Twentieth Century-Fox Film Corporation v. Ring Lardner, Jr.

216 F.2d 844, 51 A.L.R. 2d 728, 1954 U.S. App. LEXIS 3048
CourtCourt of Appeals for the Ninth Circuit
DecidedNovember 9, 1954
Docket13491_1
StatusPublished
Cited by18 cases

This text of 216 F.2d 844 (Twentieth Century-Fox Film Corporation v. Ring Lardner, Jr.) is published on Counsel Stack Legal Research, covering Court of Appeals for the Ninth Circuit primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Twentieth Century-Fox Film Corporation v. Ring Lardner, Jr., 216 F.2d 844, 51 A.L.R. 2d 728, 1954 U.S. App. LEXIS 3048 (9th Cir. 1954).

Opinion

CHAMBERS, Circuit Judge.

Ring Lardner, Jr., plaintiff and appellee, in the year 1947 was working under written contract as a screen writer for Twentieth Century-Fox Film Corporation. The latter, defendant and appellant, will hereinafter be referred to as “Fox.”

Lardner was discharged on November 28, 1947, by Fox. Lardner filed suit and obtained judgment for approximately $25,000 in salary accruing after his discharge. This is a diversity case and Fox has appealed.

The events leading up to the discharge of Lardner start in 1947 with an investigation and hearings of the Un-American Activities Committee of the United States House of Representatives investigating alleged Communist infiltration of the motion picture industry. In advance, House investigators had been to Hollywood, but the actual hearings were in Washington. Those hearings with which we are concerned were held in October, 1947.

Lardner was one of ten witnesses from the motion picture employees who declined to tell the committee whether they were members of the Communist party. The refusal was oblique. The answers were not responsive to the questions and essentially consisted of questioning the authority of the congressional committee. The refusal of Lardner was made on October 30. On November 24, the “ten men,” including Lardner, were cited by the House of Representatives for contempt. Prosecution in the district court in Washington, D. C., followed, Lardner being there convicted on June 22, 1950. Meanwhile, Lardner had been discharged by Fox on November 28, 1947, four days after the citation for contempt. The Fox board of directors on November 20 had adopted a resolution providing that any employee cited for contempt of Congress for failing to answer whether or not he was a member of the Communist party should be discharged.

Another of the “ten men” was Lester Cole. He was discharged by Loew’s, Incorporated, for the same reason. He sued upon his contract, and his civil action was tried before his conviction in the criminal case in Washington. Lardner’s civil case was tried below after he was convicted, after he had served his sentence and after this court’s decision on appeal of Cole’s case, Loew’s, Incorporated v. Cole, 9 Cir., 185 F.2d 641. The 1947 congressional hearing on the motion picture industry is at the root of Cole’s case and Lardner’s. The conduct of the two before the committee is similar in all aspects important to this case. The events of the hearing are well described by Judge Pope in Cole’s decision. For brevity, reference is made to the report of Cole’s case. Throughout, reference and comparison will be made to the Cole litigation, and the facts herein stated may not be adequate without a reading of Cole’s case.

Both Loew’s and Fox justified the discharge of Cole and Lardner respectively *848 under the so-called “morals” or “good conduct” clause of the contract. Inasmuch as the Cole decision seemed to have been, and properly so, the chart for the trial of this cause, it may be well to set forth in parallel columns the good conduct clause of Cole’s contract and the similar one in Lardner’s contract. They are as follows:

Cole’s
“The employee agrees to conduct himself with due regard to public conventions and morals, and agrees that he will not do or commit any act or thing that will tend to degrade him in society or bring him into public hatred, contempt, scorn or ridicule, or that will tend to shock, insult or offend the community or ridicule public morals or decency, or prejudice the producer of the motion picture, theatrical or radio industry in general.”
Lardner’s
“That the artist shall perform the services herein contracted for in the manner that shall be conducive to the best interests of the producer, and of the business in which the producer is engaged, and if the artist shall conduct himself, either while rendering such services to the producer, or in his private life in such a manner as to commit an offense involving moral turpitude under Federal, state or local laws or ordinances, or shall conduct himself in a manner that shall offend against decency, morality or shall cause him to be held in public ridicule, scorn or contempt, or that shall cause public scandal, then, and upon the happening of any of the events herein described, the producer may, at its option and upon one week’s notice to the artist, terminate this contract and the employment thereby created.”

One may observe that Lardner’s contract said everything that Cole’s said and a little more.

Fox justified the discharge on the ground that Lardner, by his conduct before the congressional committee, had breached the good conduct clause of the contract and therefore it, Fox, was excused from performance. Lardner replied that he had not breached the contract, but if he had breached it, then Fox, by continuing him on the payroll for almost a month and by giving him a new assignment, had waived the breach and was not justified in discharging him late in November.

While the defense was not expressly pleaded here, just as Cole did, Lardner forcefully claimed that the “ten men,” he among them, were encouraged by their employers to defy Congress; that when a public clamor arose over the conduct of the screen writers, the producers then gave up the ten men as a burnt offering to appease public opinion. Both the appearances before Congress and the trial of Lardner’s civil case were done with flair, if not flamboyance, by both producers and the screen writers.

Lardner won on the general issue at the trial for damages in the United States District Court for the Southern District of California. Also, the jury, on interrogatories, answered that Lardner had not breached the good conduct clause, but if he had, Fox had waived it.

By specifications of error, Fox raises a number of contentions. The most important ones are asserted as follows:

1. The trial court erred in permitting witnesses to testify on the issue of waiver as to conversations with certain *849 Fox executives without a requisite foundation of authority.

2. The trial court erred in not receiving in evidence discussions had at the meetings of the board of directors and the executive committee of Fox during the period from the time of Lardner’s appearance before the congressional committee in October until his discharge in November.

3. The trial court erred in not admitting into evidence the record of Lardner’s conviction of contempt of Congress for his refusal to testify on October 30, 1947.

4. The trial court erred in admitting into evidence the fact that after Lardner’s discharge Fox, on all films publicly exhibited and upon which Lardner had worked, continued to give him credit for his part therein. (That is, the films continued to run after his discharge with credit given on the exhibition to Lardner. Or, stated another way, Fox did not rub Lardner’s name off the completed films.)

5. The trial court erred in giving certain instructions and refusing others.

Waiver

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Cite This Page — Counsel Stack

Bluebook (online)
216 F.2d 844, 51 A.L.R. 2d 728, 1954 U.S. App. LEXIS 3048, Counsel Stack Legal Research, https://law.counselstack.com/opinion/twentieth-century-fox-film-corporation-v-ring-lardner-jr-ca9-1954.