. v. Well-Made Toy Mfg. Corp., 25 F.3d 119, 123 (2d Cir.1994). It might seem that access could not be an issue where, as in this ease, the allegedly copied work is a mass-produced consumer product purchasable for $5. But we shall see that GMA has attempted to make an issue of access.

Obviously, access does not entail copying. An eyewitness might have seen the defendant buy the copyrighted work; this would be proof of access, but not of copying. But copying entails access. If, therefore, two works are so similar as to make it highly probable that the later one is a copy of the earlier one, the issue of access need not be addressed separately, since if the later work was a copy its creator must have had access to the original. Selle v. Gibb, supra, 741 F.2d at 901; Gaste v. Kaiserman, supra, 863 F.2d at 1068; Ferguson v. National Broadcasting Co., supra. Of course the inference of access, and hénce of copying, could be rebutted by proof that the creator of the later work could not have seen the earlier one or (an alternative mode of access) a copy of the earlier one. But unlike the court in Towler v. Sayles, 76 F.Sd 579, 584-85 (4th Cir.1996), and the authors of 4 Nimmer on Copyright § 13.02[B], pp. 13-24 to 13-25 (1997), we do not read our decision in Selle to hold or imply, in conflict with the Gaste decision, that no matter how closely the works resemble each other, the plaintiff must produce some (other) evidence of access. He must produce evidence of access, all right— but, as we have just said, and as is explicit in Selle itself, see 741 F.2d at 901, a similarity that is so close as to be highly unlikely to have been an accident of independent cremation is evidence of access.

What troubled us in Selle but is not a factor here is that two works may be strikingly similar — may in fact be identical — not because one is copied from the other but because both are copies of the same thing in the public domain. In such a case — imagine two people photographing Niagara Falls from the same place at the same time of the day and year and in identical weather — there is no inference of access to anything but the public domain, and, equally, no inference of copying from a copyrighted work. Id. at 904; Gracen v. Bradford Exchange, 698 F.2d 300, 304 (7th Cir.1983); Warren Publishing, Inc. v. Microdos Data Corp., 115 F.3d 1509, 1516 n. 19 (11th Cir.1997); Key Publications, Inc. v. Chinatown Today Publishing Enterprises, Inc., 945 F.2d 509, 514 (2d Cir.1991). A similarity may be striking without being suspicious.

But here it-is both. GMA’s pig is strikingly similar to Ty’s pig but not to anything in the public domain — a real pig, for example, which is why we have included in our appendix a photograph of real pigs.

Free access — add to your briefcase to read the full text and ask questions with AI

Related

Cite This Page — Counsel Stack

Bluebook (online)
132 F.3d 1167, 45 U.S.P.Q. 2d (BNA) 1519, 1997 U.S. App. LEXIS 35974, Counsel Stack Legal Research, https://law.counselstack.com/opinion/ty-inc-v-gma-accessories-inc-and-paul-harris-ca7-1997.